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Expressionist Works
Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas. Expressionist artists have sought to express the meaningVictorino Tejera, 1966, pages 85,140, Art and Human Intelligence, Vision Press Limited, London of emotional experience rather than physical reality. Expressionism developed as an avant-garde style before the First World War. It remained popular during the Weimar Republic,Bruce Thompson, University of California, Santa Cruzlecture on Weimar culture/Kafka'a Prague particularly in Berlin. The style extended to a wide range of the arts, including expressionist architecture, painting, literature, theatre, dance, film and music. Paris became a gathering place for a group of Expressionist artists, many of Jewish origin, dubbed the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edvard Munch
Edvard Munch ( ; ; 12 December 1863 – 23 January 1944) was a Norwegian painter. His 1893 work ''The Scream'' has become one of Western art's most acclaimed images. His childhood was overshadowed by illness, bereavement and the dread of inheriting a mental condition that ran in the family. Studying at the Norwegian National Academy of Fine Arts, Royal School of Art and Design in Kristiania (Oslo), Munch began to live a bohemian life under the influence of the nihilist Hans Jæger, who urged him to paint his own emotional and psychological state ('Expressionism, soul painting'); from this emerged his distinctive style. Travel brought new influences and outlets. In Paris, he learned much from Paul Gauguin, Vincent van Gogh and Henri de Toulouse-Lautrec, especially their use of color. In Berlin, he met the Swedish dramatist August Strindberg, whom he painted, as he embarked on a major series of paintings he would later call ''The Frieze of Life'', depicting a series of deeply-fel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde
In the arts and literature, the term ''avant-garde'' ( meaning or ) identifies an experimental genre or work of art, and the artist who created it, which usually is aesthetically innovative, whilst initially being ideologically unacceptable to the artistic establishment of the time. The military metaphor of an ''advance guard'' identifies the artists and writers whose innovations in style, form, and subject-matter challenge the artistic and aesthetic validity of the established forms of art and the literary traditions of their time; thus, the artists who created the anti-novel and Surrealism were ahead of their times. As a stratum of the intelligentsia of a society, avant-garde artists promote progressive and radical politics and advocate for societal reform with and through works of art. In the essay "The Artist, the Scientist, and the Industrialist" (1825), Benjamin Olinde Rodrigues's political usage of ''vanguard'' identified the moral obligation of artists to "ser ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guido Villa
Guido is a given name. It has been a male first name in Italy, Austria, Germany, Switzerland, Argentina, the Low Countries, Scandinavia, Spain, Portugal and Latin America, as well as other places with migration from those. Regarding origins, there are most likely homonymous forms of it, that is, from several etymological predecessors but now seeming to be the same name. One of the likely homonyms is Germanic ''Guido'' representing the Latinisation from the Old High German name ''Wido'', which meant "wood" (that is, "forest"). Another likely homonym is the Italian ''Guido'' from a latinate root for "guide". The third likely homonym is the Italian ''Guido'' with phonetic correspondence to Latin '' Vitus'', whereas the Latin ''v'' (/w/), the Latin ''i'' (/iː/), and the terminal syllable ''-tus'' have predictable homology with the Italian /u/, /iː/, and ''-do''. Thus, for example, Saint Vitus has also been known in Italian as Guido. The slang term ''Guido'' is used in American cult ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impressionism
Impressionism was a 19th-century art movement characterized by visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a Satire, satirical 1874 review of the First Impressionist Exhibition published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon foll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Realism (arts)
Realism in the arts is generally the attempt to Representation (arts), represent subject-matter truthfully, without artificiality, exaggeration, or speculative fiction, speculative or supernatural elements. The term is often used interchangeably with naturalism, although these terms are not necessarily synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a Realism (art movement), specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the commoner and the rise of leftist polit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Positivism
Positivism is a philosophical school that holds that all genuine knowledge is either true by definition or positivemeaning '' a posteriori'' facts derived by reason and logic from sensory experience.John J. Macionis, Linda M. Gerber, ''Sociology'', Seventh Canadian Edition, Pearson Canada. Other ways of knowing, such as intuition, introspection, or religious faith, are rejected or considered meaningless. Although the positivist approach has been a recurrent theme in the history of Western thought, modern positivism was first articulated in the early 19th century by Auguste Comte. His school of sociological positivism holds that society, like the physical world, operates according to scientific laws. After Comte, positivist schools arose in logic, psychology, economics, historiography, and other fields of thought. Generally, positivists attempted to introduce scientific methods to their respective fields. Since the turn of the 20th century, positivism, although still ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
