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Gagaku
is a type of Japanese classical music that was historically used for imperial court music and dances. was developed as court music of the Kyoto Imperial Palace, and its near-current form was established in the Heian period (794-1185) around the 10th century.History of gagaku Nihon gagakukai Today, it is performed by the in the . Gagaku consists of three primary repertoires: #Native [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biwa
The is a Japanese short-necked wooden lute traditionally used in narrative storytelling. The is a plucked string instrument that first gained popularity in China before spreading throughout East Asia, eventually reaching Japan sometime during the Nara period (710–794). Typically to in length, the instrument is constructed of a water drop-shaped body with a short neck, typically with four (though sometimes five) strings. In Japan, the is generally played with a instead of the fingers, and is often used to play . One of the 's most famous uses is for reciting ''The Tale of the'' , a war chronicle from the Kamakura period (1185–1333). In previous centuries, the predominant musicians would have been , who used the as musical accompaniment when reading scriptural texts. The 's Chinese predecessor was the (), which arrived in Japan in two forms; following its introduction to Japan, varieties of the quadrupled. Guilds supporting players, particularly the , helped prol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Japan
In Japan, music includes a wide array of distinct genres, both traditional and modern. The word for "music" in Japanese language, Japanese is 音楽 (''ongaku''), combining the kanji 音 ''on'' (sound) with the kanji 楽 ''gaku'' (music, comfort). Japan is the world's largest market for music on physical media and the List of largest recorded music markets, second-largest overall music market, with a retail value of US$2.7 billion in 2017. Traditional and folk music Gagaku, hougaku The oldest forms of traditional Japanese music are: * , or Buddhism, Buddhist chanting * , or orchestral court music both of which date to the Nara period, Nara (710–794) and Heian period, Heian (794–1185) periods. Gagaku classical music has been performed at the Imperial court since the Heian period. Kagura-uta (神楽歌), Azuma-asobi (東遊) and Yamato-uta (大和歌) are indigenous repertories. Tōgaku (唐楽) and komagaku emerged during the Tang dynasty (618–907) via the Korean Peninsula. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yayue
''Yayue'' () was a form of classical music and dance performed at the royal court and temples in ancient China. The basic conventions of ''yayue'' were established in the Western Zhou. Together with law and rites, it formed the formal representation of aristocratic political power. The word ''ya'' () was used during the Zhou dynasty to refer to a form of song-texts used in court and collected in ''Shijing''. The term ''yayue'' itself appeared in '' Confucius' Analects'', where ''yayue'' was considered by Confucius to be the kind of music that is good and beneficial, in contrast to the popular music originated from the state of Zheng which he judged to be decadent and corrupting. ''Yayue'' is therefore regarded in the Confucian system as the proper form of music that is refined, improving, and essential for self-cultivation, and one that can symbolize good and stable governance. It means the kind of solemn ceremonial music used in court, as well as ritual music in temples inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bugaku(Naiku) 01
is a Japanese traditional dance that has been performed to select elites, mostly in the Japanese imperial court, for over twelve hundred years. In this way, it has been known only to the nobility, although after World War II, the dance was opened to the public and has even toured around the world in 1959. The dance is marked by its slow, precise and regal movements. The dancers wear intricate traditional Buddhist costumes, which usually include equally beautiful masks. The music and dance pattern is often repeated several times. It is performed on a square platform, usually 6 yards by 6 yards. Gerald Jonas, in his 2008 book ''Dancing: The pleasure power and art of movement'' explains that "some bugaku dances depict legendary battles, others enact encounters with divine personages or mythical beasts like the phoenix; one famous set-piece shows two dragons frolicking" (p. 102). He also discusses the ancient instruction manual that describes precisely the refined movements and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pentatonic Scale
A pentatonic scale is a musical scale with five notes per octave, in contrast to the heptatonic scale, which has seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancient civilizations and are still used in various musical styles to this day. There are two types of pentatonic scales: those with semitones (hemitonic) and those without (anhemitonic). Types Hemitonic and anhemitonic Musicology commonly classifies pentatonic scales as either ''hemitonic'' or ''anhemitonic''. Hemitonic scales contain one or more semitones and anhemitonic scales do not contain semitones. (For example, in Japanese music the anhemitonic ''yo'' scale is contrasted with the hemitonic ''in'' scale.) Hemitonic pentatonic scales are also called "ditonic scales", because the largest interval in them is the ditone (e.g., in the scale C–E–F–G–B–C, the interval found between C–E and G–B). (This should not be confu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Komagaku
