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Songs Of World War I
The music of World War I is the music which was composed during the war or which is associated with it. Music hall In 1914, music hall was by far the most popular form of popular song. It was listened to and sung along to in theatres which were getting ever larger (three thousand seaters were not uncommon) and in which the musical acts were gradually overshadowing all other acts (animal imitators, acrobats, human freaks, conjurors, etc.) The industry was more and more dominated by chains of theatres like Moss, and by music publishers, since selling sheet music was very profitable indeed—a real hit could sell over a million copies. The seats at the music hall could be very cheap and attracted a largely working class audience, for whom a gramophone would generally be too expensive. Although many ordinary people had heard gramophones in seaside resorts or in park concerts organized by local councils, many more would discover the gramophone while in the army, since gramophone m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Hall
Music hall is a type of British theatrical entertainment that was popular from the early Victorian era, beginning around 1850. It faded away after 1918 as the halls rebranded their entertainment as variety. Perceptions of a distinction in Britain between bold and scandalous ''Music Hall'' and subsequent, more respectable ''Variety'' differ. Music hall involved a mixture of popular songs, comedy, speciality acts, and variety entertainment. The term is derived from a type of theatre or venue in which such entertainment took place. In North America vaudeville was in some ways analogous to British music hall, featuring rousing songs and comic acts. Originating in saloon bars within public houses during the 1830s, music hall entertainment became increasingly popular with audiences. So much so, that during the 1850s some public houses were demolished, and specialised music hall theatres developed in their place. These theatres were designed chiefly so that people could consume food ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Champion
William Henry Crump (17 April 1865 – 14 January 1942), better known by the stage name Harry Champion, was an English music hall composer, singer and comedian, whose onstage persona appealed chiefly to the working class communities of East End of London, East London. His best-known recordings include "Boiled Beef and Carrots" (1909), "I'm Henery the Eighth, I Am" (1910), "Any Old Iron (song), Any Old Iron" (1911) and "A Little Bit of Cucumber" (1915). Champion was born in Bethnal Green, East London. He made his stage debut at the age of 17 at the Royal Victoria Music Hall in Old Ford Road, Bethnal Green, in July 1882. He initially appeared as Will Conray and went on to appear in small music halls in the East End. In 1887 he changed his stage name to Harry Champion and started to perform in other parts of London where he built up a wide repertoire of songs. His trademark style was singing at a fast tempo and often about the joys of food. After more than four decades on t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
World War I In Popular Culture
The First World War, which was fought between 1914 and 1918, had an immediate impact on popular culture. In over the hundred years since the war ended, the war has resulted in many artistic and cultural works from all sides and nations that participated in the war. This included artworks, books, poems, films, television, music, and more recently, video games. Many of these pieces were created by soldiers who took part in the war. Art The years of warfare were the backdrop for art which is now preserved and displayed in such institutions as the Imperial War Museum in London, the Canadian War Museum in Ottawa, and the Australian War Memorial in Canberra. Official war artists were commissioned by the British Ministry of Information and the authorities of other countries. After 1914, avant-garde artists began to consider and investigate many things that had once seemed unimaginable. As Marc Chagall later remarked, "The war was another plastic work that totally absorbed us, whic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Didn't Raise My Boy To Be A Soldier
"I Didn't Raise My Boy to Be a Soldier" is an American anti-war song that was influential within the pacifist movement that existed in the United States before it entered World War I. It is one of the first anti-war songs.Pelger, Martin, "Soldiers' Songs and Slang of the Great War", Osprey Publishing, New York, 2014, p. 265 Lyricist Alfred Bryan collaborated with composer Al Piantadosi in writing the song, which inspired a sequel, some imitations, but also a number of scornful parodies. It was recorded by The Peerless Quartet in December 1914 and was a hit in 1915, selling 650,000 copies. Its expression of popular pacifist sentiment "helped make the pacifist movement a hard, quantifiable political reality to be reckoned with." Themes The song gives the lament of a lonely mother whose son has been lost in the war: She comments on the irony of war being between different mothers' sons, killing each other with muskets. Conflict between nations should be resolved by arbitrati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keep The Home Fires Burning (1914 Song)
"Keep the Home-Fires Burning (Till the Boys Come Home)" is a British patriotic First World War song composed in 1914 by Ivor Novello with words by Lena Guilbert Ford (whose middle name was sometimes printed as "Gilbert"). The song was published first as "'Till the Boys Come Home" on 8 October 1914 by Ascherberg, Hopwood and Crew Ltd. in London.home fire burning A new edition was printed in 1915 with the name "Keep the Home-Fires Burning". The song became very popular in the United Kingdom during the war, along with "It's a Long Way to Tipperary". James F. Harrison recorded "Keep the Home-Fires Burning" in 1915, as did Stanley Kirkby in 1916. Another popular recording was sung by tenor John McCormack in 1917, who was also the first to record "It's a Long Way to Tipperary" in 1914. (See External links below to hear these recordings of "Keep the Home-Fires Burning".) Other versions include one by Frederick J. Wheeler and one by the duet Reed Miller & Frederick Wheeler. Ther ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
