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Hardcore Techno
Hardcore (also known as hardcore techno) is a genre of electronic dance music that originated in the Netherlands, Belgium, and Germany in the early 1990s. It is distinguished by faster tempos (160 to 200 BPM or more) and a distorted sawtooth kick, the intensity of the kicks and the synthesized bass (in some subgenres), the rhythm and the atmosphere of the themes (sometimes violent), the usage of saturation and experimentation close to that of industrial dance music. It would spawn subgenres such as gabber. History Early 1970s to early 1980s Hardcore is rooted in the 1970s and early 1980s industrial music, specifically the elements of hard electronic dance music. Groups such as Throbbing Gristle, Coil, Cabaret Voltaire, SPK, Foetus and Einstürzende Neubauten produced music using a wide range of electronic instruments. The message diffused by industrial was then very provocative. Some of the musical sounds and experimentation of industrial have directly influence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sludge Metal
Sludge metal (also known as sludge doom or simply sludge) is an Extreme metal, extreme subgenre of heavy metal music that combines elements of doom metal and hardcore punk. The genre generally includes slow tempos, down-tuned guitars and nihilistic lyrics discussing poverty, drug addiction and pollution. The sound of sludge metal has its origins in California hardcore punk bands in the early-to-mid-1980s like Black Flag (band), Black Flag, Flipper (band), Flipper and Fang (band), Fang, who began slowing their tempos and embracing the influence of Black Sabbath. This sound was expanded upon by the Melvins towards the end of the decade and the bands they influenced in both the Seattle grunge scene, and in Louisiana with Eyehategod, Crowbar (American band), Crowbar and Acid Bath. In the 1990s and 2000s, the sound of sludge diversified: bands including Neurosis (band), Neurosis, Isis (band), Isis and Cult of Luna helped to pioneer post-metal, while Baroness (band), Baroness and Masto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Hardcore
Digital hardcore is a fusion genre that combines hardcore punk with electronic dance music genres such as breakbeat, techno, and drum and bass while also drawing on heavy metal, industrial and noise music. It typically features fast tempos and aggressive sound samples. The style was pioneered by Alec Empire of the German band Atari Teenage Riot during the early 1990s, and often has sociological or leftist lyrical themes. Characteristics Digital hardcore music is typically fast and abrasive, combining the speed, heaviness and attitude of hardcore punk, thrash metal, and riot grrrl with electronic music such as hardcore techno, gabber, jungle, drum and bass, glitch, and industrial rock. Some bands, like Atari Teenage Riot, incorporate elements of hip-hop music, such as freestyle rap. According to Jeff Terich of ''Treble Media'', digital hardcore is "on the verge of reaching speeds incompatible with popular music, as if the rapid acceleration of BPMs would render the ide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given musical composition, composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beat (music), beats per minute (bpm or BPM). In modern classical compositions, a "metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture (music), texture. The others are meter (music), meter, which is indicated by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Dance Music
Electronic dance music (EDM), also referred to as dance music or club music, is a broad range of percussive electronic music genres originally made for nightclubs, raves, and List of electronic dance music festivals, festivals. It is generally produced for gapless playback, playback by DJs who create seamless selections of tracks, called a DJ mix, by segueing from one recording to another. EDM producers also perform their music live in a concert or festival setting in what is sometimes called a live PA. Since its inception EDM has expanded to include a wide range of subgenres. In the late 1980s and early 1990s, following the emergence of Rave music, raving, pirate radio, Party crews, underground festivals, and an upsurge of interest in club culture, EDM achieved mainstream popularity in Europe. However, rave culture was not as broadly popular in the United States; it was not typically seen outside of the regional scenes in New York City, Florida, the Midwest, and California. Alt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronicore
Electronicore (also known as synthcore or trancecore) is a fusion genre of metalcore music with elements of various electronic music genres, often including trance, electronica, and dubstep. Reception Attack Attack! is often recognized as the primary American contributor of the style, being inspired by British band Enter Shikari. Enter Shikari is an electronicore band that began in 1999 as Hybryd, adding their last member and adopting their current name in early 2003, in St Albans, England.James Birtles, ''The Mancunion'Album: Enter Shikari – A Flash Flood of Colour The group has received international radio airplay and a substantial number of musical awards, from Kerrang!, NME, Rock Sound Magazine and BT Digital Music Awards. They express a relationship with electronic music genres such as trance and have been referred to as the "kings of trancecore." Their second album, titled ''Common Dreads'', was released in June 2009 and debuted on the UK Albums Chart at 16. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hardcore Punk
Hardcore punk (commonly abbreviated to hardcore or hXc) is a punk rock music genre#subtypes, subgenre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Punk rock in California, Southern California which arose as a reaction against the still predominant History of the hippie movement, hippie cultural climate of the time. It was also inspired by Washington, D.C., hardcore#History, Washington, D.C., and Punk rock#New York City, New York punk rock and early proto-punk. Hardcore punk generally eschews commercialism, the established music industry and "anything similar to the characteristics of Rock music, mainstream rock" and often addresses social and political topics with "confrontational, politically charged lyrics". Hardcore sprouted underground scenes across the United States in the early 1980s, particularly in Los Angeles, San Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
