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Daitoku-ji Temples
is a Buddhist temple, one of fourteen autonomous branches of the Rinzai school of Japanese Zen. It is located in Kita-ku, Kyoto, Japan. The "mountain name" ('' sangō'') by which it is known is . The Daitoku-ji temple complex today covers more than . History Daitoku-ji originated as a small monastery founded in 1315 or 1319 by the monk , who is known by the title ''Daitō Kokushi'' ("National Teacher of the Great Lamp") given by Emperor Go-Daigo. In 1325, the monastery was converted into a supplication hall for the imperial court at the request of the retired Emperor Hanazono. The dedication ceremony for the imperial supplication hall, with its newly added dharma hall and abbot's living quarters, was held in 1326, and this is generally recognized as the true founding of the temple.Kodansha Encyclopedia of Japan, entry "Daitokuji." Like many other temples in Kyoto during that time, the temple's buildings were destroyed by fire. In 1474, which was when Kyoto was the scene of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Main Hall (Japanese Buddhism)
Main hall is the building within a Japanese Buddhist temple compound ('' garan'') which enshrines the main object of veneration.Kōjien Japanese dictionary Because the various denominations deliberately use different terms, this single English term translates several Japanese words, among them ''butsuden'', ''butsu-dō'', ''kondō'', ''konpon-chūdō'', and ''hondō''. ''Hondō'' is its exact Japanese equivalent, while the others are more specialized words used by particular sects or for edifices having a particular structure. Kondō (Asuka and Nara periods) The term started to be used during the Asuka and Nara periods. A ''kondō'' is the centerpiece of an ancient Buddhist temple's ''garan'' in Japan. The origin of the name is uncertain, but it may derive from the perceived preciousness of its content, or from the fact that the interior was lined with gold. This is the name used by the oldest temples in the country.Iwanami Nihonshi Jiten A ''kondō'', for example Hōryū-ji's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sōken-in (Daitoku-ji)
is a sub-temple of Daitoku-ji, Kyoto, Japan. It was founded by Toyotomi Hideyoshi in 1582 as the mortuary temple of Oda Nobunaga. Hideyoshi granted the temple three hundred koku and staged his celebrated Daitoku-ji tea gathering on its grounds in 1585. During the early years of the Meiji period its precinct was demolished and its treasures relocated; Sōken-in was revived in 1926. The seated wooden statue of Oda Nobunaga of 1583, lacquered, with inlaid eyes and an inscription on the base, an Important Cultural Property, was returned in 1961. Nobunaga's funeral and Hideyoshi's foundation of the sub-temple 'with the very best wood available, a remarkable thing to see' was recounted by the Portuguese missionary Luís Fróis in his contemporary ''História de Japam''. See also *Daitoku-ji is a Buddhist temple, one of fourteen autonomous branches of the Rinzai school of Japanese Zen. It is located in Kita-ku, Kyoto, Japan. The "mountain name" ('' sangō'') by which it is known ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daisen-in
The is a sub-temple of Daitoku-ji, a temple of the Rinzai school of Zen in Buddhism, one of the five most important Zen temples of Kyoto. The name means "The Academy of the Great Immortals." Daisen-in was founded by the Zen priest , and was built between 1509 and 1513. The Daisen-in is noted for its screen paintings and for its , or dry landscape garden. The screen paintings inside the temple and the garden are attributed to Sōami ( 1525), a Zen monk, ink painter and follower of the sect of the Amida Buddha. He was particularly known for his use of diluted ink to create delicate and nuanced, misty and ethereal landscapes. His work was influenced by the ink landscape paintings of the Song Dynasty in China. According to art historian Miyeko Murase, the work of Soami represents "the very essence of the serenity of nature, the sacred ideal of all the zen monks and ink painters of the Muromachi period". Rock garden Despite later interpretations on the creation of the Daisen-in' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agency For Cultural Affairs
The is a special body of the Japanese Ministry of Education, Culture, Sports, Science and Technology (MEXT). It was set up in 1968 to promote Japanese arts and culture. The agency's budget for FY 2018 rose to ¥107.7 billion. Overview The agency's Cultural Affairs Division disseminates information about the arts within Japan and internationally, and the Cultural Properties Protection Division protects the nation's cultural heritage. The Cultural Affairs Division is concerned with such areas as art and culture promotion, art copyrights, and improvements in the national language. It also supports both national and local arts and cultural festivals, and it funds traveling cultural events in music, theater, dance, art exhibitions, and film-making. Special prizes are offered to encourage young artists and established practitioners, and some grants are given each year to enable them to train abroad. The agency funds national museums of modern art in Kyoto and Tokyo and The National ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guanyin
Guanyin () is a Bodhisattva associated with compassion. She is the East Asian representation of Avalokiteśvara ( sa, अवलोकितेश्वर) and has been adopted by other Eastern religions, including Chinese folk religion. She was first given the appellation of "Goddess of Mercy" or "Mercy Goddess" by Jesuit missionaries in China. Guanyin is short for Guanshiyin, which means "he One WhoPerceives the Sounds of the World." On the 19th day of the sixth lunar month, Guanyin's attainment of Buddhahood is celebrated. Some Buddhists believe that when one of their adherents departs from this world, they are placed by Guanyin in the heart of a lotus, and then sent to the western pure land of Sukhāvatī. Guanyin is often referred to as the "most widely beloved Buddhist Divinity" with miraculous powers to assist all those who pray to her, as is mentioned in the ''Pumen chapter'' of '' Lotus Sutra'' and ''Kāraṇḍavyūha Sūtra''. Several large temples in East Asia a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanging Scrolls
