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Matthias Grünewald
Matthias Grünewald ( – 31 August 1528) was a German Renaissance painter of religious works who ignored Renaissance classicism to continue the style of late medieval Central European art into the 16th century. His first name is also given as Mathis and his surname as Gothart or Neithardt. Only ten paintings—several consisting of many panels—and thirty-five drawings survive, all religious, although many others were lost at sea on their way to Sweden as war booty. He was obscure until the late nineteenth century, when many of his paintings were attributed to Albrecht Dürer, who is now seen as his stylistic antithesis. His largest and most famous work is the Isenheim Altarpiece created ''c.'' 1512 to 1516. Life The details of his life are unusually unclear for a painter of his significance at this date, despite the fact that his commissions show that he was recognised in his own lifetime. The first source to sketch his biography comes from the German art historian Joa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grunewald Self Portrait
Grunewald is the name of both a locality and a forest in Germany: * Grunewald (forest) * Grunewald (locality) Grunewald () is a locality (''Ortsteil'') within the Berlin borough (''Bezirk'') of Charlottenburg-Wilmersdorf. Famous for the homonymous forest, until 2001 administrative reform it was part of the former district of Wilmersdorf. Next to Lich ... Grünewald may refer to: * Grünewald (surname) * Grünewald, Germany, a municipality in Brandenburg, Germany * Grünewald (Luxembourg), a forest in Luxembourg * Matthias-Grünewald-Verlag, a publishing house in Mainz See also * * Greenwald * Grindelwald (other) * Grünwald (other) * Grunwald (other) {{disambiguation, geo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kunstmuseum Basel
The Kunstmuseum Basel houses the oldest public art collection in the world and is generally considered to be the most important museum of art in Switzerland. It is listed as a heritage site of national significance. Its lineage extends back to the Amerbach Cabinet, which included a collection of works by Hans Holbein purchased by the city of Basel and the University of Basel in 1661, which made it the first municipally owned and therefore open to the public museum in the world. Its collection is distinguished by an impressively wide historic span, from the early 15th century up to the immediate present. Its various areas of emphasis give it international standing as one of the most significant museums of its kind. These encompass: paintings and drawings by artists active in the Upper Rhine region between 1400 and 1600, and on the art of the 19th to 21st centuries. Collection The Kunstmuseum possesses the largest collection of works by the Holbein family. Further examples of Rena ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Gallery Of Art
The National Gallery of Art, and its attached Sculpture Garden, is a national art museum in Washington, D.C., United States, located on the National Mall, between 3rd and 9th Streets, at Constitution Avenue NW. Open to the public and free of charge, the museum was privately established in 1937 for the American people by a joint resolution of the United States Congress. Andrew W. Mellon donated a substantial art collection and funds for construction. The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Samuel Henry Kress#Biography, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western Art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexande ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Of Thebes
Paul of Thebes (; , ''Paûlos ho Thēbaîos''; ; c. 227 – c. 341), commonly known as Paul the First Hermit or Paul the Anchorite, was an Egyptian saint regarded as the first Christian hermit, who was claimed to have lived alone in the desert of Thebes, Roman Egypt from the age of sixteen to the age of one hundred and thirteen years old. He was canonized in 491 by Pope Gelasius I, and is venerated as a saint by the Catholic Church, Eastern Orthodox Church, and Oriental Orthodox Churches. Legend The ''Life of Saint Paul the First Hermit'' was composed in Latin by Saint Jerome, probably in 375–376. Paul of Thebes was born around 227 in the Thebaid of Egypt. Paul and his married sister lost their parents. In order to obtain Paul's inheritance, his brother-in-law sought to betray him to the persecutors. According to Jerome's ''Vitae Patrum'' (''Vita Pauli primi eremitae''), Paul fled to the Theban desert as a young man during the persecution of Decius and Valerianus aro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Temptation Of Saint Anthony In Visual Arts
The Temptation of Saint Anthony is an often-repeated subject in the history of art and literature, concerning the supernatural temptation reportedly faced by Saint Anthony the Great during his sojourn in the Egyptian desert. Anthony's temptation is first discussed by Athanasius of Alexandria, Anthony's contemporary, and from then became a popular theme in Western culture. The common medieval subject, included in the ''Golden Legend'' and other sources, shows Saint Anthony being tempted or assailed in the desert by demons, whose temptations he resisted; the ''Temptation of St Anthony'' (or ''Trial...'') is the more common name of the subject. But strictly there are at least two different episodes deriving from Athanasius's ''Life of St. Anthony'' and later versions of the life that may be represented, though all usually have this name. The most common is the temptation, by seductive women and other demonic forms, but the Martin Schongauer composition (copied by Michelangelo) pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolaus Hagenauer
