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Neo-noir Comics
Neo-noir is a revival of film noir, a genre that had originally flourished during the post-World War II era in the Cinema of the United States, United Statesroughly from 1940 to 1960. The French term, ''film noir'', translates literally to English as "black film", indicating sinister stories often presented in a shadowy cinematographic style. Neo-noir has a similar style but with updated themes, content, style, and visual elements. Definition The neologism neo-noir, using the Greek language, Greek prefix for the word ''new'', is defined by Mark Conard as "any film coming after the classic noir period that contains noir themes and noir sensibility". Another definition describes it as later noir that often synthesizes diverse genres while foregrounding the scaffolding of ''film noir''. History "Film noir" was coined by critic Nino Frank in 1946 and popularized by French critics :fr:Raymond Borde, Raymond Borde and Etienne Chaumeton in 1955. The term revived in general use beginning ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Noir
Film noir (; ) is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American ''film noir''. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression. The term ''film noir'', French for 'black film' (literal) or 'dark film' (closer meaning), was first applied to Hollywood films by French critic Nino Frank in 1946, but was unrecognized by most American film industry professionals of that era. Frank is believed to have been inspired by the French literary publishing imprint Série noire, founded in 1945. Cinema historians and critics defined the category ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alienation Effect
The distancing effect, also translated as alienation effect (german: Verfremdungseffekt or ''V-Effekt''), is a concept in performing arts credited to German playwright Bertolt Brecht. Brecht first used the term in his essay "Alienation Effects in Chinese Acting" published in 1936, in which he described it as performing "in such a way that the audience was hindered from simply identifying itself with the characters in the play. Acceptance or rejection of their actions and utterances was meant to take place on a conscious plane, instead of, as hitherto, in the audience's subconscious". Origin The term ''Verfremdungseffekt'' is rooted in the Russian Formalist notion of the device of ''making strange'' (приём отстранения ''priyom otstraneniya''), which literary critic Viktor Shklovsky claims is the essence of all art. Lemon and Reis's 1965 English translation of Shklovsky's 1917 coinage as "defamiliarization", combined with John Willett's 1964 translation of Brec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Luc Godard
Jean-Luc Godard ( , ; ; 3 December 193013 September 2022) was a French-Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the French New Wave film movement of the 1960s, alongside such filmmakers as François Truffaut, Agnès Varda, Éric Rohmer, and Jacques Demy. He was arguably the most influential French filmmaker of the post-war era. According to AllMovie, his work "revolutionized the motion picture form" through its experimentation with narrative, continuity editing, continuity, film sound, sound, and cinematography, camerawork. His most acclaimed films include ''Breathless (1960 film), Breathless'' (1960), ''Vivre sa vie'' (1962), ''Contempt (film), Contempt'' (1963), ''Bande à part (film), Band of Outsiders'' (1964), ''Alphaville (film), Alphaville'' (1965), ''Pierrot le Fou'' (1965), ''Masculin Féminin'' (1966), ''Weekend (1967 film), Weekend'' (1967), and ''Goodbye to Language'' (2014). During his early career as a film critic f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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