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Dunedin Sound
The Dunedin sound was a style of indie pop music created in the southern New Zealand university city of Dunedin in the early 1980s. Characteristics According to Matthew Bannister, Dunedin sound "was typically marked by the use of droning or jangling guitars, indistinct vocals and often copious quantities of reverberation." Many Dunedin sound bands drew inspiration from punk rock, as well as pop, rock, and psychedelic music of the 1960s. Influences The Dunedin sound can be traced back to the emergence of punk rock as a musical influence in New Zealand in the late 1970s. Isolated from the country's main punk scene in Auckland (which had been influenced by bands such as England's Buzzcocks), Dunedin's punk groups, such as The Enemy (which became Toy Love) and The Same (which later developed into The Chills), developed a sound more heavily influenced by artists like The Velvet Underground and The Stooges. This was complemented by jangly, psychedelic-influenced guitar work remini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indie Pop
Indie pop (also typeset as indie-pop or indiepop) is a music genre and subculture that combines guitar pop with DIY ethic in opposition to the style and tone of mainstream pop music. It originated from British post-punk in the late 1970s and subsequently generated a thriving fanzine, Independent record label, label, and club and gig circuit. Compared to its counterpart, indie rock, the genre is more melodic, less abrasive, and relatively angst-free. In later years, the definition of ''indie pop'' has bifurcated to also mean bands from unrelated DIY scenes/movements with pop leanings. Subgenres include chamber pop and twee pop. Development and characteristics Origins and etymology Both ''indie'' and ''indie pop'' had originally referred to the same thing during the late 1970s. Inspired more by punk rock's DIY ethos than its style, guitar bands were formed on the then-novel premise that one could record and release their own music instead of having to procure a record contra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toy Love
Toy Love was a New Zealand new wave and punk rock band that originated in Dunedin and was active from 1978 to 1980. Members included Chris Knox, Alec Bathgate and Paul Kean. History Chris Knox was the band's front man and other members were guitarist Alec Bathgate, bass player Paul Kean, drummer Mike Dooley, and keyboard player Jane Walker. The band developed out of the earlier punk band The Enemy from Dunedin, and are often regarded as the progenitors of the Dunedin sound movement. Toy Love were together for less than two years (1978–80) and spent a large part of that time in Australia. They released just one album, which was self-titled ''Toy Love''. The band members were apparently appalled by the mixing of the tracks, which took the edge off the band's deliberately raw sound. Allmusic gave the album a 3/5 rating. In April 2005, the album was remastered and released along with a number of demos and unreleased tracks as a double CD entitled ''Cuts''. In 2012, a further ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flexi Disc
The flexi disc (also known as a phonosheet, Sonosheet or Soundsheet, a trademark) is a phonograph record made of a thin, flexible vinyl sheet with a molded-in spiral stylus groove, and is designed to be playable on a normal phonograph turntable. Flexible records were commercially introduced as the Eva-tone Soundsheet in 1962. They were very popular among children and teenagers and mass-produced by the state publisher in the Soviet government. History Before the advent of the compact disc, flexi discs were sometimes used as a means to include sound with printed material such as magazines and music instruction books. A flexi disc could be moulded with speech or music and bound into the text with a perforated seam, at very little cost and without any requirement for a hard binding. One problem with using the thinner vinyl was that the stylus's weight, combined with the flexi disc's low mass, would sometimes cause the disc to stop spinning on the turntable and become held in place b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uncut (magazine)
''Uncut'' is a monthly magazine based in London. It is available across the English-speaking world, and focuses on music, but also includes film and books sections. A DVD magazine under the ''Uncut'' brand was published quarterly from 2005 to 2006. The magazine was acquired in 2019 by Singaporean music company BandLab Technologies, and has been published by NME Networks since December 2021. ''Uncut'' (main magazine) ''Uncut'' was launched in May 1997 by IPC as "a monthly magazine aimed at 25- to 45-year-old men that focuses on music and movies", edited by Allan Jones (former editor of ''Melody Maker''). Jones has stated that " e idea for Uncut came from my own disenchantment about what I was doing with ''Melody Maker''. There was a publishing initiative to make the audience younger; I was getting older and they wanted to take the readers further away from me", specifically referring to the then dominant Britpop genre. According to IPC Media, 86% of the magazine's readers are mal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
College Rock
College rock was the alternative rock music played on student-run university and college campus radio stations located in the United States and Canada in the 1980s. The stations' playlists were often created by students who avoided the mainstream rock played on commercial radio stations. Characteristics College rock originated less as a genre term and more as a signal of the medium, college radio, by which college rock acts were often heard. As a result, the genre featured a high degree of diversity and eclecticism, meaning that "on college radio ... screaming noise, retro country, avant-garde electronics, and power pop could coexist, linked by cheap-sounding singles recorded by local bands." Acknowledging this variety, some common aesthetics among college rock bands do exist, with some writers characterizing it largely as a combination of the experimentation of post-punk and new wave with a more melodic pop style and an underground sensibility. ''The A.V. Club'' explained, "Thoug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dunedin Double (EP)