El Greco
Doménikos Theotokópoulos (, ; 1 October 1541 7 April 1614), most widely known as El Greco (; "The Greek"), was a Greek painter, sculptor and architect of the Spanish Renaissance, regarded as one of the greatest artists of all time. ''El Greco'' was a nickname, and the artist normally signed his paintings with his full birth name in Greek letters often adding the word (), which means " Cretan" in Ancient Greek. El Greco was born in the Kingdom of Candia (modern Crete), which was at that time part of the Republic of Venice, Italy, and the center of Post-Byzantine art. He trained and became a master within that tradition before traveling at age 26 to Venice, as other Greek artists had done.J. Brown, ''El Greco of Toledo'', 75–77 In 1570, he moved to Rome, where he opened a workshop and executed a series of works. During his stay in Italy, El Greco enriched his style with elements of Mannerism and of the Venetian Renaissance taken from a number of great artist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matthias Grünewald
Matthias Grünewald ( – 31 August 1528; also known as Mathis Gothart Nithart) was a German Renaissance painter of religious works who ignored Renaissance classicism to continue the style of late medieval Central European art into the 16th century. Only ten paintings—including several polyptychs—and thirty-five drawings survive, all religious, although many others were lost at sea on their way to Sweden as war booty. He was obscure until the late nineteenth century, when many of his paintings were attributed to Albrecht Dürer, who is now seen as his stylistic antithesis. His largest and most famous work is the '' Isenheim Altarpiece'' created ''c.'' 1512 to 1516. Life He was recognised in his own lifetime, as shown by his commissions, yet the details of his life are unusually unclear for a painter of his significance at this date. The first source to sketch his biography comes from the German art historian Joachim von Sandrart, who describes him around 1505 working on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angst
Angst is a feeling of anxiety, apprehension, or insecurity. ''Anguish'' is its Romance languages, Latinate cognate, equivalent, and the words ''anxious'' and ''anxiety'' are of similar origin. Etymology The word ''angst'' was introduced into English from the Danish language, Danish, Norwegian language, Norwegian, and Dutch language, Dutch word and the German language, German word . It is attested since the 19th century in English translations of the works of Søren Kierkegaard and Sigmund Freud. It is used in English to describe an intense feeling of apprehension, anxiety, or inner turmoil. In other languages (with words from the Latin for "fear" or "panic"), the derived words differ in meaning; for example, as in the French and . The word ''angst'' has existed in German since the 8th century, from the Proto-Indo-European language, Proto-Indo-European root , "restraint" from which Old High German developed. It is pre-cognate with the Latin , "tensity, tightness" and , " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Expressionist Music
term expressionism "was probably first applied to music in 1918, especially to Schoenberg", because like the painter Wassily Kandinsky (1866–1944) he avoided "traditional forms of beauty" to convey powerful feelings in his music. Theodor Adorno interprets the expressionist movement in music as seeking to "eliminate all of traditional music's conventional elements, everything formulaically rigid". This he sees as analogous "to the literary ideal of the 'scream.' " As well Adorno sees expressionist music as seeking "the truthfulness of subjective feeling without illusions, disguises or euphemisms". Adorno also describes it as concerned with the unconscious, and states that "the depiction of fear lies at the centre" of expressionist music, with dissonance predominating, so that the "harmonious, affirmative element of art is banished". Expressionist music would "thus reject the depictive, sensual qualities that had come to be associated with impressionist music. It would endeavor in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Expressionist Cinema
German expressionist cinema () was a part of several related creative movements in Germany in the early 20th century that reached a peak in Berlin during the 1920s. These developments were part of a larger Expressionist movement in Northwestern European culture in fields such as architecture, dance, painting, sculpture and cinema. Characteristics German Expressionism was an artistic movement in the early 20th century that emphasized the artist's inner emotions rather than attempting to replicate reality. German Expressionist films rejected cinematic realism and used visual distortions and hyper-expressive performances to reflect inner conflicts. History The German Expressionist movement was initially confined to Germany due to the country's isolation during World War I. In 1916, the government banned foreign films, creating a sharp increase in the demand for domestic film production, from 24 films in 1914 to 130 films in 1918. With inflation also on the rise, Germans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
