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Realism
Realism, Realistic, or Realists may refer to: In the arts *Realism (arts), the general attempt to depict subjects truthfully in different forms of the arts Arts movements related to realism include: *American Realism *Classical Realism *Literary realism, a movement from the mid-19th to the early 20th century *Magical realism, a genre of fiction and art that blurs the line between speculation and reality *Neorealism (art) **Italian neorealism (film) ** Indian neorealism (film) *New realism, a movement founded in 1960 *Realism (art movement), 19th-century painting group *Realistic Manifesto *Theatrical realism, one of the many types of theatre such as Naturalism *Vienna School of Fantastic Realism, an art movement * Socialist realism, an art style developed in the Soviet Union In philosophy *Philosophical realism Realist approaches in philosophy include: * Aesthetic realism (metaphysics) * Agential realism *Aristotelian realism *Australian realism *Austrian realism * Christia ...
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Magical Realism
Magical realism, magic realism, or marvelous realism is a style or genre of fiction and art that presents a realistic view of the world while incorporating magical elements, often blurring the lines between speculation and reality. ''Magical realism'' is the most commonly used of the three terms and refers to literature in particular, with magical or supernatural phenomena presented in an otherwise real-world or mundane setting, and is commonly found in novels and dramatic performances. In his article "Magical Realism in Spanish American Literature", Luis Leal explains the difference between magic literature and magical realism, stating that, "Magical realism is not magic literature either. Its aim, unlike that of magic, is to express emotions, not to evoke them." Despite including certain magic elements, it is generally considered to be a different genre from fantasy because magical realism uses a substantial amount of realistic detail and employs magical elements to make a po ...
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Realism (art Movement)
Realism was an artistic movement that emerged in France in the 1840s. Realists rejected Romanticism, which had dominated French literature and art since the early 19th century. The artist Gustave Courbet, the original proponent of Realism, sought to portray real and typical contemporary people and situations with truth and accuracy, not avoiding unpleasant or sordid aspects of life. Realism revolted against the exotic subject matter, exaggerated emotionalism, and the drama of the Romantic movement, often focusing on unidealized subjects and events that were previously rejected in artwork. Realist works depicted people of all social classes in situations that arise in ordinary life, and often reflected the changes brought by the Industrial and Commercial Revolutions. Realism was primarily concerned with how things appeared to the eye, rather than containing ideal representations of the world. Realism spread to other countries, maintaining similar principles with some differences ...
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Literary Realism
Literary realism is a movement and genre of literature that attempts to represent mundane and ordinary subject-matter in a faithful and straightforward way, avoiding grandiose or exotic subject-matter, exaggerated portrayals, and speculative elements such as supernatural events and alternative worlds. It encompasses both fiction (''realistic fiction'') and nonfiction writing. Literary realism is a subset of the broader realist art movement that began with mid- nineteenth-century French literature ( Stendhal) and Russian literature (Alexander Pushkin). It attempts to represent familiar things, including everyday activities and experiences, as they truly are. Background Broadly defined as "the representation of reality", realism in the arts is the attempt to represent subject matter truthfully, without artificiality and avoiding artistic conventions, as well as implausible, exotic and supernatural elements. Realism has been prevalent in the arts at many periods, and is in large ...
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Realism (arts)
Realism in the arts is generally the attempt to Representation (arts), represent subject-matter truthfully, without artificiality, exaggeration, or speculative fiction, speculative or supernatural elements. The term is often used interchangeably with naturalism, although these terms are not necessarily synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a Realism (art movement), specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the commoner and the rise of leftist polit ...
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Aesthetic Realism (metaphysics)
Philosophical realismusually not treated as a position of its own but as a stance towards other subject mattersis the view that a certain kind of thing (ranging widely from abstract objects like numbers to moral statements to the physical world itself) has ''mind-independent existence'', i.e. that it exists even in the absence of any mind perceiving it or that its existence is not just a mere appearance in the eye of the beholder. This includes a number of positions within epistemology and metaphysics which express that a given thing instead exists independently of knowledge, thought, or understanding. This can apply to items such as the physical world, the past and future, other minds, and the self, though may also apply less directly to things such as universals, mathematical truths, moral truths, and thought itself. However, realism may also include various positions which instead reject metaphysical treatments of reality altogether. Realism can also be a view about the prope ...