When The Boys Come Home
"When the Boys Come Home" is a World War I song. It was first published as sheet music in 1915 with music by Oley Speaks and lyrics by John Hay. 1917 version Oley Speaks composed the song. John Hay wrote the lyrics. The piece was written for both voice and piano. The song, written in first person, takes on a positive tone. The lyrics detail the happiness and celebration that will be felt when the soldiers return home from war. Another song published in 1918 with the same name had lyrics by John Hay and music by Calvin W. Laufer. 1919 recording The 1919 version was performed by Louis Graveure and recorded on February 13, 1919. The song was released by Columbia Records. It reached the number nine spot on the US song charts in June 1919. Notable performances It was performed in Richfield, Utah in 1918 by Mrs. R. G. Clark. and in Allo Allo ''Allo 'Allo!'' is a British sitcom television series, created by David Croft and Jeremy Lloyd, starring Gorden Kaye, Carmen Sil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Your King And Country Want You
Several different recruiting songs with the name "Your King and Country Want/Need You" were popularised in Britain at the beginning of the First World War. ''Your King and Country Want You'' with words and music by Paul Rubens was published in London at the start of the war in 1914 by Chappell Music. It was written as a "Woman's Recruiting Song" to be sung with the intention of persuading men to volunteer to fight in the War. Profits from its sale were given to " Queen Mary's Work for Women Fund"; the song raised over half a million pounds for the fund.Pegler, Martin, ''Soldiers' Songs and Slang of the Great War'' Osprey Publishing, 2014, , page 254. Lyrics The song lyrics were written to be sung by a woman, but alternative words could be used (listed in brackets) if sung by a man or by a mixed ensemble. The following complete set of lyrics are taken from the original sheet music: Verse 1: : We've watched you playing cricket And every kind of game : At football, golf and pol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Songs The Sailors And Soldiers Sing - 1917 Advertisement
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical composers fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gertie Gitana
Gertie Gitana (born Gertrude Mary Astbury; 27 December 1887 – 5 January 1957) was an English music hall entertainer. Biography She was born in Shirley Street, Longport, Staffordshire, Longport, Stoke-on-Trent. thepotteries.org Her father was a pottery works foreman and her mother Lavinia managed a shop.Richard Anthony Baker, ''Old Time Variety: an illustrated history'', Pen & Sword, 2011, , pp.251-254 When she was three, the family moved to Frederic Street in nearby Hanley, Staffordshire, Hanley. She was a member of Tomkinson's "Royal Gipsy Children" at the age of four, performing on local stages; ''gitana'' is Spanish (and Italian) for "Gipsy girl". She made her solo professional debut in 18 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moss Empires
Moss Empires was a company formed in Edinburgh in 1899, from the merger of the theatre companies owned by Sir Edward Moss, Richard Thornton and Sir Oswald Stoll. This created the largest chain of variety theatres and music halls in the United Kingdom. The business was successful, with major variety theatres in almost every city in Britain and Ireland, and was advertised as the largest group in the world. History The group had grown to over 50 theatres when Stoll withdrew his in 1910 to run them as a separate business. The first Royal Command Variety Performance was planned for Sir Edward Moss's Edinburgh Empire in the Coronation year 1911 but it burned down and instead was held at the London Palace Theatre in 1912, owned then by Sir Alfred Butt, a competitor of Moss, who later joined its alliance; with many subsequent performances being given at the London Palladium. In 1932, impresario and producer George Black oversaw the merging of GTC (General Theatre Corporation) wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Lauder
Sir Henry Lauder (; 4 August 1870 – 26 February 1950)Russell, Dave"Lauder, Sir Henry (1870–1950)" ''Oxford Dictionary of National Biography'', Oxford University Press, 2004, online edition, January 2011, accessed 27 April 2014 was a Scottish singer and comedian popular in both music hall and vaudeville theatre traditions; he achieved international success. He was described by Sir Winston Churchill as "Scotland's greatest ever ambassador", who "... by his inspiring songs and valiant life, rendered measureless service to the Scottish race and to the British Empire." He became a familiar worldwide figure promoting images like the kilt and the cromach (walking stick) to huge acclaim, especially in America. Among his most popular songs were "Roamin' in the Gloamin", "A Wee Deoch-an-Doris", "The End of the Road" and, a particularly big hit for him, "I Love a Lassie". Lauder's understanding of life, its pathos and joys, earned him his popularity. Beniamino Gigli comme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Formby, Sr
George Formby (born James Lawler Booth; 4 October 1875 – 8 February 1921) was an English comedian and singer in musical theatre, known as one of the greatest music hall performers of the early 20th century. His comedy played upon Lancashire stereotypes, and he was popular around Britain. His nickname, "The Wigan Nightingale", was coined because of the way he would use his Bronchitis, bronchial cough as a comedic device in his act. Formby was born into poverty in the industrial North West England; his mother was an alcoholic and part-time prostitute, and during much of his youth he was maltreated. To earn money he would sing for pennies on street corners, before he joined a singing duo in his teens. He began to develop his own act during the 1890s and built up a following in Lancashire. He also developed a series of stage characters, including that of "John Willie", which is described by the cultural historian Jeffrey Richards as "the archetypal gormless Lancashire lad&nb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
