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Photography In Australia
Photography in Australia started in the 1840s. The first photograph taken in Australia, a daguerreotype of Bridge Street, Sydney, was taken in 1841. In the early 20th century, Australian photography was heavily influenced by the Pictorialist approach. In the mid-20th century, the photographic scene in Australia was shaped by modernist influences from abroad. By the 2011 Australian Census, 9,549 respondents indicated photographer as their main job. 19th century photography The first photograph taken in Australia, a daguerreotype of Bridge Street, Sydney, was recorded as having been taken by a visiting naval captain, Captain Augustin Lucas (1804-1854) in 1841. The existence of the photograph was indicated in a note published in '' The Australasian Chronicle'' on 13 April of that year. Lucas had arrived aboard the ''Justine'', captained by his younger brother Francois Lucas. Lucas, late commander of the Naval School expedition, intended to sell his camera and equipment whic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daguerreotype
Daguerreotype (; french: daguerréotype) was the first publicly available photographic process; it was widely used during the 1840s and 1850s. "Daguerreotype" also refers to an image created through this process. Invented by Louis Daguerre and introduced worldwide in 1839, the daguerreotype was almost completely superseded by 1860 with new, less expensive processes, such as ambrotype ( collodion process), that yield more readily viewable images. There has been a revival of the daguerreotype since the late 20th century by a small number of photographers interested in making artistic use of early photographic processes. To make the image, a daguerreotypist polished a sheet of silver-plated copper to a mirror finish; treated it with fumes that made its surface light-sensitive; exposed it in a camera for as long as was judged to be necessary, which could be as little as a few seconds for brightly sunlit subjects or much longer with less intense lighting; made the resulting lat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RMIT University
RMIT University, officially the Royal Melbourne Institute of Technology,, section 4(b) is a public research university in Melbourne Melbourne ( ; Boonwurrung/Woiwurrung: ''Narrm'' or ''Naarm'') is the capital and most populous city of the Australian state of Victoria, and the second-most populous city in both Australia and Oceania. Its name generally refers to a met ..., Australia. Founded in 1887 by Francis Ormond, RMIT began as a night school offering classes in art, science, and technology, in response to the industrial revolution in Australia. It was a private college for more than a hundred years before merging with the Phillip Institute of Technology to become a public university in 1992. It has an enrolment of around 95,000 higher education, higher and vocational education students, making it the largest dual-sector education institution in Australia. With an annual revenue of around A$1.5 billion, it is also one of the List of Australian universities by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sunbaker
''Sunbaker'' is a 1937 black-and-white photograph by Australian modernist photographer Max Dupain. It depicts the head and shoulders of a man lying on a beach in New South Wales, taken from a low angle. The iconic photograph has been described as "quintessentially Australian", a "sort of icon of the Australian way of life", and "arguably the most widely recognised of all Australian photographs." Composition The photograph depicts the head and shoulders of a man lying flat on his stomach on the sand. His head, tilted to the left, is resting on one arm and his other arm is lying flat on the sand before him. The photograph is taken from a very low angle and head on, so nothing else of the subject can be seen. The sun appears to be almost directly overhead and casts much of the subject into deep shadow while reflecting off the beads of water on his arms and back. The subject takes up much of the upper half of the work, with the bottom half consisting of a bright, empty area of s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Dupain
Maxwell Spencer Dupain AC OBE (22 April 191127 July 1992) was an Australian modernist photographer. Early life Dupain received his first camera as a gift in 1924, spurring his interest in photography. He later joined the Photographic Society of NSW, where he was taught by Justin Newlan; after completing his tertiary studies, he worked for Cecil Bostock in Sydney. Career Early years By 1934 Max Dupain had struck out on his own and opened a studio in Bond Street, Sydney. In 1937, while on the south coast of New South Wales, he photographed the head and shoulders of an English friend, Harold Salvage, lying on the sand at Culburra Beach. But it was not until the 1970s that the photograph began to receive wide recognition. A print of the photograph was purchased in 1976 by the National Gallery of Australia in Canberra and by the 1990s it had cemented its place as an iconic image of Australia. An early vintage print of the original version of the Sunbaker is contained in an albu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rose Simmonds
Rose Simmonds (26 July 1877 – 3 July 1960) was a British-born Australian photographer and member of the Pictorialism movement. Life Rose Culpin was born in Islington in 1877. She was brought up in the UK by her parents Hannah Louise and Dr Millice Culpin. She and her parents emigrated to Australia around 1891 and her father established a medical practice at Taringa. She attended Brisbane Girls' Grammar School and Brisbane Technical College, but she did not become interested in photography until after her marriage as her new husband, John Howard Simmonds. It is presumed that she was intrigued by her new husband's darkroom as he developed his own pictures of his stone masonry commissions. Initially Simmonds took pictures of her sons but by 1928 she had been entering her pictures into monthly contests organised by the Queensland Camera Club and the Australasian Photo-Review. By August 1928 she was a committee member and, building on her knowledge of painting, her impressionistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panoramic Photography
