Sanfrecce Hiroshima Regina Players
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Sanfrecce Hiroshima Regina Players
Sanfrecce Hiroshima ( ja, サンフレッチェ広島, translit=''Sanfuretche Hiroshima'') is a Japanese professional football club based in Asaminami-ku, Hiroshima. The club plays in the J1 League, which is the top tier of football in the country. Club name The club name is a portmanteau of the Japanese word for three, ''San'' and the Italian word ''frecce'', which means 'arrows'. This is based on the story of the feudal lord Mōri Motonari who told his three sons that while a single arrow might be easily snapped, three arrows held together would not be broken and urged them to work for the good of the clan and its retainers. Former names * 1938–70: ** 1943–46: Play was suspended during this period due to the Pacific War. * 1971–80: * 1981–83: * 1984–85: * 1986–92: Location The club's home town is Hiroshima and the side plays at Hiroshima Big Arch and Hiroshima Prefectural Stadium. It holds training sessions at Yoshida Soccer Park in Akitakata, Hiroshima ...
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Edion Stadium Hiroshima
The , known under current sponsorship as , is a multi-purpose stadium in Hiroshima, Japan. It used mostly for association football matches and also for athletics. The venue is the home of J. League club Sanfrecce Hiroshima. It has a capacity of 36,894. It is an all-seater. It was formerly known as Hiroshima Park Stadium. History Hiroshima Big Arch opened in 1992, as the venue of 1992 AFC Asian Cup. The host nation Japan won the Asian Cup title for the first time, after defeating the defending champion Saudi Arabia 1–0 in the final at this stadium. The stadium hosted the 1994 Asian Games. Access The stadium is accessible via train services, with the Kōiki-kōen-mae Station on the Astram Line , also known as the , is a rubber-tired transit system operated by Hiroshima Rapid Transit in Hiroshima, Japan. Astram opened on August 20, 1994, for the 1994 Asian Games in Hiroshima. The line connects central Hiroshima and Hiroshima Big Arc ... located only 5 minutes' walk from ...
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9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . T ... '''Imanishi'''.html" style="text-decoration:none;">
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JEF United Chiba
, full name and also known as , is a Japanese professional football club that plays in the J2 League. On 1 February 2005, the club changed its name from ''JEF United Ichihara'' to the current name after Chiba city had joined Ichihara, Chiba as its hometown in 2003. Of its club name, ''JEF'' is taken from the JR East and Furukawa Electric companies and ''United'' is meant to represent the unity of the club and its home city. Also, JEF United is the only team in J.League which corporate name survived the transition from the JSL in 1992, as J.League mandated that "corporate teams are not allowed in the J.League", and that any corporate teams need to adapt a hometown. History Furukawa Electric SC (1946–1991) The club began as the company team, in 1946. As the company team, it won the Japan Soccer League twice, the Emperor's Cup four times and the JSL League Cup three times. Furukawa also won the 1986–87 Asian Club Championship, the top club honor in Asia; they were the f ...
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Urawa Red Diamonds
, colloquially Urawa Reds (浦和レッズ), also known as Mitsubishi Urawa Football Club from April 1992 to January 1996, is a professional football club in the city of Saitama, part of the Greater Tokyo Area in Japan. The club plays in the J1 League, the top tier of football in the country. Its name comes from the former city of Urawa, now part of Saitama. The name Red Diamonds alludes to the club's pre-professional era parent company Mitsubishi. The corporation's logo consists of three red diamonds, one of which remains within the current club badge. History Mitsubishi Heavy Industries established a football club in 1950 in Kobe and moved the club to Tokyo in 1958. In 1965 it formed the Japan Soccer League (JSL) along with today's JEF United Chiba, Kashiwa Reysol, Cerezo Osaka, Sanfrecce Hiroshima and three other clubs who have since been relegated to regional leagues ("Original Eight"). Mitsubishi first won the JSL championship in 1969, as a break in Mazda/Sanfrecce's ...
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Japan Soccer League
, or JSL, was the top flight association football league in Japan between 1965 and 1992, and was the precursor to the current professional league, the J.League. JSL was the second national league of a team sport in Japan after the professional Japanese Baseball League that was founded in 1936. JSL was the first-ever national league of an amateur team sport in Japan. History Each JSL team represented a corporation, and like Japanese baseball teams, went by the name of the company that owned the team. Unlike in baseball, however, promotion and relegation was followed, as J.League follows today. The players were officially amateur and were employees of the parent corporations, but especially in later years, top players were generally paid strictly to play soccer. Originally the JSL consisted of a single division only, but in 1972 a Second Division was added. Clubs could join in by winning the All Japan Senior Football Championship cup competition and then winning a promotion/rel ...
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Works Team
A works team (sometimes factory team, company team) is a sports team that is financed and run by a manufacturer or other business. Sometimes, works teams contain or are entirely made up of employees of the supporting company. Association football Africa A number of works teams were founded in the former Portuguese territory of Mozambique that still are currently major teams in that Portuguese-speaking African country (independent since 1975). Grupo Desportivo da Companhia Têxtil do Punguè and Textáfrica do Chimoio are examples of two works teams which were the teams of two textile companies. In addition, two major teams of the railway network also achieved notoriety – the Clube Ferroviário de Maputo and the Clube Ferroviário da Beira. Other former and current works teams in Africa include Arab Contractors SC of Egypt (also a sporting club) and AS Police (Benin). Horseed FC is based in Horseed, Somalia. A seven-time champion of the Somalia League, it is a former a ...
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1965 Japan Soccer League
The 1965 season in Japanese football saw the formation of the Japan Soccer League, the first national league in Japan for football clubs. Eight teams took part in the championship, playing on a home and away basis. Toyo Industries were crowned the first ever champions, whilst Nagoya Mutual Bank came bottom and entered and end of season promotion/relegation match to stay in the top flight. They won this, 6–3 on aggregate against Nippon Kokan. Teams Eight clubs entered the first ever edition of the Japan Soccer League; Furukawa Electric, Hitachi, Mitsubishi Motors, Nagoya Mutual Bank, Toyo Industries, Toyoda Automatic Loom Works, Yanmar Diesel and Yawata Steel League tables Japan Soccer League Promotion/Relegation Series Nagoya Mutual Bank stays in JSL. All-Star Game References1965 season at Contents of Domestic Competition of Football in Japan
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9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . T ... '''Y.html" style="text-decoration:none;">
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9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . T ... '''Kuwata'''.html" style="text-decoration:none;">
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9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . T ... '''Matsumoto'''.html" style="text-decoration:none;">
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9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . T ... '''Okamitsu'''.html" style="text-decoration:none;">
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9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . T ... '''Ogi'''.html" style="text-decoration:none;">
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