Fantasy Conventions
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Fantasy Conventions
Fantasy is a genre of speculative fiction involving magical elements, typically set in a fictional universe and sometimes inspired by mythology and folklore. Its roots are in oral traditions, which then became fantasy literature and drama. From the twentieth century, it has expanded further into various media, including film, television, graphic novels, manga, animations and video games. Fantasy is distinguished from the genres of science fiction and horror by the respective absence of scientific or macabre themes, although these genres overlap. In popular culture, the fantasy genre predominantly features settings that emulate Earth, but with a sense of otherness. In its broadest sense, however, fantasy consists of works by many writers, artists, filmmakers, and musicians from ancient myths and legends to many recent and popular works. Traits Most fantasy uses magic or other supernatural elements as a main plot element, theme, or setting. Magic, magic practitioners ...
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The Violet Fairy Book (1906) (14730388126)
''The Langs' Fairy Books'' are a series of 25 collections of true and fictional children's literature, stories for children published between 1889 in literature, 1889 and 1913 in literature, 1913 by Andrew Lang and his wife, Leonora Blanche Alleyne. The best known books of the series are the 12 collections of fairy tales also known as ''Andrew Lang's "Coloured" Fairy Books'' or ''Andrew Lang's Fairy Books of Many Colors''. In all, the volumes feature 798 stories, besides the 153 children's poetry, poems in ''The Blue Poetry Book''. Leonora Blanche Alleyne (1851–1933) was an English author, editor, and Translation, translator. Known to her family and friends as Nora, she assumed editorial control of the series in the 1890s, while her husband, Andrew Lang (1844–1912), a Scottish people, Scots poet, novelist, and literary critic, edited the series and wrote prefaces for its entire run. According to Anita Silvey, "The irony of Lang's life and work is that although he wrote for a ...
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Plot (narrative)
In a literary work, film, or other narrative, the plot is the sequence of events in which each event affects the next one through the principle of cause-and-effect. The causal events of a plot can be thought of as a series of events linked by the connector "and so". Plots can vary from the simple—such as in a traditional ballad—to forming complex interwoven structures, with each part sometimes referred to as a subplot or ''imbroglio''. Plot is similar in meaning to the term ''storyline''. In the narrative sense, the term highlights important points which have consequences within the story, according to American science fiction writer Ansen Dibell. The term ''plot'' can also serve as a verb, referring to either the writer's crafting of a plot (devising and ordering story events), or else to a character's planning of future actions in the story. The term ''plot'', however, in common usage (for example, a "movie plot") can mean a narrative summary or story synopsis, rather th ...
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The Violet Fairy Book (1906) (14730393436)
''The Langs' Fairy Books'' are a series of 25 collections of true and fictional stories for children published between 1889 and 1913 by Andrew Lang and his wife, Leonora Blanche Alleyne. The best known books of the series are the 12 collections of fairy tales also known as ''Andrew Lang's "Coloured" Fairy Books'' or ''Andrew Lang's Fairy Books of Many Colors''. In all, the volumes feature 798 stories, besides the 153 poems in ''The Blue Poetry Book''. Leonora Blanche Alleyne (1851–1933) was an English author, editor, and translator. Known to her family and friends as Nora, she assumed editorial control of the series in the 1890s, while her husband, Andrew Lang (1844–1912), a Scots poet, novelist, and literary critic, edited the series and wrote prefaces for its entire run. According to Anita Silvey, "The irony of Lang's life and work is that although he wrote for a profession—literary criticism; fiction; poems; books and articles on anthropology, mythology, history, an ...
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Suspension Of Disbelief
Suspension of disbelief, sometimes called willing suspension of disbelief, is the avoidance of critical thinking or logic in examining something unreal or impossible in reality, such as a work of speculative fiction, in order to believe it for the sake of enjoyment. Aristotle first explored the idea of the concept in its relation to the principles of theater; the audience ignores the unreality of fiction in order to experience catharsis. Origin The poet and aesthetic philosopher Samuel Taylor Coleridge introduced the English-language term "suspension of disbelief" in 1817 and suggested that if a writer could infuse a "human interest and a semblance of truth" into a fantastic tale, the reader would suspend judgement concerning the implausibility of the narrative. Coleridge sought to revive the use of fantastic elements in poetry and developed a concept to support how a modern, enlightened audience might continue to enjoy such types of literature. The term resulted from a phil ...
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