Songs Written By Tim Sköld
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Songs Written By Tim Sköld
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical composers fo ...
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Billie Holiday, Downbeat, New York, N
Billie may refer to: People * Billie Allen (1925-2015), American actress * Billie Bird (1908-2002), American actress and comedian * Billie Burke (1884-1970), American actress * Billie Joe Armstrong (born 1972), American singer and guitarist for the band Green Day * Billie Dove (1903–1997), American actress * Billie Eilish (born 2001), American singer-songwriter * Billie Fleming (1914–2014), British long-distance cycling record-holder * Billie Frechette (1907–1969), American Métis singer, waitress, convict, and lecturer known for her relationship with the bank robber John Dillinger * Billie Holiday (1915–1959), American jazz singer * Billie Jean King (born 1943), American professional tennis player and gender equality advocate * Billie Lourd (born 1992), American actress * Billie Moore (1943–2022), American basketball coach * Billie Mae Richards (1921-2010), Canadian actress * Billie Piper (born 1982), British singer and actress, who first recorded under the name Billie ...
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Aria
In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca'). By the early 16th century it was in common use as meaning a simple setting of strophic poetry; me ...
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Volkslied
Volkslied (literally: folk song) is a genre of popular songs in German which are traditionally sung. While many of them were first passed orally, several collections were published from the late 18th century. Later, some popular songs were also included in this classification. History The earliest songs in German appeared in the 12th century. Art songs were created by minstrels and meistersinger while cantastoria (''Bänkelsänger'') sang songs in public that were orally transmitted. Song collections were written from the late 15th century, such as ''Lochamer-Liederbuch'' and ''Glogauer Liederbuch''. Georg Forster's ''Frische teutsche Liedlein'' was first printed in 1536. In the period of Sturm und Drang, poets and authors became interested in that which they saw as simple, close to nature, original, and unspoiled (nach dem ). Johann Gottfried Herder coined the term 'Volkslied' in the late 18th century, and published ''Von deutscher Art und Kunst'' (On German ways and artist ...
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Songs Without Words
''Songs Without Words'' (') is a series of short lyrical piano works by the Romantic composer Felix Mendelssohn written between 1829 and 1845. His sister, Fanny Mendelssohn, and other composers also wrote pieces in the same genre. Music The eight volumes of ''Songs Without Words'', each consisting of six songs (), were written at various points throughout Mendelssohn's life and published separately. The piano became increasingly popular in Europe during the early nineteenth century, when it became a standard item in many middle-class households. The pieces are within the grasp of pianists of various abilities and this undoubtedly contributed to their popularity. This great popularity has caused many critics to under-rate their musical value. The first volume was published by Novello in London (1832) as ''Original Melodies for the Pianoforte'', but the later volumes used the title ''Songs Without Words''. The works were part of the Romantic tradition of writing short lyric ...
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Instrumental
An instrumental is a recording normally without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through semantic widening, a broader sense of the word song may refer to instrumentals. The music is primarily or exclusively produced using musical instruments. An instrumental can exist in music notation, after it is written by a composer; in the mind of the composer (especially in cases where the composer themselves will perform the piece, as in the case of a blues solo guitarist or a folk music fiddle player); as a piece that is performed live by a single instrumentalist or a musical ensemble, which could range in components from a duo or trio to a large big band, concert band or orchestra. In a song that is otherwise sung, a section that is not sung but which is played by instruments can be called an instrumental interlude, or, if it occurs at the beginning of the song, before the singer starts to sing ...
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Word Sense
In linguistics, a word sense is one of the meanings of a word. For example, a dictionary may have over 50 different senses of the word "play", each of these having a different meaning based on the context of the word's usage in a sentence, as follows: In each sentence different collocates of "play" signal its different meanings. People and computers, as they read words, must use a process called word-sense disambiguationR. Navigli''Word Sense Disambiguation: A Survey', ACM Computing Surveys, 41(2), 2009, pp. 1-69. to reconstruct the likely intended meaning of a word. This process uses context to narrow the possible senses down to the probable ones. The context includes such things as the ideas conveyed by adjacent words and nearby phrases, the known or probable purpose and register of the conversation or document, and the orientation (time and place) implied or expressed. The disambiguation is thus context-sensitive. Advanced semantic analysis has resulted in a sub-di ...
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Semantic Change
Semantic change (also semantic shift, semantic progression, semantic development, or semantic drift) is a form of language change regarding the evolution of word usage—usually to the point that the modern meaning is radically different from the original usage. In diachronic (or historical) linguistics, semantic change is a change in one of the meanings of a word. Every word has a variety of senses and connotations, which can be added, removed, or altered over time, often to the extent that cognates across space and time have very different meanings. The study of semantic change can be seen as part of etymology, onomasiology, semasiology, and semantics. Examples in English * Awful — Literally "full of awe", originally meant "inspiring wonder (or fear)", hence "impressive". In contemporary usage, the word means "extremely bad". * Awesome — Literally "awe-inducing", originally meant "inspiring wonder (or fear)", hence "impressive". In contemporary usage, the word means "e ...
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Choir
A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind choir" of an orchestra, or different "choirs" of voices or instruments in a polychoral composition. In typical 18th century to 21st century oratorios and masses, 'choru ...
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Harmony Vocals
Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). In art music Vocal harmonies have been an important part of Weste ...
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Polyphony
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony. Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is opposed to " ...
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Big Band
A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing was most popular. The term "big band" is also used to describe a genre of music, although this was not the only style of music played by big bands. Big bands started as accompaniment for dancing. In contrast to the typical jazz emphasis on improvisation, big bands relied on written compositions and arrangements. They gave a greater role to bandleaders, arrangers, and sections of instruments rather than soloists. Instruments Big bands generally have four sections: trumpets, trombones, saxophones, and a rhythm section of guitar, piano, double bass, and drums. The division in early big bands, from the 1920s to 1930s, was typically two or three trumpets, one or two trombones, three or four saxo ...
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Backing Band
A backup band or backing band is a musical ensemble that typically accompanies a single artist who is the featured performer. The situation may be a live performance or in a recording session, and the group may or may not have its own name, such as "The Heartbreakers" (the band of Tom Petty), or " Bob Wills and his Texas Playboys" in the 1930s. Often, backup bands contain sidemen who are skilled but not known to the public; these musicians may be replaced or substituted at any time without noticeable impact on the performance. A number of cohesive stand-alone groups of musicians have emerged from the shadow of the starring celebrity (whom they are backing) to achieve a stature of their own. An example is the Eagles in 1971, emerging from being the backing band for Linda Rondstadt. Another example is The Band, a group who backed Bob Dylan on his world tour in 1966, his first tour with electric instruments. A backing band may also be a cadre of elite studio musicians who serve ...
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