Huqin Family Instruments
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Huqin Family Instruments
''Huqin'' () is a family of bowed string instruments, more specifically, a spike fiddle popularly used in Chinese music. The instruments consist of a round, hexagonal, or octagonal sound box at the bottom with a neck attached that protrudes upwards. They also usually have two strings, and their soundboxes are typically covered with either snakeskin (most often python) or thin wood. Huqin instruments usually have two tuning pegs, one peg for each string. The pegs are attached horizontally through holes drilled in the instrument's neck. Most huqin have the bow hair pass in between the strings. Exceptions to having two strings and pegs include variations of huqin with three, four, and sometimes even more than five. These include the zhuihu, a three stringed huqin, the sihu, a huqin of Mongolian origin, and the sanhu, a lesser-known three-stringed variation. The most common huqin are the ''erhu'', which is tuned to a middle range; ''zhonghu'', which is tuned to a lower register, and ...
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:Category:Chinese Words And Phrases
This category is for articles on words and phrases of Chinese origin. For articles on words and phrases related to a specific area of China, or to a specific spoken variant, please refer to one of the subcategories. Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ... Words and phrases by language {{CatAutoTOC ...
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Pythonidae
The Pythonidae, commonly known as pythons, are a family of nonvenomous snakes found in Africa, Asia, and Australia. Among its members are some of the largest snakes in the world. Ten genera and 42 species are currently recognized. Distribution and habitat Pythons are found in sub-Saharan Africa, Nepal, India, Bangladesh, Sri Lanka, Southeast Asia, southeastern Pakistan, southern China, the Philippines and Australia. In the United States, an introduced population of Burmese pythons, ''Python bivittatus'', has existed as an invasive species in the Everglades National Park since the late 1990s. Common names * Sinhala - පිඹුරා (''Pimbura'') *Telugu - కొండచిలువ (Kondachiluva) * Odia - ଅଜଗର (Ajagara) *Malayalam - പെരുമ്പാമ്പ് (perumpāmp) *Hindi - अजगर ('Ajgar') Conservation Many species have been hunted aggressively, which has greatly reduced the population of some, such as the Indian python, ''Python molu ...
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Music Of Mongolia
Music is an integral part of Mongolian culture. Among the unique contributions of Mongolia to the world's musical culture are the long songs, overtone singing and morin khuur, the horse-headed fiddle. The music of Mongolia is also rich with varieties related to the various ethnic groups of the country: Oirats, Hotogoid, Tuvans, Darhad, Buryats, Tsaatan, Dariganga, Uzemchins, Barga, Kazakhs and Khalha. Besides the traditional music, Western classical music and ballet flourished during the Mongolian People's Republic. Among the most popular forms of modern music in Mongolia are Western pop and rock genres and the mass songs, which are written by modern authors in a form of folk songs. Traditional music Overtone singing Overtone singing, known as '' höömij'' (throat), is a singing technique also found in the general Central Asian area. This type of singing is considered more as a type of instrument. It involves different ways of breathing: producing two distinctively audible ...
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Chinese Orchestra
The term Chinese orchestra is most commonly used to refer to the modern Chinese orchestra that is found in China and various overseas Chinese communities. This modern Chinese orchestra first developed out of Jiangnan sizhu ensemble in the 1920s into a form that is based on the structure and principles of a Western symphony orchestra but using Chinese instruments. The orchestra is divided into four sections – wind, plucked strings, bow strings, and percussion, and usually performs modernized traditional music called ''guoyue''. The orchestra may be referred to as ''Minzu Yuetuan'' () or ''Minyuetuan'' () in mainland China, ''Chung Ngok Tuen'' () in Hong Kong, ''Huayuetuan'' () in Southeast Asia, or ''Guoyuetuan'' () in Taiwan, all meaning Chinese orchestra. The term modern Chinese orchestra is sometimes used to distinguish the current form from ancient Chinese orchestras that existed since the Shang dynasty and was used in royal courts and later during Confucian ceremonies. Anc ...
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Diyingehu
The bass ''gehu'' (低音革胡; pinyin: ''dīyīngéhú'', ; also called ''digehu'' or ''beigehu'' 倍革胡, literally "bass ''gehu''") is a Chinese bowed string instrument in the ''huqin'' family. It was developed by Yang Yusen along with the ''gehu'' in the 20th century. It has four strings and is the Chinese equivalent of the double bass. See also *Gehu *Laruan *Dihu * Dahu *Guqin *Traditional Chinese musical instruments Chinese musical instruments are traditionally grouped into eight categories known as (). The eight categories are silk, bamboo, wood, stone, metal, clay, gourd and skin; other instruments considered traditional exist that may not fit these group ... * String External links''Diyingehu'' page Chinese musical instruments Drumhead lutes Bowed instruments Contrabass instruments {{huqin-stub ...
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Gehu
The ''gehu'' (革胡; pinyin: géhú) is a Chinese instrument developed in the 20th century by the Chinese musician Yang Yusen ( 杨 雨 森, 1926–1980). It is a fusion of the Chinese huqin family and the cello. Its four strings are also tuned (from low to high) C-G-D-A, exactly like the cello's. Unlike most other musical instruments in the ''huqin'' family, the bridge does not contact the snakeskin, which faces to the side. There is also a contrabass ''gehu'' that functions as a Chinese double bass, known as the ''diyingehu'', ''digehu'', or ''beigehu'' ( 倍 革 胡). By the late 20th century the ''gehu'' had become a rare instrument, even within China, as the tendency for the snakeskin to lose its tightness increases with humidity. Today, it is used mostly in Hong Kong and Taiwan, although even there, the cello is beginning to become a popular replacement for it. There are also other Chinese instruments that are able to take on the role of bowed bass range instrument, ...