J-core
J-core is the style of hardcore techno associated with Japanese groups and DJs from the 1990s onward. Originally called "Japcore", the name "J-core" is an abbreviation of "Japanese hardcore". It is marked by its usage of samples derived from video games and anime, colorful kawaii imagery and album graphics, and the general borrowing of elements from otaku culture. J-core music is often found in rhythm games and forms a substantial part of the doujin music scene. History J-Core's emergence dates back to the late 1990s, in the height of the hardcore and gabber techno scenes in Europe. J-core is heavily influenced by denpa music and otaku culture, usually taking visual or audio samples and format cues from video games, anime, and general kawaii imagery. DJ Sharpnel is considered to have pioneered the style in the late 1990s, and in the early 2000s it spread through Japanese peer-to-peer networks. According to DJ Technorch, the current abbreviated term "J-core" was first use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frenchcore
Frenchcore is a subgenre of hardcore techno Hardcore (also known as hardcore techno) is a genre of electronic dance music that originated in the Netherlands, Belgium, and Germany in the early 1990s. It is distinguished by faster tempos (160 to 200 BPM or more) and a distorted sawtooth .... The style differs from other forms of hardcore in terms of a faster tempo, usually above 160 –185 BPM, and a loud and distorted offbeat bassline. In the 1990s, drum machines and Sampler (musical instrument), samplers were used to make this style. As technology developed, digital audio workstation, DAWs such as Ableton and Cubase became the standard for production. Modern frenchcore is often performed with live musical performers and sampling alongside a DJ set. History Frenchcore is a product of the rave and freetekno scenes in France dating back to the mid-1990s. The first frenchcore act, Micropoint, was founded by DJ Radium and Al Core in 1992. In 1994, DJ Radium focused on his sol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belgian Hardcore Techno
Belgian hardcore techno (also referred to as Belgian techno or rave techno) is an early style of hardcore techno that emerged from new beat as EBM and techno influences became more prevalent in this genre. This particular style has been described as an "apocalyptic, almost Wagnerian, bombastic techno", due to its use of dramatic orchestral stabs and menacing synth tones that set it apart from earlier forms of electronic dance music. It flourished in Belgium and influenced the sound of early hardcore from Netherlands, Germany, Italy, UK and North America during the early-1990s, as a part of the rave movement during that period.Simon Reynolds: ''Energy Flash: A Journey through Rave Music and Dance Culture.'' Soft Skull Press 2012, , p. 110. Belgian hardcore is related to both European techno and hardcore techno, being generally considered an early form of the latter. The genre is referred to by several other names, such as "Belgian rave" and "bretter tekkno". The immediate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nightcore
A nightcore (also known as sped-up song, sped-up version, sped-up remix, or sped-up edit) is a version of a music track that increases the pitch and speeds up its source material by approximately 35%. This gives an effect identical to playing a 33⅓-RPM vinyl record at 45 RPM. The name is derived from the Norwegian musical duo "Nightcore" (), who released pitch-shifted versions of trance and Eurodance songs. Nightcore is also almost always associated and accompanied with anime and otaku culture, with many YouTube thumbnails, and similar formats, of nightcore remixes containing anime characters and art. Nightcore saw a general resurgence in popularity in the early 2020s due to TikTok, causing major recording labels to officially release "sped-up" versions of their songs. History 2000s: Origins The term "nightcore" was first used in 2001 as the name for a school project by Norwegian DJ duo Thomas S. Nilsen and Steffen Ojala Søderholm, known by their stage names DJ TNT and DJ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noisecreep
Noisecreep is a hard rock and heavy metal music news and media website based in the United States. The site was created by AOL Music in March 2009. Noisecreep was the fourth genre-specific music website owned by AOL after the rock music website Spinner, country music website TheBoot and hip hop music website TheBoomBox. Noisecreep is also part of AOL's MediaGlow publishing division which was created in January 2009. The site publishes music news and interviews presented in a blog-like format, with an emphasis on lesser-known hard rock and heavy metal bands. According to Mike Rich, AOL's head of the entertainment department, "right now with heavy metal and hard rock, unless you're AC/DC or Metallica, you're not getting much play. These bands really haven't had a big platform to say hey, here we are, here's our music." Noisecreep also produces a video podcast A podcast is a Radio program, program made available in digital format for download over the Internet. Typically, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moombahcore
Moombahton (, ) is an electronic dance music genre, derived from house music and reggaeton, that was created by American DJ and producer Dave Nada in Washington, D.C., in 2009. Nada coined the name as a portmanteau of "Moombah" (a track by Surinamese house DJ Chuckie and Dutch producer/DJ Silvio Ecomo) and reggaeton (itself a neologism combining reggae with the Spanish suffix ''-ton'', signifying big). Characteristics Identifying characteristics of moombahton include a thick and spread-out bass line, dramatic builds, and a two-step pulse with quick drum fills. Occasionally moombahton includes rave music synthesizers and a cappella rap samples. Musically, moombahton mixes the rhythmic origins of Dutch house or house music, the slow tempo of reggaeton, usually between 100-110bpm, accompanied by bouncy percussions from reggaeton. History Moombahton was created by Dave Nada in late 2009 while DJing his cousin's high school cut party in Washington, D.C. He blended the house ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