A hanging scroll is one of the many traditional ways to display and exhibit East Asian painting and calligraphy. The hanging scroll was displayed in a room for appreciation; it is to be distinguished from the handscroll, which was narrower and designed to be viewed flat on a table in sections and then stored away again. Hanging scrolls are generally intended to be displayed for short periods of time and are then rolled up to be tied and secured for storage. The hanging scrolls are rotated according to season or occasion, and such works are never intended to be on permanent display. The painting surface of the paper or silk can be mounted with decorative brocade silk borders. In the composition of a hanging scroll, the foreground is usually at the bottom of the scroll while the middle and far distances are at the middle and top respectively. The traditional craft involved in creating a hanging scroll is considered an art in itself. Mountings for Chinese paintings can be divide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Six Persimmons
''Six Persimmons'' () is a 13th-century Chinese painting by the monk Muqi Fachang. It was painted during the Song dynasty. Muqi was one of the two great exponents of the ''spontaneous mode'' of Chinese painting (the other being Liang Kai). It features six persimmons floating on an undefined, but skillfully mottled background. It is painted in blue-black ink on paper.Lee Page 379-380 The painting became famous for the tremendous skill of the brushstrokes. Their subtlety of modeling is often remarked upon. The thick and thin brushstrokes that model the lightest of the persimmons make it seem to float in contrast to the dark one next to it. The treatment of the stems and leaves recall Chinese characters, and reveal brush control at its highest level. Professor James Cahill of the University of California Berkeley devoted an entire lecture to it, available online. {{Quotation, (Six Persimmons is) passion... congealed into a stupendous calm. , Arthur Waley, Waley page 231 It currently ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mu Qi
Muqi or Muxi (; Japanese: Mokkei; 1210?–1269?), also known as Fachang (), was a Chinese Chan Buddhist monk and painter who lived in the 13th century, around the end of the Southern Song dynasty (1127–1279). Today, he is considered to be one of the greatest Chan painters in history. His ink paintings, such as the Daitokuji triptych and ''Six Persimmons'' are regarded as essential Chan paintings. Muqi's style of painting has also profoundly impacted painters from later periods to follow, especially monk painters in Japan. According to Chinese secondary sources, Muqi's surname was thought to be Li. "Muqi" was his art name, and "Fachang" was, in fact, his formal name in the monastery system. Biography Muqi was born in the early 13th century, approximately around 1200–1210, toward the end of Southern Song Dynasty in China. According to Dr. Aaron Rio, specific life details of Muqi are commonly unknown. However, the scholar stated that Muqi was initially from Sichuan, China. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyōzō
in Japanese Buddhist architecture is a repository for sūtras and chronicles of the temple history. It is also called , , or . In ancient times the ''kyōzō'' was placed opposite the belfry on the east–west axis of the temple. The earliest extant ''kyōzō'' is at Hōryū-ji, and it is a two-storied structure. An example of one-storied ''kyōzō'' is at Tōshōdai-ji in Nara. A ''kyōzō's'' usual size is 3 x 3 ''ken''. All storage buildings are equipped with shelving to store the containers that hold the rolled sūtras. Some temples have circular revolving shelves for sūtra storage: a central pillar revolves, like a vertical axle, and octahedral tubes are attached to it. A revolving sūtra storage case is called . Revolving shelves are convenient because they allow priests and monks to select the needed sūtra quickly. Eventually, in some ''kyōzō'' the faithful were permitted to push the shelves around the pillar while praying—it was believed that they could receive re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Butsuden
Main hall is the building within a Japanese Buddhist temple compound ('' garan'') which enshrines the main object of veneration.Kōjien Japanese dictionary Because the various denominations deliberately use different terms, this single English term translates several Japanese words, among them ''butsuden'', ''butsu-dō'', ''kondō'', ''konpon-chūdō'', and ''hondō''. ''Hondō'' is its exact Japanese equivalent, while the others are more specialized words used by particular sects or for edifices having a particular structure. Kondō (Asuka and Nara periods) The term started to be used during the Asuka and Nara periods. A ''kondō'' is the centerpiece of an ancient Buddhist temple's ''garan'' in Japan. The origin of the name is uncertain, but it may derive from the perceived preciousness of its content, or from the fact that the interior was lined with gold. This is the name used by the oldest temples in the country.Iwanami Nihonshi Jiten A ''kondō'', for example Hōryū-ji's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanmon
A , also called , is the most important gate of a Japanese Zen Buddhist temple, and is part of the Zen '' shichidō garan'', the group of buildings that forms the heart of a Zen Buddhist temple.JAANUS It can be often found in temples of other denominations too. Most ''sanmon'' are 2- or 3-bay '' nijūmon'' (a type of two-storied gate), but the name by itself does not imply any specific architecture. Position, function and structure Its importance notwithstanding, the ''sanmon'' is not the first gate of the temple, and in fact it usually stands between the '' sōmon'' (outer gate) and the '' butsuden'' (lit. "Hall of Buddha", i.e. the main hall). It used to be connected to a portico-like structure called , which however gradually disappeared during the Muromachi period, being replaced by the , a small building present on both sides of the gate and containing a stairway to the gate's second story. (Both ''sanrō'' are clearly visible in Tōfuku-ji's photo above.) The ''sanmon's' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
