Idiophones Struck Directly
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Idiophones Struck Directly
An idiophone is any musical instrument that creates sound primarily by the vibration of the instrument itself, without the use of air flow (as with aerophones), strings (chordophones), membranes (membranophones) or electricity ( electrophones). It is the first of the four main divisions in the original Hornbostel–Sachs system of musical instrument classification (see List of idiophones by Hornbostel–Sachs number). The early classification of Victor-Charles Mahillon called this group of instruments ''autophones''. The most common are struck idiophones, or concussion idiophones, which are made to vibrate by being struck, either directly with a stick or hand (like the wood block, singing bowl, steel tongue drum, triangle or marimba) or indirectly, with scraping or shaking motions (like maracas or flexatone). Various types of bells fall into both categories. A common plucked idiophone is the Jew's harp. According to Sachs, idiophones Etymology The word is from Ancie ...
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Ideophone
Ideophone is a word class evoking ideas in sound imitation or onomatopoeia to express action, manner of property. Ideophone is the least common syntactic category cross-linguistically occurring mostly in African, Australian and Amerindian languages, and sporadically elsewhere. It is globally the only known word class exotic to English. Ideophones resemble interjections but are unclassifiable as such owing to their special phonetic or derivational characteristics, and based on their syntactic function within the sentence. They may include sounds that deviate from the language's phonological system, imitating—often in a repetitive manner—sounds of movement, animal noises, bodily sounds, noises made by tools or machines, and the like. While English does have ideophonic or onomatopoetic expressions, it does not contain a proper class of ideophones because any English onomatopoeic word can be included in one of the classical categories. For example, ''la-di-da'' functions as an ...
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Woodblock (instrument)
A woodblock (also spelled as two words, wood block) is a small slit drum made from a single piece of wood. The term generally signifies the Western orchestral instrument, though it is descended from the Chinese woodblock. Alternative names sometimes used in ragtime and jazz are clog box and tap box. In orchestral music scores, woodblocks may be indicated by the French ''bloc de bois'' or ''tambour de bois'', German ''Holzblock'' or ''Holzblocktrommel'', or Italian ''cassa di legno''. The orchestral woodblock of the West is generally made from teak or another hardwood. The dimensions of this instrument vary, although it is either a rectangular or cylindrical block of wood with one or sometimes two longitudinal cavities. It is played by striking it with a stick, which produces a sharp crack. Alternatively, a rounder mallet, soft or hard, may be used, which produces a deeper-pitched and fuller "knocking" sound. On a drum kit, a woodblock is traditionally mounted on a clamp fixed t ...
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Amplified Cactus
An amplified cactus is a cactus plant (preferably a '' Denmoza'' or '' Geohintonia'') used as a musical instrument. It harnesses the acoustic properties of a cactus by applying contact microphones and amplifying their projection and tone. Vivien Schweitzer of ''The New York Times'' reports " Jason Treuting played an amplified cactus, running his hand over the plant's unfriendly spikes to produce an alluring sound like a babbling brook." The amplified cactus is a medium rarely written for, even in the contemporary music genre. John Cage composed ''Child of Tree'' (1975) and ''Branches'' (1976) for what he described as "amplified plant materials". Cage was a large proponent of chance music and felt that the organic nature of music without man-made instruments was very strong and influential. Another of the most famous pieces for amplified cactus is ''Degrees of Separation'' "Grandchild of Tree" by Paul Rudy which received mention at the Bourges International Competition for Electr ...
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Drum
The drum is a member of the percussion group of musical instruments. In the Hornbostel-Sachs classification system, it is a membranophone. Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the player's hands, or with a percussion mallet, to produce sound. There is usually a resonant head on the underside of the drum. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums are the world's oldest and most ubiquitous musical instruments, and the basic design has remained virtually unchanged for thousands of years. Drums may be played individually, with the player using a single drum, and some drums such as the djembe are almost always played in this way. Others are normally played in a set of two or more, all played by the one player, such as bongo drums and timpani. A number of different drums together with cymbals form the basic modern drum kit. Uses ...
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Percussion Instrument
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cym ...
