|
Frans Hals
Frans Hals the Elder (, , ; – 26 August 1666) was a Dutch Golden Age painter, chiefly of individual and group portraits and of genre works, who lived and worked in Haarlem. Hals played an important role in the evolution of 17th-century group Portrait painting, portraiture. He is known for his loose painterly brushwork. Biography Hals was born in 1582 or 1583 in Antwerp, then in the Spanish Netherlands, as the son of cloth merchant Franchois Fransz Hals van Mechelen ( 1542–1610) and his second wife Adriaentje van Geertenryck.Frans Hals iat the Netherlands Institute for Art History Like many, Hals's parents fled during the Fall of Antwerp (1584–1585) from the south to Haarlem in the new Dutch Republic in the north, where he lived for the remainder of his life. Hals studied under Flemish people, Flemi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Self-portrait
A self-portrait is a representation of an artist that is drawn, painted, photographed, or sculpted by that artist. Although self-portraits have been made since the earliest times, it is not until the Early Renaissance in the mid-15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. With better and cheaper mirrors, and the advent of the panel painting, panel portrait, many painters, sculptors and printmakers tried some form of self-portraiture. ''Portrait of a Man in a Turban'' by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. He painted a separate portrait of his wife, and he belonged to the social group that had begun to commission portraits, already more common among wealthy Netherlanders than south of the Alps. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, did it become truly popular. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Netherlands Institute For Art History
The Netherlands Institute for Art History or RKD (Dutch: RKD-Nederlands Instituut voor Kunstgeschiedenis), previously Rijksbureau voor Kunsthistorische Documentatie (RKD), is located in The Hague and is home to the largest art history center in the world. The center specializes in documentation, archives, and books on Western art from the late Middle Ages until modern times. All of this is open to the public, and much of it has been digitized and is available on their website. The main goal of the bureau is to collect, categorize, and make art research available, most notably in the field of Dutch Masters. Via the available databases, the visitor can gain insight into archival evidence on the lives of many artists of past centuries. The library owns approximately 450,000 titles, of which ca. 150,000 are auction catalogs. There are ca. 3,000 magazines, of which 600 are currently running subscriptions. Though most of the text is in Dutch, the standard record format includes a lin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Banquet Of The Officers Of The St George Militia Company In 1616
''The Banquet of the Officers of the St George Militia Company in 1616'' refers to the first of several large schutterstukken painted by Frans Hals for the St. George (or St. Joris) civic guard of Haarlem, and today is considered one of the main attractions of the Frans Hals Museum there. Influenced by Cornelis van Haarlem Hals was in his thirties when he painted this piece, and was far from established as a portrait painter. To be safe, he based most of his design on the painting of his predecessor, Cornelis Cornelisz van Haarlem, who painted the same militia company in 1599. Given a nearly impossible task, namely to complete his assignment but to add theatrical elements at the same time, Hals must have spent much time judging the politics of the group. He knew these men well as he served in the St. Joris militia himself from 1612–1615. In his painting, he indicates the political position of each man in the group as well as managing to give each a characteristic portrait. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacobus Zaffius
Jacobus Hendriksz Zaffius also known as Saffius or Saffio (1534 – 19 January 1618), was a Catholic pastor in Haarlem. Biography He was born in Amsterdam where he later owned some property. From 1568 he was Prior of the Canons Regular monastery ''De Blinken'' in Heiloo. In May 1571 he became provost of the Grote Kerk, Haarlem. He witnessed the Satisfactie van Haarlem in 1577, as well as the Alteratie of Amsterdam on 26 May, 1578. Three days after this, Calvinists plundered the Grote Kerk and two years later Zaffius went to jail for refusing to turn over Catholic property to the Haarlem city council. William the Silent granted him amnesty, and it was on this occasion that he made his donation to the Frans Loenenhofje. In 1611 he had his painting made by Frans Hals as a memorial to this fact. He died in Haarlem. Hals portrait His portrait by Frans Hals was probably painted after 1609 to hang in the regent's room of the Frans Loenenhofje where a ''Zaffio'' dedication stone wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornelis Claesz Van Wieringen
Cornelis Claesz van Wieringen (c. 1576 – 29 December 1633) was a Dutch Golden Age painter. Biography Van Wieringen was born and died in Haarlem. He was the son of a Haarlem captain, and drew, painted and etched with his friends Hendrick Goltzius and Cornelis van Haarlem. He also held important positions in the Haarlem Guild of St. Luke, the painters' guild, where he became a member in 1597. in the He specialized in paintings depicting ships and sea battles, and received orders from the municipal councils of Haarlem and . He painted the most popular picture of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Janskerk (Haarlem)