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Philosophical Realism
Philosophical realismusually not treated as a position of its own but as a stance towards other subject mattersis the view that a certain kind of thing (ranging widely from abstract objects like numbers to moral statements to the physical world itself) has ''mind-independent existence'', i.e. that it exists even in the absence of any mind perceiving it or that its existence is not just a mere appearance in the eye of the beholder. This includes a number of positions within epistemology and metaphysics which express that a given thing instead exists independently of knowledge, thought, or understanding. This can apply to items such as the physical world, the past and future, other minds, and the self, though may also apply less directly to things such as universals, mathematical truths, moral truths, and thought itself. However, realism may also include various positions which instead reject metaphysical treatments of reality altogether. Realism can also be a view about the ...
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Austrian Realism
Philosophical realismusually not treated as a position of its own but as a stance towards other subject mattersis the view that a certain kind of thing (ranging widely from abstract objects like numbers to moral statements to the physical world itself) has ''mind-independent existence'', i.e. that it exists even in the absence of any mind perceiving it or that its existence is not just a mere appearance in the eye of the beholder. This includes a number of positions within epistemology and metaphysics which express that a given thing instead exists independently of knowledge, thought, or understanding. This can apply to items such as the physical world, the past and future, other minds, and the self, though may also apply less directly to things such as universals, mathematical truths, moral truths, and thought itself. However, realism may also include various positions which instead reject metaphysical treatments of reality altogether. Realism can also be a view about the prope ...
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Classical Realism
Classical Realism is an artistic movement in the late-20th and early 21st century in which drawing and painting place a high value upon skill and beauty, combining elements of 19th-century neoclassicism and realism. Origins The term "Classical Realism" first appeared as a description of literary style, as in an 1882 criticism of Milton's poetry. Its usage relating to the visual arts dates back to at least 1905 in a reference to Masaccio's paintings. It originated as the title of a contemporary but traditional artistic movement with Richard Lack (1928–2009), who was a pupil of Boston artist R. H. Ives Gammell (1893–1981) during the early 1950s. Ives Gammell had studied with William McGregor Paxton (1869–1941) and Paxton had studied with 19th-century French artist, Jean-Léon Gérôme (1824–1904). In 1967 Lack established Atelier Lack, a studio-school of fine art patterned after the ateliers of 19th-century Paris and the teaching of the Boston impressionists. By 1980 ...
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Internal Realism
Hilary Whitehall Putnam (; July 31, 1926 – March 13, 2016) was an American philosopher, mathematician, computer scientist, and figure in analytic philosophy in the second half of the 20th century. He contributed to the studies of philosophy of mind, philosophy of language, philosophy of mathematics, and philosophy of science. Outside philosophy, Putnam contributed to mathematics and computer science. Together with Martin Davis he developed the Davis–Putnam algorithm for the Boolean satisfiability problem and he helped demonstrate the unsolvability of Hilbert's tenth problem. Putnam applied equal scrutiny to his own philosophical positions as to those of others, subjecting each position to rigorous analysis until he exposed its flaws. As a result, he acquired a reputation for frequently changing his positions. In philosophy of mind, Putnam argued against the type-identity of mental and physical states based on his hypothesis of the multiple realizability of the mental, and ...
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Structural Realism
Neorealism or structural realism is a theory of international relations that emphasizes the role of power politics in international relations, sees competition and conflict as enduring features and sees limited potential for cooperation. The anarchic state of the international system means that states cannot be certain of other states' intentions and their security, thus prompting them to engage in power politics. It was first outlined by Kenneth Waltz in his 1979 book '' Theory of International Politics''. Alongside neoliberalism, neorealism is one of the two most influential contemporary approaches to international relations; the two perspectives dominated international relations theory from the 1960s to the 1990s.. Neorealism emerged from the North American discipline of political science, and reformulates the classical realist tradition of E. H. Carr, Hans Morgenthau, George Kennan, and Reinhold Niebuhr. Neorealism is subdivided into defensive and offensive neorealism. ...
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Christian Realism
Christian realism is a political theology in the Christian tradition. It is built on three biblical presumptions: the sinfulness of humanity, the freedom of humanity, and the validity and seriousness of the Great Commandment. The key political concepts of Christian realism are balance of power and political responsibility. This political-theological perspective is most closely associated with the work of the 20th-century American theologian and public intellectual Reinhold Niebuhr. Niebuhr argued that the Kingdom of God cannot be realized on earth because of the innately corrupt tendencies of society. Due to the injustices that arise among people, we must be willing to compromise the ideal of Kingdom of Heaven on earth. Niebuhr argued that human perfectibility was an illusion, highlighting the sinfulness of humanity by naming labor disputes and race riots in industrial hubs like Detroit, Michigan where he pastored, the horrors of the Second World War, the Communist and Fascist to ...
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