Formalism (deductive)
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Formalism (deductive)
Formalism may refer to: * Legal formalism, legal positivist view that the substantive justice of a law is a question for the legislature rather than the judiciary * Formalism (linguistics) * Scientific formalism * A rough synonym to the Formal system, a mathematical model for deduction or proof systems. It also refers to a given style of notation. * Formalism (Yarvin), relating to Curtis Yarvin's ideas within the Dark Enlightenment * Formalism (philosophy), that there is no transcendent meaning to a discipline other than the literal content created by a practitioner ** Religious formalism, an emphasis on the ritual and observance of religion, rather than its meaning. ** Formalism (philosophy of mathematics), or ''mathematical formalism'', that statements of mathematics and logic can be thought of as statements about the consequences of certain string manipulation rules. ** Formalism (art), that a work's artistic value is entirely determined by its form *** Formalism (music) ** ...
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Legal Formalism
Legal formalism is both a descriptive theory of how judges decide cases and a Normative, normative theory of how judges should decide Legal case, cases. In its descriptive sense, formalists maintain that judges reach their decisions by applying uncontroversial principles to the Trier of fact, facts; formalists believe that there is an underlying logic to the many legal principles that may be applied in different cases. These principles, they claim, are straightforward and can be readily discovered by anyone with some legal expertise. U.S. Supreme Court Justice Oliver Wendell Holmes Jr., by contrast, believed that "The life of the law has not been logic: it has been experience". The formalist era is generally viewed as having existed from the 1870s to the 1920s, but some scholars deny that legal formalism ever existed in practice. The ultimate goal of legal formalism would be to describe the underlying principles in a single and determinate system that could be applied mechanically ...
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Formalism (philosophy Of Mathematics)
In the philosophy of mathematics, formalism is the view that holds that statements of mathematics and logic can be considered to be statements about the consequences of the manipulation of strings (alphanumeric sequences of symbols, usually as equations) using established manipulation rules. A central idea of formalism "is that mathematics is not a body of propositions representing an abstract sector of reality, but is much more akin to a game, bringing with it no more commitment to an ontology of objects or properties than ludo or chess." According to formalism, mathematical statements are not "about" numbers, sets, triangles, or any other mathematical objects in the way that physical statements are about material objects. Instead, they are purely syntactic expressions—formal strings of symbols manipulated according to explicit rules without inherent meaning. These symbolic expressions only acquire interpretation (or semantics) when we choose to assign it, similar to how che ...
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New Formalism (architecture)
New Formalism is an architectural style that emerged in the United States during the mid-1950s and flowered in the 1960s. Buildings designed in that style exhibited many Classical architecture, Classical elements including "strict symmetrical elevations" building proportion and scale, Classical columns, highly stylized entablatures and colonnades. The style was used primarily for high-profile cultural, High-tech architecture, high tech, institutional and civic buildings. Edward Durrell Stone's Embassy of the United States, New Delhi, New Delhi American Embassy (1954), which blended the architecture of the east with modern western concepts, is considered to be the symbolic start of New Formalism architecture. Common features of the New Formalism style include: * Use of traditionally rich materials such as travertine, marble, and granite or man-made materials that mimic their luxurious qualities * Buildings usually set on a Podium#In architecture, podium * Designed to achieve moder ...
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Russian Formalism
Russian formalism was a school of literary theory in Russia from the 1910s to the 1930s. It includes the work of a number of highly influential Russian and Soviet scholars, such as Viktor Shklovsky, Yuri Tynianov, Vladimir Propp, Boris Eikhenbaum, Roman Jakobson, Boris Tomashevsky, and Grigory Gukovsky, who revolutionised literary criticism between 1914 and the 1930s by establishing the specificity and autonomy of poetic language and literature. Russian formalism exerted a major influence on thinkers like Mikhail Bakhtin and Juri Lotman as well as on structuralism as a whole. The movement's members had a large impact on modern literary criticism as it developed in the structuralist and post-structuralist periods. Under Stalin it became a pejorative term for elitist art. Russian formalism was a diverse movement, producing no unified doctrine, and no consensus amongst its proponents on a central aim to their endeavours. In fact, "Russian Formalism" describes two distinct movements: ...
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New Formalism
New Formalism is a late 20th- and early 21st-century movement in American poetry that has promoted a return to metrical, rhymed verse and narrative poetry on the grounds that all three are necessary if American poetry is to compete with novels and regain its former popularity among the American people. Background The formal innovations of Modernist poetry, inspired by Walt Whitman and popularized by Ezra Pound, Edgar Lee Masters, and T.S. Eliot, led to the widespread publication of free verse during the early 20th century. By the 1920s, debates about the value of free verse versus formal poetry were filling the pages of American literary journals. Meanwhile, many poets chose to continue working predominantly in traditional forms, such as Robert Frost, Richard Wilbur, and Anthony Hecht. Formal verse also continued being written by American poets associated with the New Criticism, including John Crowe Ransom, Robert Penn Warren and Allen Tate. During the 1950s, the seco ...
