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Sichuan Opera
Sichuan opera (; Sichuanese Pinyin: Cuan1ju4; ) is a type of Chinese opera originating in China's Sichuan province around 1700. Today's Sichuan opera is a relatively recent synthesis of 5 historic melodic styles. Regionally Chengdu remains to be the main home of Sichuan opera, while other influential locales include Chongqing, Guizhou, Yunnan, Hubei and Taiwan. History Initially there were 5 distinct opera styles.Stanton, Sarah. Banham, Martin. 996(1996). The Cambridge Paperback Guide to Theatre. Cambridge press publishing. The history of each style varies greatly. At least one of the Chinese operatic styles began as early as the Three Kingdoms period with some form of ''Canjun opera''. During the Tang dynasty, a band of five came about in Chengdu. In the Song dynasty, the opera developed into ''zaju''. In the Ming dynasty, artists performed the skill in Jinling (modern-day Nanjing). During the reign of Yongzheng and Qianlong emperor in the Qing dynasty, in the Huabu areas, Kun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sichuan Opera In Chengdu
Sichuan (; zh, c=, labels=no, ; zh, p=Sìchuān; Postal romanization, alternatively romanized as Szechuan or Szechwan; formerly also referred to as "West China" or "Western China" by Protestantism in Sichuan, Protestant missions) is a Provinces of China, province in Southwest China occupying most of the Sichuan Basin and the easternmost part of the Tibetan Plateau between the Jinsha River on the west, the Daba Mountains in the north and the Yunnan-Guizhou Plateau, Yungui Plateau to the south. Sichuan's capital city is Chengdu. The population of Sichuan stands at 83 million. Sichuan neighbors Qinghai to the northwest, Gansu to the north, Shaanxi to the northeast, Chongqing to the east, Guizhou to the southeast, Yunnan to the south, and the Tibet Autonomous Region to the west. In antiquity, Sichuan was the home of the Ancient Chinese states, ancient states of Ba (state), Ba and Shu (state), Shu. Their conquest by Qin (state), Qin strengthened it and paved the way for Qin Shi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yongzheng Emperor
, regnal name = , posthumous name = Emperor Jingtian Changyun Jianzhong Biaozhen Wenwu Yingming Kuanren Xinyi Ruisheng Daxiao Zhicheng Xian()Manchu: Temgetulehe hūwangdi () , temple name = Shizong()Manchu: Šidzung () , house = Aisin Gioro , dynasty = Qing , father = Kangxi Emperor , mother = Empress Xiaogongren , religion = Tibetan Buddhism The Yongzheng Emperor (13 December 1678 – 8 October 1735), also known by his temple name Emperor Shizong of Qing, born Yinzhen, was the fourth Emperor of the Qing dynasty, and the third Qing emperor to rule over China proper. He reigned from 1722 to 1735. A hard-working ruler, the Yongzheng Emperor's main goal was to create an effective government at minimal expense. Like his father, the Kangxi Emperor, the Yongzheng Emperor used military force to preserve the dynasty's position. Although Yongzheng's reign was much shorter than that of both his father (the Kangxi Emperor) and his son (the Qianlong Emperor), the Yongzheng era ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erhu
The ''erhu'' (; ) is a Chinese two-stringed bowed musical instrument, more specifically a spike fiddle, which may also be called a ''Southern Fiddle'', and is sometimes known in the Western world as the ''Chinese violin'' or a ''Chinese two-stringed fiddle''. It is used as a solo instrument as well as in small ensembles and large orchestras. It is the most popular of the huqin family of traditional bowed string instruments used by various ethnic groups of China. As a very versatile instrument, the erhu is used in both traditional and contemporary music arrangements, such as pop, rock and jazz. History The ''Erhu'' can be traced back to proto-Mongolic instruments which first appeared in China during the Tang dynasty. It is believed to have evolved from the '' Xiqin'' ( 奚 琴). The xiqin is believed to have originated from the Xi people located in current northeast China. The first Chinese character of the name of the instrument ( 二, ''èr'', two) is believed to come fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guqin
The ''guqin'' (; ) is a plucked seven-string Chinese musical instrument. It has been played since ancient times, and has traditionally been favoured by scholars and literati as an instrument of great subtlety and refinement, as highlighted by the quote "a gentleman does not part with his ''qin'' or '' se'' without good reason," as well as being associated with the ancient Chinese philosopher Confucius. It is sometimes referred to by the Chinese as "the father of Chinese music" or "the instrument of the sages". The ''guqin'' is not to be confused with the '' guzheng'', another Chinese long stringed instrument also without frets, but with moveable bridges under each string. Traditionally, the instrument was simply referred to as the "''qin''" (琴) but by the twentieth century the term had come to be applied to many other musical instruments as well: the ''yangqin'' hammered dulcimer, the ''huqin'' family of bowed string instruments, and the Western piano (''gangqin'' (钢琴) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beijing Opera
