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Italian Literature
Italian literature is written in the Italian language, particularly within Italy. It may also refer to literature written by Italian people, Italians or in Languages of Italy, other languages spoken in Italy, often languages that are closely related to Italian language#History, modern Italian, including Regional Italian, regional varieties and vernacular dialects. Italian literature begins in the 12th century, when in different regions of the Italian Peninsula, peninsula the Italian vernacular started to be used in a literary manner. The ''Salv'a lo vescovo senato, Ritmo laurenziano'' is the first extant document of Italian literature. An early example of Italian literature is the tradition of vernacular lyric poetry performed in Occitan language, Occitan, which reached Italy by the end of the 12th century. In 1230, the Sicilian School became notable for being the first style in standard Italian. Dante Alighieri, one of the greatest of Italian poets, is notable for being the aut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marsilio Ficino
Marsilio Ficino (; Latin name: ; 19 October 1433 – 1 October 1499) was an Italian scholar and Catholic priest who was one of the most influential humanist philosophers of the early Italian Renaissance. He was an astrologer, a reviver of Neoplatonism in touch with the major academics of his day, and the first translator of Plato's complete extant works into Latin. His Florentine Academy, an attempt to revive Plato's Academy, influenced the direction and tenor of the Italian Renaissance and the development of European philosophy. Early life Ficino was born at Figline Valdarno. His father, Diotifeci d'Agnolo, was a physician under the patronage of Cosimo de' Medici, who took the young man into his household and became the lifelong patron of Marsilio, who was made tutor to his grandson, Lorenzo de' Medici. Giovanni Pico della Mirandola, the Italian humanist philosopher and scholar was another of his students. Career and thought Platonic Academy During the sessions at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canzonette
In music, a canzonetta (; pl. canzonette, canzonetti or canzonettas) is a popular Italian secular vocal composition that originated around 1560. Earlier versions were somewhat like a madrigal but lighter in style—but by the 18th century, especially as it moved outside of Italy, the term came to mean a song for voice and accompaniment, usually in a light secular style. Origins in Italy In its earliest form, the canzonetta was closely related to a popular Neapolitan form, the villanella. The songs were always secular, and generally involved pastoral, irreverent, or erotic subjects. The rhyme and stanza schemes of the poems varied but always included a final "punch line." Typically the early canzonetta was for three unaccompanied voices, moved quickly, and shunned contrapuntal complexity, though it often involved animated cross-rhythms. It was fun to sing, hugely popular, and quickly caught on throughout Italy, paralleling the madrigal, with which it later began to interact. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madrigal (music)
A madrigal is a form of secular vocal music most typical of the Renaissance music, Renaissance (15th–16th c.) and early Baroque music, Baroque (1600–1750) periods, although revisited by some later European composers. The Polyphony, polyphonic madrigal is Accompaniment, unaccompanied, and the number of voices varies from two to eight, but usually features three to six voices, whilst the Metre (music), metre of the madrigal varies between two or three tercets, followed by one or two couplets. Unlike the verse-repeating strophic forms sung to the same music, most madrigals are through-composed, featuring different music for each stanza of lyrics, whereby the composer expresses the emotions contained in each line and in single words of the poem being sung. As written by Italianized Franco–Flemish composers in the 1520s in music, 1520s, the madrigal partly originated from the three-to-four voice frottola (1470–1530); partly from composers' renewed interest in poetry written in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonnet
A sonnet is a poetic form that originated in the poetry composed at the Court of the Holy Roman Emperor Frederick II in the Sicilian city of Palermo. The 13th-century poet and notary Giacomo da Lentini is credited with the sonnet's invention, and the Sicilian School of poets who surrounded him then spread the form to the mainland. The earliest sonnets, however, no longer survive in the original Sicilian language, but only after being translated into Tuscan dialect. The term "sonnet" is derived from the Italian word ''sonetto'' (lit. "little song", derived from the Latin word ''sonus'', meaning a sound). By the 13th century it signified a poem of fourteen lines that followed a strict rhyme scheme and structure. According to Christopher Blum, during the Renaissance, the sonnet became the "choice mode of expressing romantic love". During that period, too, the form was taken up in many other European language areas and eventually any subject was considered acceptable for writers o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academy Of Arcadia
The Accademia degli Arcadi or Accademia dell'Arcadia, "Academy of Arcadia" or "Academy of the Arcadians", was an Italian literary academy founded in Rome in 1690. The full Italian official name was Pontificia Accademia degli Arcadi. History Foundation The beginnings of the Accademia degli Arcadi date to February 1656, when a literary circle formed under the patronage of Queen Christina of Sweden, who had abdicated the Swedish crown in 1654, converted to Catholicism, and taken up her residence in Rome, where she spent much of the rest of her life. There she became a significant patron of music and opera, with composers including Alessandro Scarlatti, Alessandro Stradella and Arcangelo Corelli dedicating works to her. After her death in 1689, the academy was established in her memory and elected her as its symbolic head (''basilissa'', the Greek term for 'Queen'). The Academy lasted for the next two hundred years, remaining a leading cultural institution into the 20th century. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Bembo