The ''Dunedin Double'' EP was a seminal record in New Zealand music. An unusual format, it contain two 45rpm 12" discs, and at nearly 50 minutes length, it is longer than many albums. Released in March 1982 the compilation was one of the first releases from the newly formed Flying Nun Records label (catalogue number DUN-1), which over the course of the next ten years was to become the biggest independent record label in New Zealand. Many of the label's top groups came from the South Island city of Dunedin, and established that southern city's music scene as the leading source of guitar-based bands in New Zealand throughout much of the decade. The bands from the city which had music released on Flying Nun were grouped under the loose banner of Dunedin sound, and several of them went on to not only national but also international success. ''Dunedin Double'' established the names of four of these groups, each of which was represented on the double EP by one side. The four bands co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tally Ho! (song)
The Clean was a New Zealand indie rock band that formed in Dunedin in 1978. They have been described as the most influential band to come from the Flying Nun label, which recorded many artists associated with the "Dunedin sound".Schmidt, Andrew"The Clean – Profile" profile''AudioCulture''. Led through a number of early rotating line-ups by brothers Hamish and David Kilgour, the band settled on their well-known and current line-up with bassist Robert Scott. The band name comes from a character from the movie ''Free Ride'' called Mr. Clean. History Hamish and David Kilgour started to play and write music together in Dunedin in 1978, "building up a fat songbook of primitive punk, minimalist pop, infectious folk rock, and adventurous psychedelic instrumentals. Their sound was built around David Kilgour's off-centre, 1960s-influenced guitar, Hamish's motorik drumming, and melodic driving bass, first from Peter Gutteridge, then Robert Scott". The band's 1981 debut single "Tally ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Clean
The Clean was a New Zealand indie rock band that formed in Dunedin in 1978. They have been described as the most influential band to come from the Flying Nun label, which recorded many artists associated with the "Dunedin sound".Schmidt, Andrew"The Clean – Profile" profile''AudioCulture''. Led through a number of early rotating line-ups by brothers Hamish and David Kilgour, the band settled on their well-known and current line-up with bassist Robert Scott. The band name comes from a character from the movie ''Free Ride'' called Mr. Clean. History Hamish and David Kilgour started to play and write music together in Dunedin in 1978, "building up a fat songbook of primitive punk, minimalist pop, infectious folk rock, and adventurous psychedelic instrumentals. Their sound was built around David Kilgour's off-centre, 1960s-influenced guitar, Hamish's motorik drumming, and melodic driving bass, first from Peter Gutteridge, then Robert Scott". The band's 1981 debut single "Tally ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flying Nun Records
Flying Nun Records is a New Zealand independent record label formed in Christchurch in 1981 by music store manager Roger Shepherd. Described by ''The Guardian'' as "one of the world's great independent labels", Flying Nun is notable for bringing global attention to the Dunedin sound, a cultural and musical movement in early 1980s Dunedin, which gave rise to modern indie rock. History The label formed in the wake of a flurry of new post-punk-inspired labels appearing in New Zealand in the early 1980s, in particular Propeller Records in Auckland. Shepherd had intended to record the original local music of Christchurch, but soon the label rose to national prominence by championing the emerging music of Dunedin. "Ambivalence" by The Pin Group (the first band of Roy Montgomery) was the first release from Flying Nun, although "Tally Ho" by The Clean was the first release to draw public attention to the label, as it unexpectedly reached number nineteen in the New Zealand charts, br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Byrds
The Byrds () were an American rock band formed in Los Angeles, California, in 1964. The band underwent multiple lineup changes throughout its existence, with frontman Roger McGuinn (known as Jim McGuinn until mid-1967) remaining the sole consistent member. Although their time as one of the most popular groups in the world only lasted for a short period in the mid-1960s, the Byrds are today considered by critics to be among the most influential rock acts of their era. Their signature blend of clear harmony singing and McGuinn's jangly 12-string Rickenbacker guitar was "absorbed into the vocabulary of rock" and has continued to be influential. Initially, the Byrds pioneered the musical genre of folk rock as a popular format in 1965, by melding the influence of the Beatles and other British Invasion bands with contemporary and traditional folk music on their first and second albums, and the hit singles " Mr. Tambourine Man" and "Turn! Turn! Turn!". As the 1960s progressed, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beatles
The Beatles were an English Rock music, rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the Cultural impact of the Beatles, most influential band of all time and were integral to the development of counterculture of the 1960s, 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat music, beat and 1950s rock and roll, rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band also explored music styles ranging from folk music, folk and Music of India, Indian music to Psychedelic music, psychedelia and hard rock. As Recording practices of the Beatles, pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's Baby boomers, youth and sociocultural movements. Led by primary songwriter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelic Rock
Psychedelic rock is a rock music Music genre, genre that is inspired, influenced, or representative of psychedelia, psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously. Originating in the mid-1960s among British and American musicians, the sound of psychedelic rock invokes three core effects of LSD: depersonalization, dechronicization, and dynamization, all of which detach the user from everyday reality. Musically, the effects may be represented via novelty studio tricks, electronic music, electronic or non-Western instrumentation, disjunctive song structures, and extended instrumental segments. Some of the earlier 1960s psychedelic rock musicians were based in contemporary folk music, folk, jazz, and the blues, while others showcased an expl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
