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Middle High German Literature
Middle High German literature refers to literature written in German between the middle of the 11th century and the middle of the 14th. In the second half of the 12th century, there was a sudden intensification of activity, leading to a 60-year "golden age" of medieval German literature referred to as the ''mittelhochdeutsche Blütezeit'' (). This was the period of the blossoming of ''Minnesang'', MHG lyric poetry, initially influenced by the French and Provençal tradition of courtly love song. The same sixty years saw the composition of the most important courtly romances. again drawing on French models such as Chrétien de Troyes, many of them relating Arthurian material. The third literary movement of these years was a new revamping of the heroic tradition, in which the ancient Germanic oral tradition can still be discerned, but tamed and Christianized and adapted for the court. Historical overview The vernacular literature of the Old High German period, written in abbeys an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literature
Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose fiction, drama, and poetry. In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed. Literature is a method of recording, preserving, and transmitting knowledge and entertainment, and can also have a social, psychological, spiritual, or political role. Literature, as an art form, can also include works in various non-fiction genres, such as biography, diaries, memoir, letters, and the essay. Within its broad definition, literature includes non-fictional books, articles or other printed information on a particular subject.''OED'' Etymologically, the term derives from Latin ''literatura/litteratura'' "learning, a writing, grammar," originally "writing formed with letters," from ''litera/littera'' "letter". In spite of this, the term has also been applied to spoken or s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaiserchronik
The ''Kaiserchronik'' (''Imperial Chronicle'') is a 12th-century chronicle written in 17,283 lines of Middle High German verse. It runs from Julius Caesar to Conrad III, and seeks to give a complete account of the history of Roman and German emperors and kings, based on a historiographical view of the continuity of the Roman and German successions. The overall pattern is of a progression from pagan to Christian worlds, and theological disputations stand at the turning-points of the Christianization of the Empire. However, much of the material is legendary and fantastic, suggesting that large sections are compiled from earlier works, mostly shorter biographies and saints' lives. The chronicle was written in Regensburg some time after 1146. The poet (or at least the final compiler) was presumably a cleric in secular service, a partisan of the Guelphs. However the view that it was written by Konrad der Pfaffe, author of the ''Rolandslied'', has been discredited. Known sources includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nibelungenlied
The ( gmh, Der Nibelunge liet or ), translated as ''The Song of the Nibelungs'', is an epic poetry, epic poem written around 1200 in Middle High German. Its anonymous poet was likely from the region of Passau. The is based on an oral tradition of Germanic heroic legend that has some of its origin in historic events and individuals of the 5th and 6th centuries and that spread throughout almost all of Germanic languages, Germanic-speaking Europe. Scandinavian parallels to the German poem are found especially in the heroic lays of the ''Poetic Edda'' and in the ''Völsunga saga''. The poem is split into two parts. In the first part, the prince Sigurd, Siegfried comes to Worms, Germany, Worms to acquire the hand of the Burgundians, Burgundian princess Kriemhild from her brother King Gunther. Gunther agrees to let Siegfried marry Kriemhild if Siegfried helps Gunther acquire the warrior-queen Brünhild as his wife. Siegfried does this and marries Kriemhild; however, Brünhild and Krie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walther Von Der Vogelweide
Walther von der Vogelweide (c. 1170c. 1230) was a Minnesänger who composed and performed love-songs and political songs (" Sprüche") in Middle High German. Walther has been described as the greatest German lyrical poet before Goethe; his hundred or so love-songs are widely regarded as the pinnacle of Minnesang, the medieval German love lyric, and his innovations breathed new life into the tradition of courtly love. He was also the first political poet to write in German, with a considerable body of encomium, satire, invective, and moralising. Little is known about Walther's life. He was a travelling singer who performed for patrons at various princely courts in the states of the Holy Roman Empire. He is particularly associated with the Babenberg court in Vienna. Later in life he was given a small fief by the future Holy Roman Emperor, Frederick II. His work was widely celebrated in his time and in succeeding generations—for the Meistersingers he was a songwriter to emulate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfram Von Eschenbach
