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Kemençe Players
Kemenche ( tr, kemençe) or Lyra is a name used for various types of stringed bowed musical instruments originating in the Eastern Mediterranean, particularly in Armenia, Greece, Iran, Turkey, and Azerbaijan. and regions adjacent to the Black Sea. These instruments are folk instruments, generally having three strings and played held upright with their tail on the knee of the musician. The name ''Kemenche'' derives from the Persian Kamancheh, meaning merely a "small bow". Variations The Kemençe of the Black Sea ( tr, Karadeniz kemençesi, italic=y), also known as ''Pontic kemenche'' or ''Pontic lyra'' ( el, Ποντιακή λύρα), is a box-shaped lute ( ), while the classical kemençe ( tr, Klasik kemençe, italic=y or ''Armudî kemençe'', el, Πολίτικη Λύρα) is a bowl-shaped lute ( ). Other bowed instruments have names sharing the same Persian etymology include the kamancheh (or ''Kabak kemane'' in Turkish), a spike lute ( ), and the Cappad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kemenche0
Kemenche ( tr, kemençe) or Lyra is a name used for various types of stringed bowed musical instruments originating in the Eastern Mediterranean, particularly in Armenia, Greece, Iran, Turkey, and Azerbaijan. and regions adjacent to the Black Sea. These instruments are folk instruments, generally having three strings and played held upright with their tail on the knee of the musician. The name ''Kemenche'' derives from the Persian Kamancheh, meaning merely a "small bow". Variations The Kemençe of the Black Sea ( tr, Karadeniz kemençesi, italic=y), also known as ''Pontic kemenche'' or ''Pontic lyra'' ( el, Ποντιακή λύρα), is a box-shaped lute ( ), while the classical kemençe ( tr, Klasik kemençe, italic=y or ''Armudî kemençe'', el, Πολίτικη Λύρα) is a bowl-shaped lute ( ). Other bowed instruments have names sharing the same Persian etymology include the kamancheh (or ''Kabak kemane'' in Turkish), a spike lute ( ), and the Cappadoc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hornbostel–Sachs
Hornbostel–Sachs or Sachs–Hornbostel is a system of musical instrument classification devised by Erich Moritz von Hornbostel and Curt Sachs, and first published in the in 1914. An English translation was published in the '' Galpin Society Journal'' in 1961. It is the most widely used system for classifying musical instruments by ethnomusicologists and organologists (people who study musical instruments). The system was updated in 2011 as part of the work of the Musical Instrument Museums Online (MIMO) Project. Hornbostel and Sachs based their ideas on a system devised in the late 19th century by Victor-Charles Mahillon, the curator of musical instruments at Brussels Conservatory. Mahillon divided instruments into four broad categories according to the nature of the sound-producing material: an air column; string; membrane; and body of the instrument. From this basis, Hornbostel and Sachs expanded Mahillon's system to make it possible to classify any instrument from any cult ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyres
Yoke lutes, commonly called lyres, are a class of string instruments, subfamily of lutes, indicated with the code 321.2 in the Hornbostel–Sachs classification. Description Yoke lutes are defined as instruments with one or more strings, arranged parallel to the sound board and attached to a yoke lying on the same plane as the sound table, composed of two arms and a crosspiece. Most of the instruments of the lyre family are played by plucking the strings, but some involve the use of a bow instead. The sound box can be either bowl-shaped (321.21) or box-shaped (321.22). In the first case, the resonator is often a turtle shell, while the sound board is made of leather. In the second case, usually both the body and the sound board are made of wood. Examples Examples of yoke lutes are the lyre, the ''cithara'' and the ''phorminx'' from Ancient Greece, the biblical ''kinnor'' and the African ''nyatiti''. However, there are other instruments called "lyra" or "lira" that do not b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pochette (musical Instrument)
The pochette is a small stringed instrument of the bowed variety. It is essentially a very small violin-like wood instrument designed to fit in a pocket, hence its common name, the "pochette" (French for ''small pocket''). Also known as a pocket fiddle it was developed to be used by dance masters in royal courts and other places of nobility, and by street musicians, from about the 15th century until around the 19th century, with it being especially popular in the 1800s. In the past the rebec was used in a similar way. A common misconception is that pochettes were intended for children. They were actually conceived for adults; their small size allowed them to be used where the larger violins were too cumbersome to carry, or too expensive to own. The instrument's body is very small, but its fingerboard is long relative to the instrument's overall size, to preserve as much of the instrument's melodic range as possible. Pochettes come in many shapes, with the narrow boat shaped ones ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Lyra
