Jukebox Musicals
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Jukebox Musicals
A jukebox musical is a stage musical or musical film in which a majority of the songs are well-known popular music songs, rather than original music. Some jukebox musicals use a wide variety of songs, while others confine themselves to songs performed by one singer or band, or written by one songwriter. In such cases, the plot is often a biography of the artist(s) in question. In other jukebox musicals, the plot is purely fictional. For musicals about a musician or musical act, some of the songs can be diegetic, meaning that they are performed within the world of the play or film. Works in which all of the music is diegetic, however, such as a biographical film about a singer who is at times shown performing their songs, are generally not considered jukebox musicals. Revues that lack a plot are also usually not described as jukebox musicals, although plotless shows that include a dance element sometimes are. History In Europe in the 17th and 18th century, many comic operas were pr ...
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Musical Theatre
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre ...
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George Forrest (author)
George Forrest (born George Forrest Chichester Jr., July 31, 1915 – October 10, 1999) was an American writer of music and lyrics for musical theatre best known for the show '' Kismet'', adapted from the works of Alexander Borodin. He was also known professionally at times as Chet Forrest. Biography Throughout his career Forrest worked exclusively with the composer-lyricist Robert Wright. The two men had an affinity for adapting classical music themes and adding lyrics to these themes for the Broadway musical stage and films. Wright said that the music was usually a 50-50 "collaboration" between Wright and Forrest and the composer. While both men were credited equally as composer-lyricists, it was Mr. Forrest who worked with the music. '' ''Kismet'''' was one of several works Forrest created with Wright commissioned by impresario Edwin Lester for the Los Angeles Civic Light Opera (LACLO). '' Song of Norway'', ''Gypsy Lady'', '' Magdalena'', and their adaptation of '' The Gr ...
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Do Re Mi (musical)
''Do Re Mi'' is a musical with music by Jule Styne, lyrics by Betty Comden and Adolph Green, and a book by Garson Kanin, who also directed the original 1960 Broadway production. The plot centers on a minor-league con man who decides to go (somewhat) straight by moving into the legitimate business of juke boxes and music promotion. The musical was headlined by the comedy couple of Phil Silvers and Nancy Walker, both of whom were Tony nominated. Popular songs introduced included "Cry Like the Wind" and "Make Someone Happy". Synopsis Hubie Cram is "a loser endlessly scheming to win big." His long-suffering and patient wife Kay urges him to "Take a Job," while he plots. He finds three pals, Fatso O'Rear, Brains Berman and Skin Demopoulos, and they scheme to enter the juke-box business ("It's Legitimate"). Soon they have 300 juke-boxes, which they plan on selling to John Henry Wheeler, a record producer. Hubie discovers a naive singer, Tilda Mullen, and they plan their future ("Am ...
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Jukebox
A jukebox is a partially automated music-playing device, usually a coin-operated machine, that will play a patron's selection from self-contained media. The classic jukebox has buttons, with letters and numbers on them, which are used to select a specific record. Some may use compact discs instead. Disc changers are similar devices that are intended for home use, are small enough to fit in a shelf, may hold up to hundreds of discs, and allow discs to be easily removed, replaced, and inserted by the user. History Coin-operated music boxes and player pianos were the first forms of automated coin-operated musical devices. These devices used paper rolls, metal disks, or metal cylinders to play a musical selection on an actual instrument, or on several actual instruments, enclosed within the device. In the 1890s, these devices were joined by machines which used recordings instead of actual physical instruments. In 1889, Louis Glass and William S. Arnold invented the nickel-in ...
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Sergei Rachmaninoff
Sergei Vasilyevich Rachmaninoff; in Russian pre-revolutionary script. (28 March 1943) was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The piano is featured prominently in Rachmaninoff's compositional output and he made a point of using his skills as a performer to fully explore the expressive and technical possibilities of the instrument. Born into a musical family, Rachmaninoff took up the piano at the age of four. He studied with Anton Arensky and Sergei Taneyev at the Moscow Conservatory and graduated in 1892, having already composed several piano and orchestral pieces. In 1897, following th ...
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Anya (musical)
''Anya'' is a musical with a book by George Abbott and Guy Bolton and music and lyrics by Robert Wright and George Forrest. As they had done with '' Song of Norway (1944)'' and '' Kismet (1953)'', Wright and Forrest developed the musical score using themes written by a classical composer, in this case Sergei Rachmaninoff. Based on Bolton's 1954 English adaptation of Marcelle Maurette's 1952 play ''Anastasia'' and the subsequent 1956 film adaptation of the same name, it focuses on Anya who, when discovered in a Berlin psychiatric facility in 1925 by taxi driver Bounine, a former Cossack general in Czarist Russia, claims to be Anastasia, the supposedly murdered youngest daughter of Emperor Nicholas II. A number of fictional elements, including a romantic triangle involving Anya, Bounine, and his mistress Genia and the addition of a comical character, café proprietor Katrina, weakened the plot of the true story. It also continued to perpetuate the notion that the Dowager Empress ...