The Janskerk or St. John's Church is a former church in the Dutch city of Haarlem. Today it houses the North Holland Archives (''Noord-Hollands archief''). History Gerard van Tetrode donated land in 1310 in the centre of Haarlem to build St. John's monastery. Later the St. Barbara gasthuis was founded in 1435 by the Hugo van Assendelft, priest of the St. John's monastery, on the south side of this area. The monastery's church and the old Gasthuis doorway are the only parts of the large complex that still exist today. It was a commandry of the Knights of Saint John and is the oldest church in Haarlem after the St. Bavochurch. The order of St. John was disbanded after the Protestant Reformation and the church reverted to the state in 1625. The Haarlem council sold most of the monastery's land, and much of the art during the following years, which added considerably to the wealth of the city. In 1936 it became the location of the Haarlem Archives, and it is now the location for th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Mostaert
Jan Mostaert (c. 1475 – 1552/1553) was a Dutch Renaissance painter who is known mainly for his religious subjects and portraits. One of his most famous creations was the ''Landscape with an Episode from the Conquest of America''. There are very few details about the life of Jan Mostaert that are known with any certainty. The traditional account of his life was based on the biography written by the 16th century Flemish artist and art historian Karel van Mander and included in his ''Schilder-boeck'', published in Haarlem in 1604. Modern scholarship questions many of the assertions about the life of Mostaert made by Karel van Mander. One of these is van Mander's assertion that he was appointed 'painctre aux honneurs' ("painter with honors") by Margaret of Austria, the governor of the Habsburg Netherlands; it does not seem that he became Margaret's court painter, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Van Scorel
Jan van Scorel (1 August 1495 – 6 December 1562) was a Dutch painter, who played a leading role in introducing aspects of Italian Renaissance painting into Dutch and Flemish Renaissance painting. He was one of the early painters of the Romanist style who had spent a number of years in Italy, where he thoroughly absorbed the Italian style of painting. His trip to Italy coincided with the brief reign of the only Dutch pope in history, Adrian VI in 1522–23. The pope made him a court painter and superintendent of his collection of antiquities. His stay in Italy lasted from 1518 to 1524 and he also visited Nuremberg, Venice and Jerusalem. Venetian art had an important impact on the development of his style. He differed from most Romanists in that he was a native of the northern Netherlands and not of Flanders and that he remained most of his life in the northern Netherlands. He settled permanently in Utrecht in 1530 and established a large workshop on the Italian model. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geertgen Tot Sint Jans
Geertgen tot Sint Jans (c. 1465 – c. 1495), also known as Geertgen van Haarlem, Gerrit van Haarlem, Gerrit Gerritsz, Gheertgen, Geerrit, Gheerrit, or any other diminutive form of Gerald, was an Early Netherlandish painter from the northern Low Countries in the Holy Roman Empire. No contemporary documentation of his life has been traced, and the earliest published account of his life and work is from 1604, in Karel van Mander's ''Schilder-boeck''. According to van Mander, Geertgen was probably a pupil of Albert van Ouwater, one of the first oil painters in the northern Low Countries. Both painters lived in the city of Haarlem, where Geertgen was attached to the house of the Knights of Saint John, perhaps as a lay brother, for whom he painted an altarpiece. In van Mander's book he states that Geertgen took the name of St. John without joining the order, thus his last name "tot Sint Jans" was derived from the order's name and means "unto Saint John". Biography Though van Mande ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schilderboeck
or is a book written by the Southern Netherlands, Flemish writer and painter Karel van Mander first published in 1604 in Haarlem in the Dutch Republic, where van Mander resided. The book is written in 17th-century Dutch language, Dutch and its title is commonly translated into English as 'The Book of Painters' or 'The Book of (or on) Painting' and sometimes as 'The Book on Picturing'. consists of six parts and is considered one of the principal sources on the history of art and art theory in the 15th and 16th century Low Countries. The book was very well received and sold well. Karel van Mander died two years after its publication. A second posthumous edition, which included a brief, anonymous biography of van Mander was published in 1618. This second edition was translated by Hessel Miedema into English and published in 1994-1997 together with a facsimile of the original and five volumes of notes on the text. Summary is divided into six parts that have separate title pages an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haarlem Guild Of Saint Luke
The Haarlem Guild of Saint Luke was first a Christian, and later a city Guild for various trades falling under the patron saints Luke the Evangelist and Saint Eligius. History During the lifetime of Geertgen tot Sint Jans, there was probably a painter's guild in Haarlem, but all records of such an organization have been lost. If one existed, it would probably have been associated with the Janskerk (Haarlem), where Geertgen was active as a respected painter. The earliest mention of the Haarlem Guild of St. Luke is from 1496, when the heirs of ''Joost Huge Alboutsdr'', who had been the former owner of the location of the altar in the Sint-Bavokerk, ceded all altar rights which up to then had been for the Ascension of the Virgin, to the ''Guild of St. Luke and St. Eligius''.''Sint Lucas Gilde te Haarlem in 1631.'' Medegedeeld door den Adj.-Archivaris van Haarlem C. J. Gonnet, 1877, North Holland Archives, Haarlem. This is possibly also the year that the Guild switched its altar from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannerism
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_WGA11053.jpg "Click for more on -> The Banquet Of The Officers Of The St George Militia Company In 1616")
