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Dance Moves
Dance moves or dance steps (more complex dance moves are called dance patterns, dance figures, dance movements, or dance variations) are usually isolated, defined, and organized so that beginning dancers can learn and use them independently of each other. However, more complex movements are influenced by musicality and lyrical relevance to express emotions or refer to a message. Dance moves tend to emphasize the concepts of lead and follow and connection. In most cases, dance moves by themselves are independent of musicality, which is the appropriateness of a move to the music (for a notable exception, see Bharatanatyam). Generally, they are memorized in sets of eight counts. Also there are two different movements: concrete and abstract. These two movements show time, space, relationship, quality and focus. For example, relationship could describe the movement of two or more different dancers. The names of moves may be somewhat arbitrary and vary from person to person and city ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noh Theater
is a major form of classical Japanese dance-drama that has been performed since the 14th century. Developed by Kan'ami and his son Zeami, it is the oldest major theatre art that is still regularly performed today. Although the terms Noh and ''nōgaku'' are sometimes used interchangeably, ''nōgaku'' encompasses both Noh and ''kyōgen''. Traditionally, a full ''nōgaku'' program included several Noh plays with comedic ''kyōgen'' plays in between; an abbreviated program of two Noh plays with one ''kyōgen'' piece has become common today. Optionally, the ritual performance ''Okina'' may be presented in the very beginning of ''nōgaku'' presentation. Noh is often based on tales from traditional literature with a supernatural being transformed into human form as a hero narrating a story. Noh integrates masks, costumes and various props in a dance-based performance, requiring highly trained actors and musicians. Emotions are primarily conveyed by stylized conventional gestures wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choreography (dance)
Choreography is the art or practice of designing sequences of movements of physical bodies (or their depictions) in which motion or form or both are specified. ''Choreography'' may also refer to the design itself. A choreographer is one who creates choreographies by practising the art of choreography, a process known as choreographing. It most commonly refers to dance choreography. In dance, ''choreography'' may also refer to the design itself, which is sometimes expressed by means of dance notation. Dance choreography is sometimes called ''dance composition''. Aspects of dance choreography include the compositional use of organic unity, rhythmic or non-rhythmic articulation, theme and variation, and repetition. The choreographic process may employ improvisation for the purpose of developing innovative movement ideas. In general, choreography is used to design dances that are intended to be performed as concert dance. The art of choreography involves the specification of hum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glossary Of Belly Dance Terms
The following are the special concepts and terminology of belly dance. As this dance has many forms and can be found in North Africa and the Middle East, a significant proportion of the terminology is in Arabic. Turkish or Turkish-loan words may also be encountered among belly dance terms. Assuit Assuit, also known as Tulle-bi-telli, is a textile marrying cotton or linen mesh with small strips of metal, with its origins dating to Ancient Egypt. The name translates roughly as "net with metal". It is frequently worn in Raqs Baladi. Baladi Baladi (Arabic: بلدي / ALA-LC: baladī; nisba-adjective meaning "native", "indigenous", "of the country", "rural", comparable to English "folk", with a lower-class connotation. It can be used in the pejorative meaning "hick/backwards". It can also refer to an Egyptian musical style, the folk style of Egyptian belly dance (Raqs Baladi). It is also sometimes spelled in English as 'beledi'. Chest Camel The chest camel is a movement which is mad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glossary Of Ballet
Because ballet became formalized in France, a significant part of ballet terminology is in the French language. A À la seconde () (Literally "to second") If a step is done "à la seconde," it is done to the side. 'Second position'. It can also be a balance extending one foot off the ground in ‘Second Position’. À la quatrième () One of the directions of body, facing the audience (''en face''), arms in second position, with one leg extended either to fourth position in front (''quatrième devant'') or fourth position behind (''quatrième derrière''). À terre () Touching the floor; on the floor. Adagio Italian, or French ''adage'', meaning 'slowly, at ease.' # Slow movements performed with fluidity and grace. # One of the typical exercises of a traditional ballet class, done both at barre and in center, featuring slow, controlled movements. # The section of a '' grand pas'' (e.g., '' grand pas de deux''), often referred to as ''grand adage'', that features dance part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glossary Of Dance Moves
A–K Apple Jacks A step on the spot, with twisting foot and the weight on the heel, likthis Ball change Ball change is a movement where the dancer shifts the weight from the ball of one foot to the other and back. This is mostly used in jazz and jive. Basic (step / figure / movement / or pattern) A basic figure is the very basic step that defines the character of a dance. Often it is called just thus: "basic movement", "basic step" or the like. For some dances it is sufficient to know the basic step performed in different handholds and dance positions to enjoy it socially. Box step The box step is a dance figure named so because the steps rest in the four corners of a square. It is used, e.g., in American Style ballroom dances: rumba, waltz, bronze-level foxtrot. The leader begins with the left foot and proceeds as follows. :''First half-box'': Forward-side-together :''Second half-box'': Backwards-side-together Every step is with full weight transfer. During ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sagittal Plane
