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Gupta Art
Gupta art is the art of the Gupta Empire, which ruled most of northern India, with its peak between about 300 and 480 CE, surviving in much reduced form until c. 550. The Gupta period is generally regarded as a classic peak and golden age of North Indian art for all the major religious groups. Gupta art is characterized by its "Classical decorum", in contrast to the subsequent Indian medieval art, which "subordinated the figure to the larger religious purpose". Although painting was evidently widespread, the surviving works are almost all religious sculpture. The period saw the emergence of the iconic carved stone deity in Hindu art, while the production of the Buddha-figure and Jain ''tirthankara'' figures continued to expand, the latter often on a very large scale. The traditional main centre of sculpture was Mathura, which continued to flourish, with the art of Gandhara, the centre of Greco-Buddhist art just beyond the northern border of Gupta territory, continuing to exert in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Of Mathura
The Art of Mathura refers to a particular school of Indian art, almost entirely surviving in the form of sculpture, starting in the 2nd century BCE, which centered on the city of Mathura, in central northern India, during a period in which Buddhism, Jainism together with Hinduism flourished in India. Mathura "was the first artistic center to produce devotional icons for all the three faiths",Srinivasan, 4 and the pre-eminent center of religious artistic expression in India at least until the Gupta period, and was influential throughout the sub-continent. Chronologically, Mathuran sculpture becomes prominent after Mauryan art, the art of the Mauryan Empire (322 and 185 BCE). It is said to represent a "sharp break" with the previous Mauryan style, either in scale, material or style. Mathura became India's most important artistic production center from the second century BCE, with its highly recognizable red sandstone statues being admired and exported all over India. In partic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greco-Buddhist Art
The Greco-Buddhist art or Gandhara art of the north Indian subcontinent is the artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism. It had mainly evolved in the ancient region of Gandhara. The series of interactions leading to Gandhara art occurred over time, beginning with Alexander the Great's brief incursion into the area, followed by the Maurya Empire, Mauryan Emperor Ashoka converting the region to Buddhism. Buddhism became the prominent religion in the Indo-Greek Kingdom, Indo-Greek Kingdoms. However, Greco-Buddhist art truly flowered and spread under the Kushan Empire, when the first surviving devotional images of the Buddha were created during the 1st-3rd centuries CE. Gandhara art reached its zenith from the 3rd-5th century CE, when most surviving motifs and artworks were produced. Gandhara art is characterized by Buddhist subject matter, sometimes adapting Greco-Roman elements, rendered in a style and forms that are hea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satavahanas
The Satavahanas (''Sādavāhana'' or ''Sātavāhana'', International Alphabet of Sanskrit Transliteration, IAST: ), also referred to as the Andhras in the Puranas, were an ancient Indian dynasty based in the Deccan Plateau, Deccan region. Most modern scholars believe that the Satavahana rule began in the late second century BCE and lasted until the early third century CE, although some assign the beginning of their rule to as early as the 3rd century BCE based on the Puranas, but uncorroborated by archaeological evidence. The Satavahana kingdom mainly comprised the present-day Andhra Pradesh, Telangana, and Maharashtra. At different times, their rule extended to parts of modern Gujarat, Madhya Pradesh, and Karnataka. The dynasty had different capital cities at different times, including Pratishthana (Paithan) and Amaravathi village, Guntur district, Amaravati (Dharanikota). The origin of the dynasty is uncertain, but according to the Puranas, their first king overthrew the Kan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Western Satraps
The Western Satraps, or Western Kshatrapas (Brahmi:, ''Mahakṣatrapa'', "Great Satraps") were Indo-Scythian (Saka) rulers of the western and central part of India ( Saurashtra and Malwa: modern Gujarat, Maharashtra, Rajasthan and Madhya Pradesh states), between 35 to 415 CE. The Western Satraps were contemporaneous with the Kushans who ruled the northern part of the Indian subcontinent, and were possibly vassals of the Kushans. They were also contemporaneous with the Satavahana (Andhra) who ruled in Central India. They are called "Western Satraps" in modern historiography in order to differentiate them from the "Northern Satraps", who ruled in Punjab and Mathura until the 2nd century CE. The power of the Western Satraps started to decline in the 2nd century CE after the Saka rulers were defeated by the Emperor Gautamiputra Satakarni of the Satavahana dynasty. After this, the Saka kingdom revived, but was ultimately destroyed by Chandragupta II of the Gupta Empire in the 4th cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devnimori
Devnimori, or Devni Mori, is a Buddhist archaeological site in northern Gujarat, about from the city of Shamlaji, in the Aravalli District of northern Gujarat, India. The site is variously dated to the 3rd century or 4th century CE, or circa 400 CE. Its location was associated with trade routes and caravans in the area of Gujarat. Site excavations have yielded Buddhist artifacts dated prior to 8th-century in the lowest layer, mixed Buddhist and Hindu artwork from the Gurjara-Pratihara period in the middle, topped by Muslim glazed ware attributed to the 14th century. The site was excavated between 1960 and 1963. The site became flooded by the Meswo reservoir, a project started in 1959 and completed over 1971–1972 over the nearby Meshwo River. Archaeological finds Buddhist sculptures The site of Devni Mori included numerous terracotta Buddhist sculptures (but no stone sculptures), also dated to the 3rd-4th century CE, and which are among the earliest sculptures that can be found ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mathura Art