Nikolaus Hagenauer (c. 1445/1460 — before 1538) was a German late gothic sculptor from Hagenau (Alsace in the Holy Roman Empire, present day France). He was most likely born as Niklas Zimmerlin, but was also documented and signed works as Niclas Hagenauer, Niklaus Hagenauer, Niclas Hagnower, Niklaus Hagnower, Niclas von Hagenau and other variants. Further reading * Peter Barnet and Nancy Wu: ''The Cloisters Medieval Art and Architecture'' 2005, New York, The Metropolitan Museum of Art, Yale University Press, New Haven and London * Max Seidel: ''Der Isenheimer Altar von Mathis Grünewald'', 1990, Stuttgart und Zürich, Belser Verlag * Vincent Mayr"Hagenauer, Nikolaus."In Grove Art Online. Oxford Art Online, (accessed January 30, 2012; subscription required) * External links * Entry for Nikolaus Hagenaueron the Union List of Artist Names The Union List of Artist Names (ULAN) is a free online database of the Getty Research Institute using a controlled vocabulary Contr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Church
In ecclesiology, the Christian Church is what different Christian denominations conceive of as being the true body of Christians or the original institution established by Jesus. "Christian Church" has also been used in academia as a synonym for Christianity, despite the fact that it is composed of multiple churches or denominations, many of which hold a doctrinal claim of being the "one true church", to the exclusion of the others. For many Protestant Christians, the Christian Church has two components: the church visible, institutions in which "the Word of God purely preached and listened to, and the sacraments administered according to Christ's institution", as well as the church invisible—all "who are truly saved" (with these beings members of the visible church). In this understanding of the invisible church, "Christian Church" (or catholic Church) does not refer to a particular Christian denomination, but includes all individuals who have been saved. The branch theory, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Predella
In art a predella (plural predelle) is the lowest part of an altarpiece, sometimes forming a platform or step, and the painting or sculpture along it, at the bottom of an altarpiece, sometimes with a single much larger main scene above, but often (especially in earlier examples), a polyptych or multipanel altarpiece. In late medieval and Renaissance altarpieces, where the main panel consisted of a scene with large figures, it was normal to include a predella below with a number of small-scale narrative paintings depicting events from the life of the dedicatee, whether the ''Life of Christ'', the ''Life of the Virgin'' or a saint. Typically there would be three to five small scenes, in a horizontal format. Sometimes a single space shows different scenes in continuous representation. They are significant in art history, as the artist had more freedom from iconographic conventions than in the main panel as they could only be seen from close up. As the main panels themselves ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony The Great
Anthony the Great ( grc-gre, Ἀντώνιος ''Antṓnios''; ar, القديس أنطونيوس الكبير; la, Antonius; ; c. 12 January 251 – 17 January 356), was a Christian monk from Egypt, revered since his death as a saint. He is distinguished from other saints named Anthony, such as , by various epithets: , , , , , and . For his importance among the Desert Fathers and to all later Christian monasticism, he is also known as the . His feast day is celebrated on 17 January among the Orthodox and Catholic churches and on Tobi 22 in the Coptic calendar. The biography of Anthony's life by Athanasius of Alexandria helped to spread the concept of Christian monasticism, particularly in Western Europe via its Latin translations. He is often erroneously considered the first Christian monk, but as his biography and other sources make clear, there were many ascetics before him. Anthony was, however, among the first known to go into the wilderness (about AD 270), whic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Sebastien
Saint Sebastian (in Latin: ''Sebastianus''; Narbo, Gallia Narbonensis, Roman Empire c. AD 255 – Rome, Italia, Roman Empire c. AD 288) was an early Christian saint and martyr. According to traditional belief, he was killed during the Diocletianic Persecution of Christians. He was initially tied to a post or tree and shot with arrows, though this did not kill him. He was, according to tradition, rescued and healed by Saint Irene of Rome, which became a popular subject in 17th-century painting. In all versions of the story, shortly after his recovery he went to Diocletian to warn him about his sins, and as a result was clubbed to death. He is venerated in the Catholic Church and the Orthodox Church. The oldest record of the details of Sebastian's martyrdom is found in the ''Chronograph of 354'', which mentions him as a martyr, venerated on January 20. He is also mentioned in a sermon on Psalm 118 by 4th-century bishop Ambrose of Milan (Saint Ambrose): in his sermon, Ambrose sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altarpiece
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the developme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
