Featherwork
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Featherwork
Featherwork is the working of feathers into a work of art or cultural artifact. This was especially elaborate among the peoples of Oceania and the Americas, such as the Incas and Aztecs. Feathered cloaks and headdresses include the '' ʻahuʻula'' capes and ''mahiole'' helmets were worn by Hawaiian royalty; many are now on display at the Bishop Museum, and other museums across the world. Kāhili are a type of feathered standard, another symbol of royalty. The introduction of foreign species, overhunting, and environment changes drove birds with desirable feathers, such as the ‘ō‘ō and mamo, to extinction, although the ʻiʻiwi managed to survive despite its popularity. Mexican feather work was a Pre-Columbian art form which was continued after the Conquest of the Aztec Empire, originally organized by the Spanish missionaries into a luxury export trade, sending objects back to Europe. Immediately after the conquest existing objects such as Montezuma's headdress, now in Vie ...
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Mexican Feather Work
Mexican featherwork, also called "plumería", was an important artistic and decorative technique in the pre-Hispanic and colonial periods in what is now Mexico. Although feathers have been prized and feather works created in other parts of the world, those done by the ''amanteca'' or feather work specialists impressed Spanish conquerors, leading to a creative exchange with Europe. Featherwork pieces took on European motifs in Mexico. Feathers and feather works became prized in Europe. The "golden age" for this technique as an art form was from just before the Spanish conquest to about a century afterwards. At the beginning of the 17th century, it began a decline due to the death of the old masters, the disappearance of the birds that provide fine feathers and the depreciation of indigenous handiwork. Feather work, especially the creation of "mosaics" or "paintings" principally of religious images remained noted by Europeans until the 19th century, but by the 20th century, the little ...
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Featherwork
Featherwork is the working of feathers into a work of art or cultural artifact. This was especially elaborate among the peoples of Oceania and the Americas, such as the Incas and Aztecs. Feathered cloaks and headdresses include the '' ʻahuʻula'' capes and ''mahiole'' helmets were worn by Hawaiian royalty; many are now on display at the Bishop Museum, and other museums across the world. Kāhili are a type of feathered standard, another symbol of royalty. The introduction of foreign species, overhunting, and environment changes drove birds with desirable feathers, such as the ‘ō‘ō and mamo, to extinction, although the ʻiʻiwi managed to survive despite its popularity. Mexican feather work was a Pre-Columbian art form which was continued after the Conquest of the Aztec Empire, originally organized by the Spanish missionaries into a luxury export trade, sending objects back to Europe. Immediately after the conquest existing objects such as Montezuma's headdress, now in Vie ...
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Aztec
The Aztecs () were a Mesoamerican culture that flourished in central Mexico in the post-classic period from 1300 to 1521. The Aztec people included different Indigenous peoples of Mexico, ethnic groups of central Mexico, particularly those groups who spoke the Nahuatl, Nahuatl language and who dominated large parts of Mesoamerica from the 14th to the 16th centuries. Aztec culture was organized into city-states (''altepetl''), some of which joined to form alliances, political confederations, or empires. The Aztec Empire was a confederation of three city-states established in 1427: Tenochtitlan, city-state of the Mexica or Tenochca; Texcoco (altepetl), Texcoco; and Tlacopan, previously part of the Tepanec empire, whose dominant power was Azcapotzalco (altepetl), Azcapotzalco. Although the term Aztecs is often narrowly restricted to the Mexica of Tenochtitlan, it is also broadly used to refer to Nahuas, Nahua polities or peoples of central Pre-Columbian Mexico, Mexico in the preh ...
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Feathered Cloak
Feather cloaks have been used by several cultures. Hawaii Elaborate feather cloaks called '' ʻahuʻula'' were created by early Hawaiians for the '' alii'' (royalty). Feathers were also used in women's skirts called ''pāū''. The ''iiwi'' (''Vestiaria coccinea'') and ''apapane'' (''Himatione sanguinea''), which provided red feathers, were killed and skinned due to their abundance. Yellow feathers were obtained from the mostly black and rarer ''ōō'' ('' Moho nobilis'') and ''mamo'' ('' Drepanis pacifica'') using a catch and release philosophy to ensure future availability. Famous works include: * Nāhienaena's Paū, feather skirt of Princess Nāhienaena and funeral garment of Hawaiian royals * Kamehameha's Cloak, feather cloak of Kamehameha I made entirely of the golden-yellow feather of the mamo, used by the kings of Hawaii * Kiwalao's Cloak, feather cloak of Kīwalaʻō captured by Kamehameha I in 1782, used by the Queens of Hawaii * Liloa's Kāei, sash of King ...
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Mahiole
Hawaiian feather helmets, known as ''mahiole'' in the Hawaiian language, were worn with feather cloaks (ʻahu ʻula). These were symbols of the highest rank reserved for the men of the ''alii'', the chiefly class of Hawaii. There are examples of this traditional headgear in museums around the world. At least sixteen of these helmets were collected during the voyages of Captain Cook.To attempt some new discoveries in that vast unknown tract
, Smithsonian Museum of Natural History, Washington DC Cook’s Pacific Encounters symposium, National Museum of Australia, 28 July 2006
These helmets are made from a woven frame structure ...