The sagittal plane (; also known as the longitudinal plane) is an anatomical plane that divides the body into right and left sections. It is perpendicular to the transverse and coronal planes. The plane may be in the center of the body and divide it into two equal parts ( mid-sagittal), or away from the midline and divide it into unequal parts (para-sagittal). The term ''sagittal'' was coined by Gerard of Cremona. Variations in terminology Examples of sagittal planes include: * The terms ''median plane'' or ''mid-sagittal plane'' are sometimes used to describe the sagittal plane running through the midline. This plane cuts the body into halves (assuming bilateral symmetry), passing through midline structures such as the navel and spine. It is one of the planes which, combined with the Umbilical plane, defines the four quadrants of the human abdomen. * The term ''parasagittal'' is used to describe any plane parallel or adjacent to a given sagittal plane. Specific named p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irish Dancing
Irish dance refers to a group of traditional dance forms that originate in Ireland, encompassing dancing both solo and in groups, and dancing for social, competitive, and performance purposes. Irish dance in its current form developed from various influences such as earlier native Irish dance, English country dancing and later possibly French quadrilles, as it became popular in Britain and Ireland during the 19th century. Dance was taught by "travelling dance masters" across Ireland in the 17th and 18th centuries, and separate dance forms developed according to regional practice and differing purposes. Irish dance became a significant part of Irish culture, particularly for Irish nationalist movements. From the early 20th century, a number of organisations promoted and codified the various forms of dance, creating competitive structures and standardised styles. Irish dancers who compete for competitive reasons dance in a dance style that is more modern than traditional Irish da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tap Dance
Tap dance is a form of dance characterized by using the sounds of tap shoes striking the floor as a form of percussion. Two major variations on tap dance exist: rhythm (jazz) tap and Broadway tap. Broadway tap focuses on dance; it is widely performed in musical theater. Rhythm tap focuses on musicality, and practitioners consider themselves to be a part of the jazz tradition. The sound is made by shoes that have a metal "tap" on the heel and toe. There are different brands of shoes which sometimes differ in the way they sound. Ok History The fusion of several ethnic percussive dances, such as West African step dances and Welsh, Irish, and Scottish clog dancing, hornpipes, and jigs, tap dance is believed to have begun in the mid-1800s during the rise of minstrel shows. As minstrel shows began to decline in popularity, tap dance moved to the increasingly popular Vaudeville stage. Due to Vaudeville's unspoken "two-colored rule", which forbade blacks to perform solo, many Va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar (music)
In musical notation, a bar (or measure) is a segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value and the boundaries of the bar are indicated by vertical bar lines. Dividing music into bars provides regular reference points to pinpoint locations within a musical composition. It also makes written music easier to follow, since each bar of staff symbols can be read and played as a batch. Typically, a piece consists of several bars of the same length, and in modern musical notation the number of beats in each bar is specified at the beginning of the score by the time signature. In simple time, (such as ), the top figure indicates the number of beats per bar, while the bottom number indicates the note value of the beat (the beat has a quarter note value in the example). The word ''bar'' is more common in British English, and the word ''measure'' is more common in American English, although musicians generall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meter (music)
In music, metre ( Commonwealth spelling) or meter ( American spelling) refers to regularly recurring patterns and accents such as bars and beats. Unlike rhythm, metric onsets are not necessarily sounded, but are nevertheless implied by the performer (or performers) and expected by the listener. A variety of systems exist throughout the world for organising and playing metrical music, such as the Indian system of ''tala'' and similar systems in Arabic and African music. Western music inherited the concept of metre from poetry, where it denotes: the number of lines in a verse; the number of syllables in each line; and the arrangement of those syllables as long or short, accented or unaccented. The first coherent system of rhythmic notation in modern Western music was based on rhythmic modes derived from the basic types of metrical unit in the quantitative metre of classical ancient Greek and Latin poetry. Later music for dances such as the pavane and galliard consisted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lead And Follow (dance)
In some types of partner dance, lead and follow are designations for the two dancers' roles in a dance pairing. The leader is responsible for guiding the couple and initiating transitions to different dance steps and, in improvised dances, for choosing the dance steps to perform. The leader communicates choices to the follower, and directs the follower by means of subtle physical and visual signals, thereby allowing the pair to be smoothly coordinated. The amount of direction given by the leader depends on several factors, including dance style, social context of the dance, and experience and personalities of the dancers. Gender roles Traditionally, the male dance partner is the leader and the female dance partner is the follower, though this is not always the case, such as in Schottische danced in the Madrid style where women lead and men follow (although this is not totally true: during the dance there is an exchange of roles, the leader becomes the follower and vice versa.). Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Notation
Dance notation is the symbolic representation of human dance movement and form, using methods such as graphic symbols and figures, path mapping, numerical systems, and letter and word notations. Several dance notation systems have been invented, many of which are designed to document specific types of dance while others have been developed with capturing the broader spectrum of human movement potential. A ''dance score'' is a recorded dance notation that describes a particular dance. Usage The primary uses of dance notation are historical dance preservation through documentation and analysis (e.g., in ethnochoreology) or reconstruction of choreography, dance forms, and technical exercises. Dance notation systems also allow for dance works to be documented and therefore potentially copyrighted. Two popular dance notation systems used in Western culture are Labanotation (also known as Kinetography Laban) and Benesh Movement Notation. Others include Eshkol-Wachman Movem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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