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Paper Rad
''Paper Rad'' was an art collective from approx. 2000 until 2008, based on the East Coast in Pittsburgh, Pennsylvania and Providence, Rhode Island in the United States. Known for creating comics, zines, video art, net art, MIDI files, paintings, installations, and music with a distinct "lo-fi" aesthetic often associated with underground culture or 1990s "retro tech", juxtaposed images and featuring bright colors. History The three primary members were Jacob Ciocci, Jessica Ciocci, and Ben Jones (American cartoonist), Ben Jones, but additionally included many others such as Paul Bright, David Wightman, Sonja Radovancevic, Extreme Animals, and others. Prior to Paper Rad, Ben Jones and Christopher Forgues (C.F.) were students at Massachusetts College of Art and Design and created a zine project called "Paper Radio". Jacob and his sister Jessica became active in Paper Rad after moving to Boston and hanging out with Joe Grillo, Ben Jones, and Christopher Forgues. All of them were in ...
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Paper Rad Facemaker Still
Paper is a thin sheet material produced by mechanically or chemically processing cellulose fibres derived from wood, Textile, rags, poaceae, grasses, Feces#Other uses, herbivore dung, or other vegetable sources in water. Once the water is drained through a fine mesh leaving the fibre evenly distributed on the surface, it can be pressed and dried. The papermaking process developed in east Asia, probably China, at least as early as 105 Common Era, CE, by the Han Dynasty, Han court eunuch Cai Lun, although the earliest archaeological fragments of paper derive from the 2nd century BCE in China. Although paper was originally made in single sheets by hand, today it is mass-produced on large machines—some making reels 10 metres wide, running at 2,000 metres per minute and up to 600,000 tonnes a year. It is a versatile material with many uses, including printing, painting, graphics, signage, design, packaging, decorating, writing, and Housekeeping, cleaning. It may also be used a ...
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The New Museum
The New Museum of Contemporary Art is a museum at 235 Bowery, on the Lower East Side of Manhattan in New York City. It was founded in 1977 by Marcia Tucker. History The museum originally opened in a space in the Graduate Center of the then-named New School for Social Research at 65 Fifth Avenue. The New Museum remained there until 1983, when it rented and moved to the first two and a half floors of the Astor Building at 583 Broadway in the SoHo neighborhood. In 1999, Marcia Tucker was succeeded as director by Lisa Phillips, previously the curator of contemporary art at the Whitney Museum of American Art. In 2001 the museum rented 7,000 square feet of space on the first floor of the Chelsea Art Museum on West 22nd Street for a year.Randy Kennedy (July 25, 2004)The New Museum's New Non-Museum''New York Times''. The New Museum has exhibited artists from Argentina, Brazil, Bulgaria, Cameroon, China, Chile, Colombia, Cuba, Germany, India, Poland, Spain, South Africa, Turkey, and ...
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Cory Arcangel
Cory Arcangel (born May 25, 1978) is an American post-conceptual artist who makes work in many different media, including drawing, music, video, performance art, and video game modifications, for which he is best known. Arcangel often uses the artistic strategy of appropriation, creatively reusing existing materials such as dancing stands, Photoshop gradients and YouTube videos to create new works of art. His work explores the relationship between digital technology and pop culture. He is a recipient of a 2006 Creative Capital Emerging Fields Award and the 2015 Kino der Kunst Award for Filmic Oeuvre. Early life Arcangel grew up in Buffalo, New York and attended the Nichols School, where he was a star lacrosse goalie. He was exposed to experimental video artists such as Nam June Paik through the Squeaky Wheel Buffalo Media Arts Center. He was very interested in guitar, practicing eight hours a day by the time he turned seventeen. He studied classical guitar at the Ober ...
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GIF Art
GIF art is a form of digital art that first emerged in 1987. The technology for the animated GIF has become increasingly advanced through the years. After 2010, a new generation of artists focused on experimenting with its potential for presenting creativity on the World Wide Web. Mass access to the Internet allowed their GIFs to travel rapidly and virally online, through social platforms such as Tumblr and Giphy, and to be recognized as a new form of art. History GIF art has been around since the year 1987, increasingly gaining attention from the audience some years after 2000. one of the earlier implementation of GIF art can be traced back to web design in which they were used as banners, later they were adopted into the greater meme culture as a niche and have now become a staple on the internet through social media most notably from Giphy, Reddit and Tumblr. GIF Art in Contemporary art and Modern Exhibitions GIF art animations have been exhibited in galleries and fest ...