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Curt Sachs
Curt Sachs (; 29 June 1881 – 5 February 1959) was a German musicologist. He was one of the founders of modern organology (the study of musical instruments). Among his contributions was the Hornbostel–Sachs system, which he created with Erich von Hornbostel. Biography Born in Berlin, Sachs studied piano, music theory and composition as a youth in that city. However, his doctorate from Berlin University (where he was later professor of musicology) in 1904 was on the history of art, with his thesis on the sculpture of Verrocchio. He began a career as an art historian, but promptly became more devoted to music, eventually being appointed director of the Staatliche Instrumentensammlung, a large collection of musical instruments. He reorganised and restored much of the collection, and his career as an organologist began. In 1913, Sachs saw the publication of his book ''Real-Lexicon der Musikinstrumente'', probably the most comprehensive survey of musical instruments in 200 years ...
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Bell (instrument)
A bell is a directly struck idiophone percussion instrument. Most bells have the shape of a hollow cup that when struck vibrates in a single strong strike tone, with its sides forming an efficient resonator. The strike may be made by an internal "clapper" or "uvula", an external hammer, or—in small bells—by a small loose sphere enclosed within the body of the bell (jingle bell). Bells are usually cast from bell metal (a type of bronze) for its resonant properties, but can also be made from other hard materials. This depends on the function. Some small bells such as ornamental bells or cowbells can be made from cast or pressed metal, glass or ceramic, but large bells such as a church, clock and tower bells are normally cast from bell metal. Bells intended to be heard over a wide area can range from a single bell hung in a turret or bell-gable, to a musical ensemble such as an English ring of bells, a carillon or a Russian zvon which are tuned to a common scale and instal ...
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Flexatone
The flexatone or fleximetal is a modern percussion instrument (an indirectly struck idiophone) consisting of a small flexible metal sheet suspended in a wire frame ending in a handle. Used in classic cartoons for its glissando effect, its sound is comparable to the musical saw. History, construction and technique An invention for a flexatone occurs in the British Patent Records of 1922 and 1923. In 1924 the 'Flex-a-tone' was patented in the USA by the Playatone Company of New York. "An instrument called the 'Flex-a-tone' was patented in the U.S.A. in 1924 by the Playertone Company of New York. It was introduced as a new instrument, making 'jazz jazzier' and announced as combining the tone effect of musical saw, orchestra bells, and song whistle." "Small sheet of spring steel in a frame with wooden strikers mounted on either side. The player shakes the beater while bending the steel in order to change the pitch." The instrument was first used in 1920s jazz bands as an effect ...
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Maraca
A maraca (), sometimes called shaker or chac-chac, is a rattle which appears in many genres of Caribbean and Latin music. It is shaken by a handle and usually played as part of a pair. Maracas (from Guaraní ), also known as tamaracas, were rattles of divination, an oracle of the Brazilian Tupinamba people, found also with other Indigenous ethnic groups, such as the Guarani, Orinoco and in Florida. Rattles made from ''Lagenaria'' gourds are being shaken by the natural grip, while the round ''Crescentia'' calabash fruits are fitted to a handle. Human hair is sometimes fastened on the top, and a slit is cut in it to represent a mouth, through which their shamans (''payes'') made it utter its responses. A few pebbles are inserted to make it rattle and it is crowned with the red feathers of the (scarlet ibis). Every man had his maraca. It was used at their dances and to heal the sick. Andean curandero A ''curandero'' (, healer; f. , also spelled , , f. ) is a traditional ...
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Marimba
The marimba () is a musical instrument in the percussion family that consists of wooden bars that are struck by mallets. Below each bar is a resonator pipe that amplifies particular harmonics of its sound. Compared to the xylophone, the timbre of the marimba is warmer, deeper, more resonant, and more pure. It also tends to have a lower range than that of a xylophone. Typically, the bars of a marimba are arranged chromatically, like the keys of a piano. The marimba is a type of idiophone. Today, the marimba is used as a solo instrument, or in ensembles like orchestras, marching bands (typically as a part of the front ensemble), percussion ensembles, brass and concert bands, and other traditional ensembles. Etymology and terminology The term ''marimba'' refers to both the traditional version of this instrument and its modern form. Its first documented use in the English language dates back to 1704. The term is of Bantu origin, deriving from the prefix meaning 'many' and ...
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