Panoramic photography is a technique of photography, using specialized equipment or software, that captures images with horizontally elongated fields of view. It is sometimes known as ''wide format photography''. The term has also been applied to a photograph that is cropped to a relatively wide aspect ratio, like the familiar letterbox format in wide-screen video. While there is no formal division between " wide-angle" and " panoramic" photography, "wide-angle" normally refers to a type of lens, but using this lens type does not necessarily make an image a panorama. An image made with an ultra wide-angle fisheye lens covering the normal film frame of 1:1.33 is not automatically considered to be a panorama. An image showing a field of view approximating, or greater than, that of the human eye – about 160° by 75° – may be termed panoramic. This generally means it has an aspect ratio of 2:1 or larger, the image being at least twice as wide as it is high. The resulting images ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melvin Vaniman
Chester Melvin Vaniman (October 30, 1866 – July 2, 1912) was an American aviator and photographer who specialized in panoramic images. He shot images from gas balloons, ships masts, tall buildings and even a home-made pole. He scaled buildings, hung from self-made slings, and scaled dangerous heights to capture his unique images. Early life Born to a farming family in Virden, Illinois, Vaniman was the eldest of four sons and attended Valparaiso University in Indiana and Chicago. Career Photography Vaniman's photographic career began in Hawaii in 1901, and ended some time in 1904. He spent over a year photographing Australia and New Zealand on behalf of the Oceanic Steamship Company, creating promotional images for the company, many as panoramas and which popularised the format in Australia, which was taken up with enthusiasm by Robert Vere Scott among others. During this time the New Zealand Government also commissioned panoramas. Beginning in 1903, he spent ove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Vere Scott
Robert Vere Scott (1877–c.1944) was an Australian Pictorialist photographer known for his panoramic views. From 1918 he lived and worked in the United States, where he died sometime in the 1940s. Biography Robert Vere Scott was born in Brisbane in 1877, son of a Scottish immigrant storekeeper father and an Australian mother, the seventh of their ten children.Gael Newton, ‘Out of Sight’, in Photographer Based in Port Pirie, South Australia, Scott was working as a photographer when he married in Adelaide in 1899. The source of his training in the medium is not recorded. In 1900 he was listed as a professional in Broken Hill but signed his images in the negative 'R. Vere Scott’ and sometimes used ‘Very Scott’ as his surname, but also occasionally ‘R. Scott’ and ‘R. V. Scott’. After moving to America in 1918 he signed work "Rovere Scott." Panoramic photographs Scott's most important work was in the Panoramic photography, panoramic format. Photo hist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julian Smith (photographer)
Julian Augustus Romaine Smith F.R.P.S. (1873–1947) was a British-Australian surgeon and photographer. Early life and education Julian Smith was born on 5 December 1873 in Camberwell, Surrey, England, the son of Rose Amelia Smith (née Pooley) and Captain Julian Augustus James Smith, master mariner. His family migrated to live in Halifax Street Adelaide, Australia three years later. He was educated at Prince Alfred College and the University of Adelaide where he obtained a Bachelor of Science in 1892 and on graduation taught at his former school, returning to University to study medicine from 1893. He rowed in the winning Adelaide university crew in 1895–1896. However a mass resignation of all honorary physicians and surgeons due to disagreement between the board of management of the Royal Adelaide Hospital and the government ceased clinical instruction, so that in 1897 Smith and seventeen other students had to move to Melbourne to complete their studies, and there he rowe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Sydney Camera Circle
The Sydney Camera Circle was a Pictorialist photographic society formed in 1916 in Sydney, Australia. It was most active before World War II, and was influential on Australian photography for fifty years. History The Sydney Camera Circle was formed on 28 November 1916 at the Bostock-Little Studio, Phillip Street, Sydney. The founders were Cecil Bostock, Harold Cazneaux, Malcolm McKinnon, James Paton, James S. Stening and William Stewart White. All six signed a manifesto, pledging to advance and promote a Pictorialist photography devoted to Australian sunlight and shadow as opposed to the greys and ‘dismal’ shadows of European styles. In this ambition they shared the ideals of the Heidelberg School of Australian painters. The group was dominated by amateurs interested in photography as an art form who shared constructive criticism and support at their meetings, exhibiting their work under the name of The Sydney Camera Circle. The group continued as an entity until 1978 when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cecil Bostock
Cecil Westmoreland Bostock (1884–1939) was born in England. He emigrated to New South Wales, Australia, with his parents in 1888. His father, George Bostock, was a bookbinder who died a few years later in 1892. Bostock had an important influence on the development of photography in Australia, initiating a response to the strong sunlight. He presided over the transition from Pictorialism to Modernism and was a mentor to several famous Australian photographers: notably Harold Cazneaux and Max Dupain Early life Cecil was first apprenticed as an electrical fitter in the Waverley Tramway Workshop. He left home around 1901 as his mother was not pleased with his decision at that time to become an artist. In 1916 he became secretary of the Photographic Society of N.S.W., and a foundation member of the Sydney Camera Circle. In addition he became a member of the Commercial Artists' Association of New South Wales, implying he worked as a photographer. World War I Bostock served in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harold Cazneaux
Harold Pierce Cazneaux (30 March 1878 – 19 June 1953) was an Australian pictorialist photographer; a pioneer whose style had an indelible impact on the development of Australian photographic history. In 1916, he was a founding member of the Pictorialist Sydney Camera Circle. As a regular participator in national and international exhibitions, Cazneaux was unfaltering in his desire to contribute to the discussion about the photography of his times. He created some of the most memorable images of the early twentieth century. Biography Harold Pierce Cazneaux was born in Wellington, New Zealand on 30 March 1878. His father Pierce Mott Cazneaux was an English-born photographer and his mother Emily Florence was a colourist, miniature painter and photographer from Sydney. In the 1890s the family moved to Adelaide and Harold started working in his father's studio and attended H. P. Gill's evening classes at the School of Design, Painting and Technical Arts. In 1904 he decided to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
