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Surrealism
Surrealism is an art movement, art and cultural movement that developed in Europe in the aftermath of World War I in which artists aimed to allow the unconscious mind to express itself, often resulting in the depiction of illogical or dreamlike scenes and ideas. Its intention was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or ''surreality.'' It produced works of painting, writing, photography, Theatre of Cruelty, theatre, Surrealist cinema, filmmaking, Surrealist music, music, Surreal humour, comedy and other media as well. Works of Surrealism feature the element of surprise, unexpected juxtapositions and ''Non sequitur (literary device), non sequitur''. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatic behavior, automatism" Breton speaks of in the fi ...
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Surrealist Manifesto
The Surrealist Manifesto refers to several publications by Yvan Goll and André Breton, leaders of rival Surrealism, surrealist groups. Goll and Breton both published manifestos in October 1924 titled ''Manifeste du surréalisme''. Breton wrote a second manifesto in 1929, which was published the following year, and in 1942, a reflection or a commentary on the potential for a third manifesto, exploring how the Surrealist movement might adapt to changing times. History By 1924, two rival surrealist groups had formed, each claiming to be a successor of the legacy of Guillaume Apollinaire. One group, led by Yvan Goll, included Pierre Albert-Birot, Paul Dermée, Céline Arnauld, Francis Picabia, Tristan Tzara, Giuseppe Ungaretti, Pierre Reverdy, Marcel Arland, Joseph Delteil, Jean Painlevé and Robert Delaunay.
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