Discographies Of Australian Artists
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Discographies Of Australian Artists
Discography is the study and cataloging of published sound recordings, often by specified artists or within identified music genres. The exact information included varies depending on the type and scope of the discography, but a discography entry for a specific recording will often list such details as the names of the artists involved, the time and place of the recording, the title of the piece performed, release dates, chart positions, and sales figures.Roy Shuker. Popular Music: The Key Concepts'. Routledge, 2005. 80. A discography can also refer to the recordings catalogue of an individual artist, group, or orchestra. This is distinct from a sessionography, which is a catalogue of recording sessions, rather than a catalogue of the records, in whatever medium, that are made from those recordings. The two are sometimes confused, especially in jazz, as specific release dates for jazz records are often difficult to ascertain, and session dates are substituted as a means of organiz ...
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Sound Recordings
Sound recording and reproduction is the electrical, Mechanical system, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Sound recording is the transcription of invisible vibrations in air onto a storage medium such as a phonograph disc. The process is reversed in sound reproduction, and the variations stored on the medium are transformed back into sound waves. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustics, acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in which a stylus cuts grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, wh ...
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Allen G
Allen, Allen's or Allens may refer to: Buildings * Allen Arena, an indoor arena at Lipscomb University in Nashville, Tennessee * Allen Center, a skyscraper complex in downtown Houston, Texas * Allen Fieldhouse, an indoor sports arena on the University of Kansas campus in Lawrence * Allen House (other) * Allen Power Plant (other) Businesses *Allen (brand), an American tool company *Allen's, an Australian brand of confectionery * Allens (law firm), an Australian law firm formerly known as Allens Arthur Robinson *Allen's (restaurant), a former hamburger joint and nightclub in Athens, Georgia, United States *Allen & Company LLC, a small, privately held investment bank *Allens of Mayfair, a butcher shop in London from 1830 to 2015 *Allens Boots, a retail store in Austin, Texas * Allens, Inc., a brand of canned vegetables based in Arkansas, US, now owned by Del Monte Foods * Allen's department store, a.k.a. Allen's, George Allen, Inc., Philadelphia, USA People * Allen ...
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Audio Engineer
An audio engineer (also known as a sound engineer or recording engineer) helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer... the nuts and bolts." Sound engineering is increasingly seen as a creative profession where musical instruments and technology are used to produce sound for film, radio, television, music and video games. Audio engineers also set up, sound check and do live sound mixing using a mixing console and a sound reinforcement system for music concerts, theatre, sports games and corporate events. Alternatively, ''audio engineer'' can refer to a scientist or professional engineer who holds an engineering degree and who designs, dev ...
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International Standard Recording Code
The International Standard Recording Code (ISRC) is an international standard code for uniquely identifying sound recordings and music video recordings. The code was developed by the recording industry in conjunction with the ISO technical committee 46, subcommittee 9 (TC 46/SC 9), which codified the standard as ISO 3901 in 1986, and updated it in 2001. An ISRC identifies a particular ''recording'', not the work (composition and lyrical content) itself. Therefore, different recordings, edits, and remixes of the same work should each have their own ISRC. Works are identified by ISWC. Recordings remastered or revised in other ways are usually assigned a new ISRC. History ISO 3901 was completed in 1986. In 1988, the IFPI recommended that its member companies adopt ISRCs for music videos. In 1989, the ISO designated the IFPI as the registration authority for ISRCs. The IFPI, in turn, delegated part of the administration of ISRCs to several dozen national agencies, which allocate ...
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International Standard Musical Work Code
International Standard Musical Work Code (ISWC) is a unique identifier for musical works, similar to ISBN for books. It is adopted as international standard ISO 15707. The ISO subcommittee with responsibility for the standard is TC 46/SC 9. Format Each code is composed of three parts: # prefix element (1 character) # work identifier (9 digits) # check digit (1 digit) Currently, the only prefix defined is "T", indicating Musical works. However, additional prefixes may be defined in the future to expand the available range of identifiers and/or expand the system to additional types of works. Computation of the check digit With * d_i: one of the nine digits of the work identifier (i=1 to 9) from left to right. * C: check digit. S = 1 + \sum_^id_i C = (10 - (S \mod 10)) \mod 10 Example: T-034.524.680-C S=179 C=1 ISWC identifiers are commonly written the form ''T-123.456.789-C''. The grouping is for ease of reading only; the numbers do not incorporate any information about ...
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International Standard Audiovisual Number
International Standard Audiovisual Number (ISAN) is a unique identifier for audiovisual works and related versions, similar to ISBN for books. It was developed within an ISO (International Organization for Standardization) TC46/SC9 working group. ISAN is managed and run by ISAN-IA. Overview The ISAN standard (ISO standard 15706:2002 & ISO 15706-2) is recommended or required as the audiovisual identifier of choice for producers, studios, broadcasters, Internet media providers and video games publishers who need to encode, track, and distribute video in a variety of formats. It provides a unique, internationally recognized and permanent reference number for each audiovisual work and related versions registered in the ISAN system. The ISO 15706-2 is the ISO standard, an extension to the existing 2002 published standard ISO 15706:2002. The ISO 15706-2 is the Information and documentation ISAN Part 2: Version identifier. ISO 15706-2:2007 specifies the basic systems and procedures t ...