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Formalism (literature)
Formalism is a school of literary criticism and literary theory having mainly to do with structural purposes of a particular text. It is the study of a text without taking into account any outside influence. Formalism rejects or sometimes simply "brackets" (''i.e.'', ignores for the purpose of analysis, ) notions of culture or societal influence, authorship and content, but instead focuses on modes, genres, discourse, and forms. In literary theory In literary theory, formalism refers to critical approaches that analyze, interpret, or evaluate the inherent features of a text. These features include not only grammar and syntax but also literary devices such as meter and Trope (literature), tropes. The formalistic approach reduces the importance of a text's historical, biographical, and cultural context. Formalism rose to prominence in the early twentieth century as a reaction against Romanticist theories of literature, which centered on the artist and individual creative genius, o ...
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Formalist Film Theory
Formalist film theory is an approach to film theory that is focused on the formal or technical elements of a film: i.e., the lighting, scoring, sound and set design, use of color, shot composition, and editing. This approach was proposed by Hugo Münsterberg, Rudolf Arnheim, Sergei Eisenstein, and Béla Balázs. Today, formalist film theory is a recognized approach in film studies. Formalism in ideological approaches Classical Hollywood cinema Classical Hollywood cinema uses a style referred to as the institutional mode of representation: continuity editing, massive coverage, three-point lighting, "mood" music, and dissolves. The socio-economic ideological explanation for this is style involves Hollywood's desire to monetarily profit and appeal to ticket-buyers. Film noir Film noir is marked by lower production values, darker images, under lighting, location shooting, and general nihilism. This is largely due to the pessimistic outlook filmmakers and filmgoers expressed ...
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Formalism (music)
In music theory and especially in the branch of study called the aesthetics of music, formalism is the concept that a composition's meaning is entirely determined by its form. Aesthetic theory Leonard B. Meyer, in ''Emotion and Meaning in Music'' (1956), distinguished ''"formalists"'' from what he called ''"expressionists"'': "...formalists would contend that the meaning of music lies in the perception and understanding of the musical relationships set forth in the work of art and that meaning in music is primarily intellectual, while the expressionist would argue that these same relationships are in some sense capable of exciting feelings and emotions in the listener" (Meyer 1956, p. 3). (The term "expressionism" is also used to define a ''musical genre'' typified by the early works of Schoenberg. The two terms are not necessarily related.) Meyer applied the term formalist (p. 3) to Eduard Hanslick who, in his later years, championed the music of Brahms over th ...
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Formalism (art)
In art history, formalism is the study of art by analyzing and comparing form and style. Its discussion also includes the way objects are made and their purely visual or material aspects. In painting, formalism emphasizes compositional elements such as color, line, shape, texture, and other perceptual aspects rather than content, meaning, or the historical and social context. At its extreme, formalism in art history posits that everything necessary to comprehending a work of art is contained within the work of art. The context of the work, including the reason for its creation, the historical background, and the life of the artist, that is, its conceptual aspect is considered to be external to the artistic medium itself, and therefore of secondary importance. History The historical origin of the modern form of the question of aesthetic formalism is usually dated to Immanuel Kant and the writing of his third Critique where Kant states: "Every form of the objects of sense is either ...
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Religious Formalism
The term ''formalism'' describes an emphasis on form over content or meaning in the arts, literature, or philosophy. A practitioner of formalism is called a ''formalist''. A formalist, with respect to some discipline, holds that there is no transcendent meaning to that discipline other than the literal content created by a practitioner. For example, formalists within mathematics claim that mathematics is no more than the symbols written down by the mathematician, which is based on logic and a few elementary rules alone. This is as opposed to non-formalists, within that field, who hold that there are some things inherently true, and are not, necessarily, dependent on the symbols within mathematics so much as a greater truth. Formalists within a discipline are completely concerned with "the rules of the game," as there is no other external truth that can be achieved beyond those given rules. In this sense, formalism lends itself well to disciplines based upon axiomatic systems. Relig ...
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Formalism (linguistics)
In linguistics, the term formalism is used in a variety of meanings which relate to formal linguistics in different ways. In common usage, it is merely synonymous with a grammatical model or a syntactic model: a method for analyzing sentence structures. Such formalisms include different methodologies of generative grammar which are especially designed to produce grammatically correct strings of words; or the likes of Functional Discourse Grammar which builds on predicate logic. Additionally, ''formalism'' can be thought of as a theory of language. This is most commonly a reference to mathematical formalism which argues that syntax is purely axiomatic being based on sequences generated by mathematical operations. This idea stands in contradistinction to psychologism and logicism which, respectively, argue that syntax is based on human psychology; or on semantic a priori structures which exist independently of humans. Definitions Rudolph Carnap defined the meaning of th ...
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Formalism (philosophy)
The term ''formalism'' describes an emphasis on form over content or meaning in the arts, literature, or philosophy. A practitioner of formalism is called a ''formalist''. A formalist, with respect to some discipline, holds that there is no transcendent meaning to that discipline other than the literal content created by a practitioner. For example, formalists within mathematics claim that mathematics is no more than the symbols written down by the mathematician, which is based on logic and a few elementary rules alone. This is as opposed to non-formalists, within that field, who hold that there are some things inherently true, and are not, necessarily, dependent on the symbols within mathematics so much as a greater truth. Formalists within a discipline are completely concerned with "the rules of the game," as there is no other external truth that can be achieved beyond those given rules. In this sense, formalism lends itself well to disciplines based upon axiomatic systems. Reli ...
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