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Alexander Borodin
Alexander Porfiryevich Borodin ( rus, link=no, Александр Порфирьевич Бородин, Aleksandr Porfir’yevich Borodin , p=ɐlʲɪkˈsandr pɐrˈfʲi rʲjɪvʲɪtɕ bərɐˈdʲin, a=RU-Alexander Porfiryevich Borodin.ogg, links=no; 12 November 183327 February 1887) was a Romantic composer and chemist of Georgian- Russian extraction. He was one of the prominent 19th-century composers known as " The Five", a group dedicated to producing a "uniquely Russian" kind of classical music. Abraham, Gerald. ''Borodin: the Composer and his Music''. London, 1927. Borodin is known best for his symphonies, his two string quartets, the symphonic poem '' In the Steppes of Central Asia'' and his opera '' Prince Igor''. A doctor and chemist by profession and training, Borodin made important early contributions to organic chemistry. Although he is presently known better as a composer, he regarded medicine and science as his primary occupations, only practising music and co ...
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Kismet (musical)
''Kismet'' is a musical adapted by Charles Lederer and Luther Davis from the 1911 play of the same name by Edward Knoblock, with lyrics and musical adaptation (as well as some original music) by Robert Wright and George Forrest. The music was mostly adapted from several pieces composed by Alexander Borodin. The story concerns a wily poet who talks his way out of trouble several times; meanwhile, his beautiful daughter meets and falls in love with the young caliph. The musical was first produced on Broadway in 1953 and won the Tony Award for best musical in 1954. It was also successful in London's West End and has been given several revivals. A 1955 film version was produced by Metro-Goldwyn-Mayer. Background The musical was commissioned by Edwin Lester, founder and director of the Los Angeles Civic Light Opera, who conceived of a musical based on the 1911 play '' Kismet'' by Edward Knoblock.Rooney, David''Kismet'' ''Variety'', February 10, 2006, accessed November 28, 2011 ...
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Johann Strauss II
Johann Baptist Strauss II (25 October 1825 – 3 June 1899), also known as Johann Strauss Jr., the Younger or the Son (german: links=no, Sohn), was an Austrian composer of light music, particularly dance music and operettas. He composed over 500 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas and a ballet. In his lifetime, he was known as "The Waltz King", and was largely responsible for the popularity of the waltz in Vienna during the 19th century. Some of Johann Strauss's most famous works include " The Blue Danube", " Kaiser-Walzer" (Emperor Waltz), " Tales from the Vienna Woods", " Frühlingsstimmen", and the "Tritsch-Tratsch-Polka". Among his operettas, '' Die Fledermaus'' and ''Der Zigeunerbaron'' are the best known. Strauss was the son of Johann Strauss I and his first wife Maria Anna Streim. Two younger brothers, Josef and Eduard Strauss, also became composers of light music, although they were never as well known as their ...
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Johann Strauss I
Johann Baptist Strauss I (; also Johann Strauss Sr., the Elder, the Father; 14 March 1804 – 25 September 1849) was an Austrian composer of the Romantic Period. He was famous for his light music, namely waltzes, polkas, and galops, which he popularized alongside Joseph Lanner, thereby setting the foundations for his sons—Johann, Josef and Eduard—to carry on his musical dynasty. He is best known for his composition of the Radetzky March (named after Joseph Radetzky von Radetz). Life and work Johann Strauss was born in Leopoldstadt (now in Vienna). Strauss's parents, Franz Borgias Strauss (10 October 1764 – 5 April 1816) and Barbara Dollmann (3 December 1770 – 28 August 1811), were innkeepers (). He was born a Roman Catholic. Strauss’ mother died of 'creeping fever' when he was seven and five years later his father drowned, possibly as a result of suicide, in the Danube river. Strauss' guardian, the tailor Anton Müller, placed him as an apprentice to the bookbi ...
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The Great Waltz (musical)
''The Great Waltz'' is a musical conceived by Hassard Short with a book by Moss Hart and lyrics by Desmond Carter, using themes by Johann Strauss I and Johann Strauss II. It is based on a pasticcio by Erich Wolfgang Korngold and Julius Bittner called ''Walzer aus Wien'', first performed in Vienna in 1930. The story of the musical is loosely based on the real-life feud between the older and younger Strauss, allegedly because of the father's jealousy of his son's greater talent. ''The Great Waltz'' debuted on Broadway at the Center Theatre on September 22, 1934 and ran for 289 performances. The production was directed by Hassard Short and presented by Max Gordon, with choreography by Albertina Rasch, settings by Albert Johnson and costumes by Doris Zinkeisen together with Marion Claire, Marie Burke and Guy Robertson. The musical was made into a motion picture by MGM in 1938 with a screenplay and new lyrics by Oscar Hammerstein II. In 1949 impresario Edwin Lester hired ...
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Heitor Villa-Lobos
Heitor Villa-Lobos (March 5, 1887November 17, 1959) was a Brazilian composer, conductor, cellist, and classical guitarist described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has become the best-known South American composer of all time. A prolific composer, he wrote numerous orchestral, chamber, instrumental and vocal works, totaling over 2000 works by his death in 1959. His music was influenced by both Brazilian folk music and stylistic elements from the European classical tradition, as exemplified by his '' Bachianas Brasileiras'' (Brazilian Bachian-pieces) and his Chôros. His Etudes for classical guitar (1929) were dedicated to Andrés Segovia, while his ''5 Preludes'' (1940) were dedicated to his spouse Arminda Neves d'Almeida, a.k.a. "Mindinha". Both are important works in the classical guitar repertory. Biography Youth and exploration Villa-Lobos was born in Rio de Janeiro. His father, Raúl, was a civil servant, ...
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