''Komagaku'' ( 高麗楽) is a form of Gagaku (traditional Japanese court music) form arranged in the Heian period mainly based on Koguryeo music and sankangaku (the music of the Three Kingdoms of Korea and is often played as a dance accompaniment. In contrast to other forms of Gagaku is a type of Japanese classical music that was historically used for imperial court music and dances. was developed as court music of the Kyoto Imperial Palace, and its near-current form was established in the Heian period (794-1185) around t ..., Komagaku uses no plucked string instruments, only winds and percussion. References Gagaku {{japan-music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koto (instrument)
The is a Japanese Plucked string instrument, plucked Tube zither#Half-tube zithers, half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese and , and similar to the Mongolian , the Korean and , the Vietnamese , the Sundanese people, Sundanese and the Kazakhstan . Koto are roughly in length, and made from Paulownia, Paulownia wood (''Paulownia tomentosa'', known as ). The most common type uses 13 strings strung over movable bridge (instrument), bridges used for tuning, different pieces possibly requiring different tuning. 17-string koto are also common, and act as Bass (instrument), bass in ensembles. Koto strings are generally plucked using three fingerpicks (), worn on the first three fingers of the right hand. Names and types The character for ''koto'' is , although is often used. However, (''koto'') is the general term for all string instruments in the Japanese language,(jaKotobank koto/ref> including instruments such as the , ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shōmyō
is a style of Japanese Buddhist chant, used mainly in the Tendai and Shingon sects. There are two styles: ''ryokyoku'' and ''rikkyoku'', described as difficult and easy to remember, respectively. Shōmyō, like gagaku, employs the Yo scale, a pentatonic scale A pentatonic scale is a musical scale with five notes per octave, in contrast to the heptatonic scale, which has seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancien ... with ascending intervals of two, three, two, two, and three semitones. References Bibliography * Hill, Jackson (1982). Ritual Music in Japanese Esoteric Buddhism: Shingon Shōmyō, Ethnomusicology 26 (1), 27-39 External linksWhat Appears Through Chanting Tendai Shomyo Ryokyoku *http://jtrad.columbia.jp/eng/s_tendai.html *http://www.eastvalley.or.jp/eng/kyoku.html *http://sound.jp/tengaku/Shichseikai-e/shomyo-e4.html Buddhist music Japanese styles of music Buddhist c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Board Of Ceremonies
The is a department of the Imperial Household Agency of Japan. The board is the chief administration charged with ceremonial matters. History The history dates back to the Asuka period of the 8th century under the Taihō Code, when the was formed. This stayed in existence until the reforms of the Meiji era in 1871, when the ministry was replaced with the , which was soon renamed in 1872. The Ministry of Shinto Affairs was abolished, with the bulk of duties moved to the and the administration of formal ceremonial functions transferred to the Bureau of the Ceremonies. The Bureau of the Ceremonies was initially under the administration of the , but was transferred to the control of the Imperial Household Ministry in September 1877. The Bureau underwent the current name change in October 1884. Organisation The board is headed by the . However, the post has historically gone under the name . The Grand Master is assisted by two . One of them has , while the other has . / (Word ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yo Scale
The ''yo'' scale, which is like the Mixolydian but does not contain minor notes, according to a traditional theory is a pentatonic scale used in much Japanese music including gagaku and shomyo. The ''yo'' scale is used specifically in folk songs and early popular songs and is contrasted with the ''in'' scale which does contain minor notes. The ''in'' scale is described as 'dark' while the yo scale is described as 'bright' sounding.Chris Hiscock, Marian Metcalfe (1999). ''New Music Matters 11-14'', p.49. . It is defined by ascending intervals of two, three, two, two, and three semitones. An example ''yo'' scale, expressed in western pitch names, is: D - E - G - A - B. This is illustrated below. The Ryūkyū scale appears to be derived from the yo scale with pitches raised. More recent theory emphasizes that it is more useful in interpreting Japanese melody to view scales on the basis of "nuclear tones" located a fourth apart and containing notes between them, as in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lute
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can refer to an instrument from the family of European lutes. The term also refers generally to any string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed with one hand while the other hand "frets" (presses down) the strings on the neck's fingerboard. By pressing the strings on different places of the fingerboard, the player can sho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandarin Chinese
Mandarin (; ) is a group of Chinese (Sinitic) dialects that are natively spoken across most of northern and southwestern China. The group includes the Beijing dialect, the basis of the phonology of Standard Chinese, the official language of China. Because Mandarin originated in North China and most Mandarin dialects are found in the north, the group is sometimes referred to as Northern Chinese (). Many varieties of Mandarin, such as those of the Southwest (including Sichuanese) and the Lower Yangtze, are not mutually intelligible with the standard language (or are only partially intelligible). Nevertheless, Mandarin as a group is often placed first in lists of languages by number of native speakers (with nearly one billion). Mandarin is by far the largest of the seven or ten Chinese dialect groups; it is spoken by 70 percent of all Chinese speakers over a large geographical area that stretches from Yunnan in the southwest to Xinjiang in the northwest and Heilongjiang in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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