Peking opera, or Beijing opera (), is the most dominant form of Chinese opera, which combines music, vocal performance, mime, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing court and has come to be regarded as one of the cultural treasures of China. Major performance troupes are based in Beijing, Tianjin and Shanghai. The art form is also preserved in Taiwan, where it is also known as (). It has also spread to other regions such as the United States and Japan. Peking opera features four main role types, '' sheng'' (gentlemen), ''dan'' (women), '' jing'' (rough men), and '' chou'' (clowns). Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Peking opera's characteristically sparse stage. They use the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Economic Reform In The People's Republic Of China
The Chinese economic reform or reform and opening-up (), known in the West as the opening of China, is the program of economic reforms termed " Socialism with Chinese characteristics" and "socialist market economy" in the People's Republic of China (PRC). Led by Deng Xiaoping, often credited as the "General Architect", the reforms were launched by reformists within the Chinese Communist Party (CCP) on December 18, 1978, during the "Boluan Fanzheng" period. The reforms went into stagnation after the military crackdown on 1989 Tiananmen Square protests, but were revived after Deng Xiaoping's Southern Tour in 1992. In 2010, China overtook Japan as the world's second-largest economy by nominal GDP and in 2017 overtook the United States by becoming the world's largest economy by GDP (PPP). Prior to the reforms, the Chinese economy was dominated by state ownership and central planning. From 1950 to 1973, Chinese real GDP per capita grew at a rate of 2.9% per year on average, albei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cultural Revolution
The Cultural Revolution, formally known as the Great Proletarian Cultural Revolution, was a sociopolitical movement in the People's Republic of China (PRC) launched by Mao Zedong in 1966, and lasting until his death in 1976. Its stated goal was to preserve Chinese communism by purging remnants of capitalist and traditional elements from Chinese society. The Revolution marked the effective commanding return of Mao –who was still the Chairman of the Chinese Communist Party (CCP)– to the centre of power, after a period of self-abstention and ceding to less radical leadership in the aftermath of the Mao-led Great Leap Forward debacle and the Great Chinese Famine (1959–1961). The Revolution failed to achieve its main goals. Launching the movement in May 1966 with the help of the Cultural Revolution Group, Mao charged that bourgeois elements had infiltrated the government and society with the aim of restoring capitalism. Mao called on young people to "bombard the headqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yangge
Yangge () is a form of Chinese folk dance developed from a dance known in the Song dynasty as Village Music (). It is very popular in northern China and is one of the most representative form of folk arts. It is popular in both the countryside and cities in northern China. It is especially popular among older people. Crowds of people will go out into the street in the evening and dance together in a line or a circle formation. Some dancers dress up in red, green, or other colorful costumes, and typically use a red silk ribbon around the waist. They will swing their bodies to music played by drum, trumpet, and gong. More people will join in as they see Yang Ge going on and dance along. Some dancers use props like the waistdrum, dancing fan, fake donkey, or litter. In different areas Yangge is performed in different styles, but all types express happiness. In the 1940s, the Chinese Communist Party launched the new ''yangge'' movement where the dance was adopted as a means of rallyi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yiyang
Yiyang () is a prefecture-level city on the Zi River in Hunan province, China, straddling Lake Dongting and bordering Hubei to the north. According to the 2010 Census, Yiyang has a population of 4,313,084 inhabitants residing in an area of . The previous census was in 2000 when it was recorded there were 4,309,143 inhabitants. Compilation by LianXin websiteData from the Sixth National Population Census of the People's Republic of China/ref> History Yiyang county was founded in 221 BC after Qin conquest Chu state. It is designated Yiyang as the county seat was situated at the north bank of the Yi River (modern Zi River). Then the present-day jurisdiction mostly became a part of the Principality of Changsha commandery during the Western Han. Subdivisions Yiyang administers two districts, one county-level city, and three counties. The information here presented uses the metric system and data from 2010 national census. Climate Agriculture Yiyang has many hilly farmlands in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kunqu
Kunqu (), also known as Kunju (), K'un-ch'ü, Kun opera or Kunqu Opera, is one of the oldest extant forms of Chinese opera. Kunqu is one of the oldest traditional operas of the Han nationality, and is also a treasure of Chinese traditional culture and art, especially opera art. It evolved from the local melody of Kunshan and later came to dominate Chinese theater from the 16th to the 18th centuries. The style originated in the Wu cultural area. It has been listed as one of the Masterpieces of the Oral and Intangible Heritage of Humanity by UNESCO since 2001. Since the mid-Ming Dynasty, Wei Liang Fu has been the sole leader of Chinese opera for nearly 300 years. In 2006, it was listed on the first national intangible cultural heritage list. In 2008, it was included in the List of Representative Works of Intangible Cultural Heritage of Humanity. In December 2018, the General Office of the Ministry of Education announced that Peking University is the base for inheriting excellent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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