The Byzantine lyra or lira ( gr, λύρα) was a medieval bowed string musical instrument in the Byzantine (Eastern Roman) Empire. In its popular form, the lyra was a pear-shaped instrument with three to five strings, held upright and played by stopping the strings from the side with fingernails. The first known depiction of the instrument is on a Byzantine ivory casket (900–1100 AD), preserved in the Bargello in Florence (''Museo Nazionale, Florence, Coll. Carrand, No.26''). Versions of the Byzantine lyra are still played throughout the former lands of the Byzantine Empire: Greece ( Politiki lyra, lit. "lyra of the City" i.e. Constantinople), Crete (Cretan lyra), Albania, Montenegro, Serbia, Bulgaria, North Macedonia, Croatia ( Dalmatian Lijerica), Italy (Calabrian lira) and Armenia. History The most likely origin is the pear-shaped pandura, however with the introduction of a bow. The first recorded reference to the bowed lyra was in the 9th century by the Persian geographer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sympathetic String
Sympathetic strings or resonance strings are auxiliary strings found on many Indian musical instruments, as well as some Western Baroque instruments and a variety of folk instruments. They are typically not played directly by the performer (except occasionally as an effect), only indirectly through the tones that are played on the main strings, based on the principle of sympathetic resonance. The resonance is most often heard when the fundamental frequency of the string is in unison or an octave lower or higher than the catalyst note, although it can occur for other intervals, such as a fifth, with less effect. Description Sympathetic strings are used to enhance the sound of an instrument. Some instruments have only a few sympathetic strings such as the Hardanger fiddle (pictured above right). Other instruments which have more include the sitar with 11-13 sympathetic strings and sarod with 15 sympathetic strings, and the sarangi, which has a total of 37 sympathetics. In Western ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cappadocian Kemane
Cappadocian Greeks also known as Greek Cappadocians ( el, Έλληνες-Καππαδόκες, Ελληνοκαππαδόκες, Καππαδόκες; tr, Kapadokyalı Rûm, Rumlar) or simply Cappadocians are an ethnic Greek people, Greek community native to the geographical region of Cappadocia in central-eastern Anatolia, roughly the Nevşehir Province and surrounding provinces of modern Turkey. There had been a continuous Greek people, Greek presence in Cappadocia since Ancient history, antiquity, and the indigenous populations of Cappadocia, some of whose Indo-European languages may have been closely related to Greek, (cf. Phrygian language, Phrygian) became entirely Greek-speaking by at least the 5th century. In the 11th century Seljuq Turks arriving from Central Asia conquered the region, beginning its gradual shift in language and religion. According to 1897 estimations, the sanjak of Konya had a total Ottoman Greeks, Greek population of 68,101 and according to 1914 popula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spike Lutes
Spike, spikes, or spiking may refer to: Arts, entertainment, and media Books * The Spike (novel), ''The Spike'' (novel), a novel by Arnaud de Borchgrave * The Spike (book), ''The Spike'' (book), a nonfiction book by Damien Broderick * ''The Spike'', a starship in Peter F. Hamilton's ''The Evolutionary Void'' Comics * Spike (DC Thomson), ''Spike'' (DC Thomson) a British comics anthology published by DC Thomson * Spike (IDW Publishing), ''Spike'' (IDW Publishing), a comic book series featuring the ''Buffy the Vampire Slayer'' character Film and television * Spike (2008 film), ''Spike'' (2008 film), directed by Robert Beaucage * Spike (dog), a dog actor * Spike (TV channel), a former name of the American cable network Paramount Network **5Spike, a former localized British version of the American channel ** Spike (Australian TV channel), a localized version of the American channel ** Spike (Dutch TV channel), a localized version of the American channel * "Spike!", a segment of the 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamancheh
The kamancheh (also kamānche or kamāncha) ( fa, کمانچه, az, kamança, hy, Քամանչա, ku, کەمانچە ,kemançe) is an Iranian bowed string instrument used in Persian, Azerbaijani, Armenian, Kurdish, Georgian, Turkmen, and Uzbek music with slight variations in the structure of the instrument. The kamancheh is related to the rebab which is the historical ancestor of the kamancheh and the bowed Byzantine lyra. The strings are played with a variable-tension bow. In 2017, the art of crafting and playing with Kamantcheh/Kamancha was included into the UNESCO Intangible Cultural Heritage Lists of Azerbaijan and Iran. Name and etymology The word "kamancheh" means "little bow" in Persian (''kæman'', bow, and ''-cheh'', diminutive). The Turkish word kemençe is borrowed from Persian, with the pronunciation adapted to Turkish phonology. It also denotes a bowed string instrument, but the Turkish version differs significantly in structure and sound from the Persian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Kemençe
The classical ''kemenche'' ( tr, Klasik kemençe), ('pear-shaped kemenche') or ( el, πολίτικη λύρα, 'Constantinopolitan lyre') is a pear-shaped bowed instrument that derived from the medieval Greek byzantine lyre. It was mainly used by Greek immigrants from Asia Minor and in classical Ottoman music. The instrument was also used earlier for popular music, such as early "Smyrna-Style" Rebetiko and played till nowadays. It has become the main bowed instrument of Ottoman classical music since the mid 19th century. Etymology The name ''Kemençe'' derives from the Persian Kamancheh, and means merely "small bow". The name ''lyra'' derives from the name of the ancient Greek lyre and was used in medieval times, see Byzantine lyra. Playing It is played in the downright position, by resting it between both knees or on one knee when sitting. It is always played "braccio", that is, with the tuning head uppermost. The kemenche bow is called the yay ( tr, Yay) and the ''d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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