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The Feather Book Of Dionisio Minaggio
''The Feather Book of Dionisio Minaggio'', also referred to in Italian as ''Il bestiario barocco'' (''The Baroque Bestiary''), is a collection of 156 pictures made almost entirely from bird feathers augmented with pieces of bird skin, feet, and beaks. They were created between 1616 and 1618 by Dionisio Minaggio, the chief gardener of the Duchy of Milan and were originally bound into a book. The majority of pictures in the book are of birds indigenous to the Lombardy region of Italy at the time, but it also contained sets of other images depicting hunters, tradesmen, musicians, and ''commedia dell'arte'' characters. Subjects There are 156 plates in all, one of which served as the title page. Only Plate 54, a landscape, does not contain any birds or people. Although the images of musicians (Plates 77–84) and ''commedia dell'arte'' characters (Plates 100–114) were numbered consecutively, the images of hunters and tradesmen were interspersed amongst those with birds as the central ...
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Kāhili
A ''kāhili'' is a symbol of the aliʻi chiefs and families of the Hawaiian Islands. It was taken by the House of Kamehameha, Kamehamehas as a Hawaiian Kingdom, Hawaiian royal standard and used by the Royal Families to indicate their lineage. History The ''kāhili'' has long been a symbol of the Hawaiian aliʻi chiefs and the noble houses of the Hawaiian Islands. A ''kāhili'' bearer (''pa'a-kāhili'') is one who carries or bears the standard for the royal subject. The ''kāhili'' signified power from the divinities. The Aliʻi, Ali'i surrounded themselves with the standard. It was made using the long bones of an enemy king and decorated with the feathers from bird of prey, birds of prey. The Royal Coat of Arms of the Kingdom of Hawaii depicts the twin :en:Kameʻeiamoku, Kameʻeiamoku holding a feather standard. Among the pieces collected on James Cook, Captain Cook voyages were numerous feathered artifacts including 7 ''kāhili'' of the normal design before European influence. I ...
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Montezuma's Headdress
Moctezuma's headdress is a featherwork headdress or military device ( nah, quetzalāpanecayōtl ) which tradition holds belonged to Moctezuma II, the Aztec emperor at the time of the Spanish conquest. However, its provenance is uncertain,González de Alba, Luis. "El penacho de un pobre diablo", en el periódico La Jornadaversión electrónica./ref> and even its identity as a headdress has been questioned.Rodríguez, Ana Mónica. "El penacho de Moctezuma es una capa de sacerdote, afirma un investigador", La Jornadaversión electrónica It is made of quetzal and other feathers with sewn-on gold detailing. It is now in the Weltmuseum Wien, and is a source of dispute between Austria and Mexico, as no similar pieces remain in Mexico. Description The feathers of the piece have deteriorated over the centuries. It is high and across and has the form of concentric layers of different colored feathers arranged in a semicircle. The smallest is made from blue feathers of the '' Cotinga ama ...
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Cherokee People
The Cherokee (; chr, ᎠᏂᏴᏫᏯᎢ, translit=Aniyvwiyaʔi or Anigiduwagi, or chr, ᏣᎳᎩ, links=no, translit=Tsalagi) are one of the indigenous peoples of the Southeastern Woodlands of the United States. Prior to the 18th century, they were concentrated in their homelands, in towns along river valleys of what is now southwestern North Carolina, southeastern Tennessee, edges of western South Carolina, northern Georgia, and northeastern Alabama. The Cherokee language is part of the Iroquoian language group. In the 19th century, James Mooney, an early American ethnographer, recorded one oral tradition that told of the tribe having migrated south in ancient times from the Great Lakes region, where other Iroquoian peoples have been based. However, anthropologist Thomas R. Whyte, writing in 2007, dated the split among the peoples as occurring earlier. He believes that the origin of the proto-Iroquoian language was likely the Appalachian region, and the split between Norther ...
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Māori People
The Māori (, ) are the indigenous Polynesian people of mainland New Zealand (). Māori originated with settlers from East Polynesia, who arrived in New Zealand in several waves of canoe voyages between roughly 1320 and 1350. Over several centuries in isolation, these settlers developed their own distinctive culture, whose language, mythology, crafts, and performing arts evolved independently from those of other eastern Polynesian cultures. Some early Māori moved to the Chatham Islands, where their descendants became New Zealand's other indigenous Polynesian ethnic group, the Moriori. Initial contact between Māori and Europeans, starting in the 18th century, ranged from beneficial trade to lethal violence; Māori actively adopted many technologies from the newcomers. With the signing of the Treaty of Waitangi in 1840, the two cultures coexisted for a generation. Rising tensions over disputed land sales led to conflict in the 1860s, and massive land confiscations, to which ...
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National Museum Of The American Indian
The National Museum of the American Indian is a museum in the United States devoted to the culture of the indigenous peoples of the Americas. It is part of the Smithsonian Institution group of museums and research centers. The museum has three facilities. The National Museum of the American Indian on the National Mall in Washington, D.C., opened on September 21, 2004, on Fourth Street and Independence Avenue, Southwest. The George Gustav Heye Center, a permanent museum, is located at the Alexander Hamilton U.S. Custom House in New York City. The Cultural Resources Center, a research and collections facility, is located in Suitland, Maryland. The foundations for the present collections were first assembled in the former Museum of the American Indian in New York City, which was established in 1916, and which became part of the Smithsonian in 1989. On January 20, 2022, the museum announced Cynthia Chavez Lamar as its new director. Her first day in this position was February 14, ...
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Coyotlinahual
In Aztec mythology, Coyotlinahual or Coyotl Inahual (Nahuatl for "the coyote is his disguise"; ) is the god of featherwork Featherwork is the working of feathers into a work of art or cultural artifact. This was especially elaborate among the peoples of Oceania and the Americas, such as the Incas and Aztecs. Feathered cloaks and headdresses include the '' ʻahuʻula' ...ers (''amanteca''). References Aztec gods Crafts gods {{mesoamerica-myth-stub ...
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