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Dihu
The ''dihu'' (低胡, pinyin: dīhú) is a large bowed string instrument from China. It has a large soundbox covered on one end with snakeskin. Like most other members of the huqin family of instruments, it has two strings and is held vertically. The instrument's name derives from "dī," meaning "low," and "hú" (short for ''huqin''). Sizes The instrument comes in three sizes: *The ''xiaodihu'' (小低胡, also called dahu or cizhonghu), pitched one octave below the ''erhu'' (tuned D-A, with its lowest D one whole step above the viola's lowest C). It is the tenor member of the erhu family (the ''erhu'' being the soprano member and the ''zhonghu'' being the alto member). *The ''zhongdihu'' (中低胡, pitched one octave below the zhonghu, (tuned G-D, as the middle strings of the cello). It is the bass member of the erhu family. *The ''dadihu'' (大低胡, pitched one octave below the ''xiaodihu'' and two octaves below the erhu (tuned D-A, with its lowest D one whole step above t ...
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Khuuchir
The khuuchir is a bowed musical instrument of Mongolia. Formerly, the nomads mainly used the snake skin violin or horsetail violin. The Chinese call it "the Mongol instrument" or " ''huk'in'' or ''huqin''".Хуучир mongol.undesten.mn
It is tuned in the interval of a fifth and is small or middle sized. The khuuchir has a small, cylindrical, square or cup-like resonator made of bamboo, wood or copper, covered with a snake skin and open at the bottom. The neck is inserted in the body of the instrument. It usually has four silk strings, of which the first and the third are accorded in unison, whereas the second and fourth are tuned in the upper fifth. The more popular of the ''hu'kin'' instruments have only two strings and are called "

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Kumo Xi
The Kumo Xi (Xu Elina-Qian, p.296b), also known as the Tatabi, were a Mongolic steppe people located in current Northeast China from 207 CE to 907 CE. After the death of their ancestor Tadun in 207, they were no longer called Wuhuan but joined the Khitan Xianbei in submitting to the Yuwen Xianbei. Their history is widely linked to the more famous Khitan.Xu Elina-Qian, pp.268-271 During their history, the Kumo Xi engaged in conflict with numerous Chinese dynasties and with the Khitan tribes, eventually suffering a series of disastrous defeats to Chinese armies and coming under the domination of the Khitans. In 907, the Kumo Xi were completely assimilated into the Khitan-led Liao dynasty of China. Etymology Omeljan Pritsak reconstructs the ethnonym underlying Middle Chinese *''kʰuoH-mɑk̚-ɦei'' as ''qu(o)mâġ-ġay''. The first element ''qu(o)mâġ'' is from *''quo'' "yellowish" plus denominal suffix *''-mAk'', cognate with Mongolian ''qumaġ'' "fine sands" and with Turkic ...
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奚琴
Xiqin may refer to: *Xiqin (instrument), a bowed string Chinese musical instrument *Western Qin (385-400, 409-431), a Xianbei state and one of the Sixteen Kingdoms * Xiqin Guildhall, a museum in Zigong, Sichuan, China Towns or townships in China *Xiqin, Fujian (西芹), a town in Nanping, Fujian *Xiqin Manchu Ethnic Township (希勤满族乡), a township in Harbin, Heilongjiang * Xiqên Township or Xiqin Township (锡钦乡), a township in Lhatse County Lhatse County (also rendered as Liza County) is a county of Xigazê in the Tibet Autonomous Region. It was established in 1959, with Lhatse Town as the county seat. In 1968, Quxia Town became the county seat. Lhatse County, has a population of s ...
, Tibet {{disambiguation, geo ...
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Xiqin (instrument)
The () was a bowed string musical instrument. It is perhaps the original member of the family of Chinese and Mongolian bowed string instruments; thus, the and and all similar fiddle instruments may be said to be derived from the . The had two silk strings and was held vertically. Origin and development The is believed to have been developed by the Kumo Xi, a Mongol- or Khitan-related ethnic group living in the Xar Moron River valley in northeast China. The first appeared in China during the Tang Dynasty (618–907 CE), during which time it was used in the palace orchestra and bowed with a bamboo stick. It was further developed in the Song Dynasty (960–1279), when it began to be bowed with a horsehair bow. In 1105, during the Northern Song Dynasty, the instrument was described as a foreign, two-stringed fiddle in an encyclopedic work on music called (; literally "book of music") by the music theorist Chen Yang (). Similar instruments The used in music and the use ...
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Ethnic Groups In Chinese History
Ethnic groups in Chinese history refer to various or presumed ethnicities of significance to the history of China, gathered through the study of Classical Chinese literature, Chinese and non-Chinese literary sources and inscriptions, historical linguistics, and archaeological research. Among the difficulties in the study of ethnic groups in China are the relatively long periods of time involved, together with the large volume of literary and historical records which have accompanied the history of China. Classical Chinese ethnography (like much premodern ethnography) was often sketchy, leaving it unclear as to whether Chinese-depicted names referred to a true ethnic group or a possibly multiethnic political entity. Even then, ethnonyms were sometimes assigned by geographic location or surrounding features, rather than by any features of the people themselves, and often carried little distinction of who the Han Chinese authors considered Chinese and non-Chinese for differenc ...
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