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Punk Visual Art
Punk visual art is artwork associated with the punk subculture and the no wave movement. It is prevalent in punk rock album covers, flyers for punk concerts and punk zines, but has also been prolific in other mediums, such as the visual arts, the performing arts, literature and cinema. Punk manifested itself "differently but consistently" in different cultural spheres, including art, music, and literature. Punk also led to the birth of several movements: new wave, no wave, dark wave, industrial, hardcore, queercore, etc., which are sometimes showcased in art galleries and exhibition spaces. The punk aesthetic was a dominant strand from 1982 to 1986 in the many art galleries of the East Village of Manhattan. History In his book, '' Lipstick Traces: A Secret History of the 20th Century'', cultural critic Greil Marcus expands upon the historical influence of Dada, Lettrism and Situationism on punk aesthetics in the art and music of the 1980s and early 1990s. Marcus argues that ...
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Collage
Collage (, from the , "to glue" or "to stick together") is a technique of art creation, primarily used in the visual arts, but in music too, by which art results from an assembly of different forms, thus creating a new whole. (Compare with pastiche, which is a "pasting" together.) Collage may refer to the technique as a whole, or more specifically to a two-dimensional work, assembled from flat pieces on a flat substrate, whereas Assemblage (art), assemblage typically refers to a three-dimensional equivalent. A collage may sometimes include Clipping (publications), magazine and newspaper clippings, ribbons, paint, bits of colored or handmade papers, portions of other artwork or texts, photographs and other found objects, glued to a piece of paper or canvas. The origins of collage can be traced back hundreds of years, but this technique made a dramatic reappearance in the early 20th century as an art form of novelty. The term ''Papier collé'' was coined by both Georges Braque a ...
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Primary Colors
Primary colors are colorants or colored lights that can be mixed in varying amounts to produce a gamut of colors. This is the essential method used to create the perception of a broad range of colors in, e.g., electronic displays, color printing, and paintings. Perceptions associated with a given combination of primary colors can be predicted by an appropriate mixing model (e.g., additive mixing, additive, subtractive mixing, subtractive) that uses the physics of how light interacts with physical media, and ultimately the retina to be able to accurately display the intended colors. The most common color mixing models are the additive primary colors (red, green, blue) and the subtractive primary colors (cyan, magenta, yellow). Red, yellow and blue are also #Red, yellow, and blue as primary colors, commonly taught as primary colors (usually in the context of subtractive color mixing as opposed to additive color mixing), despite some criticism due to its lack of scientific basis. ...
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Fluorescent
Fluorescence is one of two kinds of photoluminescence, the emission of light by a substance that has absorbed light or other electromagnetic radiation. When exposed to ultraviolet radiation, many substances will glow (fluoresce) with colored visible light. The color of the light emitted depends on the chemical composition of the substance. Fluorescent materials generally cease to glow nearly immediately when the radiation source stops. This distinguishes them from the other type of light emission, phosphorescence. Phosphorescent materials continue to emit light for some time after the radiation stops. This difference in duration is a result of quantum spin effects. Fluorescence occurs when a photon from incoming radiation is absorbed by a molecule, exciting it to a higher energy level, followed by the emission of light as the molecule returns to a lower energy state. The emitted light may have a longer wavelength and, therefore, a lower photon energy than the absorbed rad ...
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Dogme 95
Dogme 95 (; Danish for "Dogma 95") was a Danish avant-garde filmmaking movement founded by Lars von Trier and Thomas Vinterberg, who created the "Dogme 95 Manifesto" and the "Vows of Chastity" (). These were rules to create films based on the traditional values of story, acting, and theme, while excluding the use of elaborate special effects or technology. It was supposedly created as an attempt to "take back power for the directors as artists" as opposed to the movie studio. Von Trier and Vinterberg were later joined by Kristian Levring and Søren Kragh-Jacobsen, forming a group known as the Dogme 95 Collective or the Dogme Brethren. French-American filmmaker Jean-Marc Barr and American filmmaker Harmony Korine are also seen as major figures in the movement. ''Breaking the Waves'' (1996), von Trier's first film under his own production company Zentropa, became the precursor of the movement. History Lars von Trier and Thomas Vinterberg wrote and co-signed the manifesto and ...
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Electronic Arts Intermix
Electronic Arts Intermix (EAI) is a nonprofit organization, nonprofit arts organization that is a resource for video and media art. An advocate of media art and artists since 1971, EAI's core program is the distribution and preservation of a collection of over 3,500 new and historical video works by artists. EAI has supported the creation, exhibition, distribution and preservation of video art, and more recently, digital art projects. EAI supports artists through the distribution, preservation, exhibition and representation of their media artworks, and works closely with educators, curators, programmers and collectors to facilitate exhibitions, acquisitions and educational uses of media artworks. EAI provides access to video art within an educational and cultural framework. History EAI was founded in 1971 as one of the first nonprofit organizations in the United States dedicated to the support of video as an art form. As one of the earliest organizations in the emergent video a ...
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