The Art of Mathura refers to a particular school of Indian art, almost entirely surviving in the form of sculpture, starting in the 2nd century BCE, which centered on the city of Mathura, in central northern India, during a period in which Buddhism, Jainism together with Hinduism flourished in India. Mathura "was the first artistic center to produce devotional icons for all the three faiths",Srinivasan, 4 and the pre-eminent center of religious artistic expression in India at least until the Gupta period, and was influential throughout the sub-continent. Chronologically, Mathuran sculpture becomes prominent after Mauryan art, the art of the Mauryan Empire (322 and 185 BCE). It is said to represent a "sharp break" with the previous Mauryan style, either in scale, material or style. Mathura became India's most important artistic production center from the second century BCE, with its highly recognizable red sandstone statues being admired and exported all over India. In particul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hellenistic
In Classical antiquity, the Hellenistic period covers the time in Mediterranean history after Classical Greece, between the death of Alexander the Great in 323 BC and the emergence of the Roman Empire, as signified by the Battle of Actium in 31 BC and the conquest of Ptolemaic Egypt the following year. The Ancient Greek word ''Hellas'' (, ''Hellás'') was gradually recognized as the name for Greece, from which the word ''Hellenistic'' was derived. "Hellenistic" is distinguished from "Hellenic" in that the latter refers to Greece itself, while the former encompasses all ancient territories under Greek influence, in particular the East after the conquests of Alexander the Great. After the Macedonian invasion of the Achaemenid Empire in 330 BC and its disintegration shortly after, the Hellenistic kingdoms were established throughout south-west Asia ( Seleucid Empire, Kingdom of Pergamon), north-east Africa ( Ptolemaic Kingdom) and South Asia ( Greco-Bactrian Kingdom, Indo-Gree ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kushan Empire
The Kushan Empire ( grc, Βασιλεία Κοσσανῶν; xbc, Κυϸανο, ; sa, कुषाण वंश; Brahmi: , '; BHS: ; xpr, 𐭊𐭅𐭔𐭍 𐭇𐭔𐭕𐭓, ; zh, 貴霜 ) was a syncretic empire, formed by the Yuezhi, in the Bactrian territories in the early 1st century. It spread to encompass much of modern-day territory of, Afghanistan, Pakistan, Uzbekistan, and northern India, at least as far as Saketa and Sarnath near Varanasi (Benares), where inscriptions have been found dating to the era of the Kushan Emperor Kanishka the Great. The Kushans were most probably one of five branches of the Yuezhi confederation, an Indo-European nomadic people of possible Tocharian origin, who migrated from northwestern China (Xinjiang and Gansu) and settled in ancient Bactria. The founder of the dynasty, Kujula Kadphises, followed Greek religious ideas and iconography after the Greco-Bactrian tradition, and being a follower of Shaivism. The Kushans in general were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kushan Art
Kushan art, the art of the Kushan Empire in northern India, flourished between the 1st and the 4th century CE. It blended the traditions of the Greco-Buddhist art of Gandhara, influenced by Hellenistic artistic canons, and the more Indian Mathura art, art of Mathura. Kushan art follows the Hellenistic art of the Greco-Bactrian Kingdom as well as Indo-Greek art which had been flourishing between the 3rd century BCE and 1st century CE in Bactria and northwestern India, and the succeeding Indo-Scythian art. Before invading northern and central India and establishing themselves as a full-fledged empire, the Kushans had migrated from northwestern China and occupied for more than a century these Central Asian lands, where they are thought to have assimilated remnants of Greek populations, Greek culture and Greek art, as well as the languages and scripts which they used in their coins and inscriptions: Greek language, Greek and Bactrian language, Bactrian, which they used together with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terracotta
Terracotta, terra cotta, or terra-cotta (; ; ), in its material sense as an earthenware substrate, is a clay-based ceramic glaze, unglazed or glazed ceramic where the pottery firing, fired body is porous. In applied art, craft, construction, and architecture, terracotta is the term normally used for sculpture made in earthenware and also for various practical uses, including bowl (vessel), vessels (notably flower pots), water and waste water pipes, tile, roofing tiles, bricks, and surface embellishment in building construction. The term is also used to refer to the natural Terra cotta (color), brownish orange color of most terracotta. In archaeology and art history, "terracotta" is often used to describe objects such as figurines not made on a potter's wheel. Vessels and other objects that are or might be made on a wheel from the same material are called earthenware pottery; the choice of term depends on the type of object rather than the material or firing technique. Unglazed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ellora Caves
Ellora is a UNESCO World Heritage Site located in the Aurangabad district of Maharashtra, India. It is one of the largest rock-cut Hindu temple cave complexes in the world, with artwork dating from the period 600–1000 CE., Quote: "These 34 monasteries and temples, extending over more than 2 km, were dug side by side in the wall of a high basalt cliff, not far from Aurangabad, in Maharashtra. Ellora, with its uninterrupted sequence of monuments dating from A.D. 600 to 1000, brings the civilization of ancient India to life. Not only is the Ellora complex a unique artistic creation and a technological exploit but, with its sanctuaries devoted to Hinduism, it illustrates the spirit of tolerance that was characteristic of ancient India." Cave 16 features the largest single monolithic rock excavation in the world, the Kailash temple, a chariot-shaped monument dedicated to the god Shiva. The Kailash temple excavation also features sculptures depicting various Hindu deities as well a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elephanta Caves
The Elephanta Caves are a collection of cave temples predominantly dedicated to the Hindu god Shiva. They are on Elephanta Island, or ''Gharapuri'' (literally "the city of caves"), in Mumbai Harbour, east of Mumbai in the Indian state of Mahārāshtra. The island, about west of the Jawaharlal Nehru Port, consists of five Hindu caves, a few Buddhist stupa mounds that date back to the 2nd century BCE,Elephanta Island Encyclopedia Britannica and two Buddhist caves with water tanks. The Elephanta Caves contain stone sculptures, mostly in high |
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