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International Standard Music Number
The International Standard Music Number or ISMN (ISO 10957) is a thirteen-character alphanumeric identifier for printed music developed by ISO. Overview The original proposal for an ISMN was made by the UK Branch of IAML (International Association of Music Libraries, Archives and Documentation Centres), put forward by Alan Pope (Blackwell's Music Department, Oxford), Malcolm Lewis (music librarian in Nottingham) and Malcolm Jones (music librarian in Birmingham). A draft ISMN structure and application was presented at the 1987 IAML conference in Amsterdam, then after further discussions at the 1989 IAML conference in Oxford it was decided that the UK, French and German branches should, through their respective national standards bodies (BSI, AFNOR and DIN) file ISMN as an ISO work project. After meetings in Ottawa and Paris in 1993 the draft was finalized and published by ISO. The original format comprised four elements: a distinguishing prefix M, a publisher ID, an item ID, an ...
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MPEG-4
MPEG-4 is a group of international standards for the compression of digital audio and visual data, multimedia systems, and file storage formats. It was originally introduced in late 1998 as a group of audio and video coding formats and related technology agreed upon by the ISO/IEC Moving Picture Experts Group (MPEG) ( ISO/IEC JTC 1/SC29/WG11) under the formal standard ISO/IEC 14496 â€“ ''Coding of audio-visual objects''. Uses of MPEG-4 include compression of audiovisual data for Internet video and CD distribution, voice (telephone, videophone) and broadcast television applications. The MPEG-4 standard was developed by a group led by Touradj Ebrahimi (later the JPEG president) and Fernando Pereira. Background MPEG-4 absorbs many of the features of MPEG-1 and MPEG-2 and other related standards, adding new features such as (extended) VRML support for 3D rendering, object-oriented composite files (including audio, video and VRML objects), support for externally specified Digital ...
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:Category:Discographies
{{Contents pages (header bar), Early Life=, Career=, Personal Life=, Discography=, Awards= ''This is a list of discographies Discography is the study and cataloging of published sound recordings, often by specified artists or within identified music genres. The exact information included varies depending on the type and scope of the discography, but a discography entry ....'' Music-related lists Culture-related timelines Lists of albums Lists of musical works ...
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Rate Your Music
Rate Your Music (often abbreviated to RYM) is an online collaborative database of music releases and films. Users can catalog items from their personal collection, review them, and assign ratings in a five-star rating system. The site also features community-based charts that track highest-rated releases. History Rate Your Music was founded on December 24, 2000, by Seattle resident Hossein Sharifi, who is still active on the site under the username "sharifi". The first version of the site, "RYM 1.0," allowed users to rate and catalog releases, as well as to write reviews, create lists and add artists and releases to the database. Over time, other features were added, like cover art, a forum section and private messaging. On August 7, 2006, "RYM 2.0" was launched, introducing database features such as tracklists, record labels, catalog numbers, and more fields such as concerts and venues. As a result of rising expenses, the website ceased relying solely on donations in 2006 and ...
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MusicBrainz
MusicBrainz is a MetaBrainz project that aims to create a collaborative music database that is similar to the freedb project. MusicBrainz was founded in response to the restrictions placed on the Compact Disc Database (CDDB), a database for software applications to look up audio CD information on the Internet. MusicBrainz has expanded its goals to reach beyond a CD metadata (this is information about the performers, artists, songwriters, etc.) storehouse to become a structured online database for music. MusicBrainz captures information about artists, their recorded works, and the relationships between them. Recorded works entries capture at a minimum the album title, track titles, and the length of each track. These entries are maintained by volunteer editors who follow community written style guidelines. Recorded works can also store information about the release date and country, the CD ID, cover art, acoustic fingerprint, free-form annotation text and other metadata. , Musi ...
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Gracenote
Gracenote, Inc. is a company owned by Nielsen Holdings that provides music, video and sports metadata and automatic content recognition (ACR) technologies to entertainment services and companies, worldwide. Formerly CDDB ("Compact Disc Data Base"), Gracenote maintains and licenses an Internet-accessible database containing information about the contents of audio compact discs and vinyl records. History Gracenote began in 1993 as an open-source project involving a CD player program named xmcd and an associated database named CDDB. xmcd and CDDB were created by Ti Kan and Steve Scherf. Because CDs do not contain any digitally-encoded information about their contents, Kan and Scherf devised a technology that identifies and looks up CDs based on TOC information stored at the beginning of each disc. A TOC, or Table of Contents, is a list of offsets corresponding to the start of each track on a CD. Its original database was created from and continues to receive voluntary contribution ...
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