Pietro Bembo, ( la, Petrus Bembus; 20 May 1470 – 18 January 1547) was an Italian scholar, poet, and literary theorist who also was a member of the Knights Hospitaller, and a cardinal of the Roman Catholic Church. As an intellectual of the Italian Renaissance ( 15th–16th c.), Pietro Bembo greatly influenced the development of the Tuscan dialect as a literary language for poetry and prose, which, by later codification into a standard language, became the modern Italian language. In the 16th century, Bembo's poetry, essays and books proved basic to reviving interest in the literary works of Petrarch. In the field of music, Bembo's literary writing techniques helped composers develop the techniques of musical composition that made the madrigal the most important secular music of 16th-century Italy. Life Pietro Bembo was born on 20 May 1470 to an aristocratic Venetian family. His father Bernardo Bembo (1433–1519) was a diplomat and statesman and a cultured man who cared for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Guicciardini
Francesco Guicciardini (; 6 March 1483 – 22 May 1540) was an Italian historian and statesman. A friend and critic of Niccolò Machiavelli, he is considered one of the major political writers of the Italian Renaissance. In his masterpiece, ''The History of Italy'', Guicciardini paved the way for a new style in historiography with his use of government sources to support arguments and the realistic analysis of the people and events of his time. Biography Early life Francesco Guicciardini was born on 6 March 1483 in the Italian city of Florence, which was part of the Florentine Republic. He was the third of 11 children of Piero di Iacopo Guicciardini and Simona di Bongianni Gianfigliazzi. The Guicciardini were well-established members of the Florentine oligarchy as well as supporters of the Medici family. Influential in Florentine politics, Guicciardini's ancestors had held the highest posts of honour in the state for many generations, as may be seen in his own genealogical ''Ri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Machiavelli
Niccolò di Bernardo dei Machiavelli ( , , ; 3 May 1469 – 21 June 1527), occasionally rendered in English as Nicholas Machiavel ( , ; see below), was an Italian diplomat, author, philosopher and historian who lived during the Renaissance. He is best known for his political treatise ''The Prince'' (''Il Principe''), written in about 1513 but not published until 1532. He has often been called the father of modern political philosophy and political science. For many years he served as a senior official in the Florentine Republic with responsibilities in diplomatic and military affairs. He wrote comedies, carnival songs, and poetry. His personal correspondence is also important to historians and scholars of Italian correspondence. He worked as secretary to the Second Chancery of the Republic of Florence from 1498 to 1512, when the Medici were out of power. After his death Machiavelli's name came to evoke unscrupulous acts of the sort he advised most famously in his work, ''T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drama
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television.Elam (1980, 98). Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's '' Poetics'' (c. 335 BC)—the earliest work of dramatic theory. The term "drama" comes from a Greek word meaning "deed" or " act" (Classical Greek: , ''drâma''), which is derived from "I do" (Classical Greek: , ''dráō''). The two masks associated with drama represent the traditional generic division between comedy and tragedy. In English (as was the analogous case in many other European languages), the word ''play'' or ''game'' (translating the Anglo-Saxon ''pleġan'' or Latin ''ludus'') was the standard term for dramas until William Shakespeare's time—just as its creator was a ''play-maker'' rather than a ''dramatist'' and the building was a ''play-house'' r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonardo Da Vinci
Leonardo di ser Piero da Vinci (15 April 14522 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, Drawing, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested on his achievements as a painter, he also became known for #Journals and notes, his notebooks, in which he made drawings and notes on a variety of subjects, including anatomy, astronomy, botany, cartography, painting, and paleontology. Leonardo is widely regarded to have been a genius who epitomized the Renaissance humanism, Renaissance humanist ideal, and his List of works by Leonardo da Vinci, collective works comprise a contribution to later generations of artists matched only by that of his younger contemporary, Michelangelo. Born Legitimacy (family law), out of wedlock to a successful Civil law notary, notary and a lower-class woman in, or near, Vinci, Tuscany, Vinci, he was educated in Florence by the Italian painter and sculptor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian States
Italy, up until the Italian unification in 1861, was a conglomeration of city-states, republics, and other independent entities. The following is a list of the various Italian states during that period. Following the fall of the Western Roman Empire and the arrival of the Middle Ages (in particular from the 11th century), the Italian peninsula was divided into numerous states. Many of these states consolidated into major political units that balanced the power on the Italian peninsula: the Papal States, the Venetian Republic, the Republic of Florence, the Duchy of Milan, the Kingdom of Naples and the Kingdom of Sicily. Unlike all the other Italian states, the republics of Venice and Genoa, thanks to their maritime powers, went beyond territorial conquests within the Italian peninsula, conquering various regions across the Mediterranean and Black Seas. Archaic Italy * Italic peoples: ** Latino-Faliscans: *** Latins ( Roman Kingdom) **** Romans *** Falisci ** Osco-Umbrians, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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