Renaissance In The Low Countries
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Renaissance In The Low Countries
The Renaissance in the Low Countries was a cultural period in the Northern Renaissance that took place in around the 16th century in the Low Countries (corresponding to modern-day Belgium, the Netherlands and French Flanders). Culture in the Low Countries at the end of the 15th century was influenced by the Italian Renaissance, through trade via Bruges, which made Flanders wealthy. Its nobles commissioned artists who became known across Europe. In science, the anatomist Andreas Vesalius led the way; in cartography, Gerardus Mercator's map assisted explorers and navigators. In art, Dutch and Flemish Renaissance painting went from the strange work of Hieronymus Bosch to the everyday life of Pieter Brueghel the Elder. In architecture, music and literature too, the culture of the Low Countries moved into the Renaissance style. Geopolitical situation and background In 1500, the Seventeen Provinces were in a personal union under the Burgundian Dukes, and with the Flemish cities as cen ...
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Northern Renaissance
The Northern Renaissance was the Renaissance that occurred in Europe north of the Alps. From the last years of the 15th century, its Renaissance spread around Europe. Called the Northern Renaissance because it occurred north of the Italian Renaissance, this period became the German, French, English, Low Countries, Polish Renaissances and in turn other national and localized movements, each with different attributes. In France, King Francis I imported Italian art, commissioned Italian artists (including Leonardo da Vinci), and built grand palaces at great expense, starting the French Renaissance. Trade and commerce in cities like Bruges in the 15th century and Antwerp in the 16th increased cultural exchange between Italy and the Low Countries, however in art, and especially architecture, late Gothic influences remained present until the arrival of Baroque even as painters increasingly drew on Italian models. Universities and the printed book helped spread the spirit ...
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County Of Flanders
The County of Flanders was a historic territory in the Low Countries. From 862 onwards, the counts of Flanders were among the original twelve peers of the Kingdom of France. For centuries, their estates around the cities of Ghent, Bruges and Ypres formed one of the most affluent regions in Europe. Up to 1477, the area under French suzerainty was west of the Scheldt and was called "Royal Flanders" (Dutch: ''Kroon-Vlaanderen'', French: ''Flandre royale''). Aside from this, the counts, from the 11th century onward, held land east of the river as a fief of the Holy Roman Empire: "Imperial Flanders" (''Rijks-Vlaanderen'' or ''Flandre impériale''). Part of the Burgundian Netherlands from 1384, which had a complex relation with France, the whole county fell to the Empire after the Peace of Madrid in 1526 and the Peace of the Ladies in 1529. Having already regained much, by 1795, the rest – within the Austrian Netherlands – was acquired likewise by France under the Fren ...
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Juana Of Castile
Joanna (6 November 1479 – 12 April 1555), historically known as Joanna the Mad ( es, link=no, Juana la Loca), was the nominal Queen of Castile from 1504 and Queen of Aragon from 1516 to her death in 1555. She was married by arrangement to Philip the Handsome, Archduke of Austria, of the House of Habsburg, on 20 October 1496.Bethany Aram, ''Juana the Mad: Sovereignty and Dynasty in Renaissance Europe'' (Baltimore, Johns Hopkins UP, 2005), p. 37 Following the deaths of her brother, John, Prince of Asturias, in 1497, her elder sister Isabella in 1498, and her nephew Miguel in 1500, Joanna became the heir presumptive to the crowns of Castile and Aragon. When her mother, Queen Isabella I of Castile, died in 1504, Joanna became Queen of Castile. Her father, King Ferdinand II of Aragon, proclaimed himself Governor and Administrator of Castile.Bergenroth, G A, Introduction. Letters, Despatches, and State Papers to the Negotiations between England and Spain. Suppl. to vols 1 an ...
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