Wolfram von Eschenbach (; – ) was a German knight, poet and composer, regarded as one of the greatest epic poets of medieval German literature. As a Minnesinger, he also wrote lyric poetry. Life Little is known of Wolfram's life. There are no historical documents which mention him, and his works are the sole source of evidence. In ''Parzival'', he talks of ''wir Beier'' ("we Bavarians"); the dialect of his works is East Franconian. This and a number of geographical references have resulted in the present-day Wolframs-Eschenbach, until 1917 Obereschenbach, near Ansbach in present-day Bavaria, being officially designated as his birthplace. However, the evidence is circumstantial and not without problems - there are at least four other places named Eschenbach in Bavaria, and Wolframs-Eschenbach was not part of the Duchy of Bavaria ('' Altbayern'') in Wolfram's time. The arms shown in the Manesse manuscript come from the imagination of a 14th-century artist, drawing on the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gottfried Von Strassburg
Gottfried von Strassburg (died c. 1210) is the author of the Middle High German courtly romance ', an adaptation of the 12th-century ''Tristan and Iseult'' legend. Gottfried's work is regarded, alongside the ''Nibelungenlied'' and Wolfram von Eschenbach's ''Parzival'', as one of the great narrative masterpieces of the German Middle Ages. He is probably also the composer of a small number of surviving lyrics. His work became a source of inspiration for Richard Wagner's opera ''Tristan und Isolde'' (1865). Life Other than an origin in or close association with Strasbourg, nothing is known of his life. It would seem, however, that he was a man of good birth and position, who filled an important municipal office in his native city of Strasbourg, but since he is always referred to in German as ''Meister'' (master) and not ''Herr'' (sir), it seems safe to assume he was not a knight, a conclusion supported by the rather dismissive attitude toward knightly exploits shown in ''Tristan''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hartmann Von Aue
Hartmann von Aue, also known as Hartmann von Ouwe, (born ''c.'' 1160–70, died ''c.'' 1210–20) was a German knight and poet. With his works including ''Erec'', '' Iwein'', ''Gregorius'', and ''Der arme Heinrich'', he introduced the Arthurian romance into German literature and, with Wolfram von Eschenbach and Gottfried von Strassburg, was one of the three great epic poets of Middle High German literature. Life Hartmann belonged to the lower nobility of Swabia, where he was born. After receiving a monastic education, he became retainer (''Dienstmann'') of a nobleman whose domain, Aue, has been identified with Obernau on the River Neckar. He also took part in the Crusade of 1197. The date of his death is as uncertain as that of his birth; he is mentioned in Gottfried von Strassburg's ''Tristan'' (c. 1210) as still alive, and in the '' Crône'' of Heinrich von dem Türlin, written about 1220, he is mourned for as dead. Works Hartmann produced four narrative poems which are of i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troubadours
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, ''trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his ''De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) it died out. The texts of troubadou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Provençal Language , a French boules game
{{disambig
Provençal may refer to: *Of Provence, a region of France * Provençal dialect, a dialect of the Occitan language, spoken in the southeast of France *''Provençal'', meaning the whole Occitan language *Franco-Provençal language, a distinct Romance language, which should not be confused with the Occitan language or with the Provençal dialect of the Occitan language *Provencal cuisine *Provencal wine *Provencal, Louisiana, a village in the United States *Provencal, an alternative name for the Italian wine grape Dolcetto See also * Jeu provençal ' ('game of Provence'; also known as ', "boules of Lyon") is a French form of boules. In Italy, the sport ', which is played with bronze balls, follows a similar set of rules. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courtly Romance
As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of High Medieval and Early Modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the ''chanson de geste'' and other kinds of epic, in which masculine military heroism predominates." Popular literature also drew on themes of romance, but with ironic, satiric, or burlesque intent. Romances reworked legends, fairy tales, and history to suit the readers' and hearers' tastes, but by c. 1600 they were out of fashion, and Miguel de Cervantes famously burlesqued them in his novel ''Don Quixote''. Still, the modern image of "medieval" is more influenced by the romance than by any other medieval genre, and the word ''me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old French
Old French (, , ; Modern French: ) was the language spoken in most of the northern half of France from approximately the 8th to the 14th centuries. Rather than a unified language, Old French was a linkage of Romance dialects, mutually intelligible yet diverse, spoken in the northern half of France. These dialects came to be collectively known as the , contrasting with the in the south of France. The mid-14th century witnessed the emergence of Middle French, the language of the French Renaissance in the Île de France region; this dialect was a predecessor to Modern French. Other dialects of Old French evolved themselves into modern forms (Poitevin-Saintongeais, Gallo, Norman, Picard, Walloon, etc.), each with its own linguistic features and history. The region where Old French was spoken natively roughly extended to the northern half of the Kingdom of France and its vassals (including parts of the Angevin Empire, which during the 12th century remained under Anglo-Norman rul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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