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Cylix Of Apollo
The few pottery exhibits of the Delphi Archaeological Museum include a famous shallow bowl (kylix) with an unusual depiction of the god Apollo. In the white-ground red-figure technique, it was found in a grave underneath the museum. It is the work of an Attic workshop, around 480–470 BC. Scholars have suggested Euphronios or Onesimos as the painter, or described it as in the manner of the Pistoxenos Painter. The scene depicted evokes the verse from the second hymn to Apollo found inscribed on the southern wall of the Treasury of the Athenians: "Sing for the gold-haired Pythios who aims far with his bow and arrow and plays nicely the lyre". Description Inside the cylix Apollo is depicted with an elaborate hairdo and a laurel wreath on his head, sitting on a chair, the legs of which end up in lion's paws. The god wears a white chiton, a red himation (cloak) and sandals. A seven-stringed lyre is attached to his left hand with a red stripe, whereas with his right hand he pours a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apollo Black Bird AM Delphi 8140
Apollo, grc, Ἀπόλλωνος, Apóllōnos, label=genitive , ; , grc-dor, Ἀπέλλων, Apéllōn, ; grc, Ἀπείλων, Apeílōn, label= Arcadocypriot Greek, ; grc-aeo, Ἄπλουν, Áploun, la, Apollō, la, Apollinis, label=genitive, , ; , is one of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The national divinity of the Greeks, Apollo has been recognized as a god of archery, music and dance, truth and prophecy, healing and diseases, the Sun and light, poetry, and more. One of the most important and complex of the Greek gods, he is the son of Zeus and Leto, and the twin brother of Artemis, goddess of the hunt. Seen as the most beautiful god and the ideal of the ''kouros'' (ephebe, or a beardless, athletic youth), Apollo is considered to be the most Greek of all the gods. Apollo is known in Greek-influenced Etruscan mythology as ''Apulu''. As the patron deity of Delphi (''Apollo Pythios''), Apollo is an orac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Treasury Of The Athenians
The Athenian Treasury (Greek: Θησαυρός των Αθηναίων) at Delphi was constructed by the Athenians to house dedications and votive offerings made by their city and citizens to the sanctuary of Apollo. The entire treasury including its sculptural decoration is built of Parian marble. The date of construction is disputed, and scholarly opinions range from 510 to 480 BCE. It is located directly below the Temple of Apollo along the Sacred Way for all visitors to view the Athenian treasury on the way up to the sanctuary. Pausanias mentions the building in his account of the sanctuary, claiming that it was dedicated from the spoils of the Battle of Marathon, fought in 490 BCE against the Persians. The Battle of Marathon can be seen in some of the images of the metopes which compare their victory to mythology. By using the founder of Athens, Theseus, to show the victories of Athens, the treasury established Athens as one of the most powerful, polis, city-states of Greece ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phlegyas
In Greek mythology, Phlegyas (; Ancient Greek: Φλεγύας means 'fiery') was a king of the Lapiths (or the Phlegyans). Family Phlegyas was the son of Ares and Chryse, daughter of Halmus, or of Dotis. He was the brother of Ixion, another king of the Lapiths, and Gyrton, eponym of a Thessalian town. Phlegyas was the father of Ixion, in some accounts, as well as Coronis, one of Apollo's lovers. The girl's mother was called Cleopheme, daughter of Malus and the Muse Erato.Isyllus, ''Hymn to Asclepius'128.37 ff./ref> According to one tradition, he had no children. Another daughter, Gyrtone, was also said to gave her name to Gyrton. Mythology Phlegyas succeeded Eteocles, who died without issue, in the government of the district of Orchomenos, which he called after himself Phlegyantis. While pregnant with Asclepius, Coronis fell in love with Ischys, son of Elatus. When a hooded crow informed Apollo of the affair, he sent his sister Artemis to kill Coronis, unable to perf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libation
A libation is a ritual pouring of a liquid, or grains such as rice, as an offering to a deity or spirit, or in memory of the dead. It was common in many religions of antiquity and continues to be offered in cultures today. Various substances have been used for libations, most commonly wine or other alcoholic drinks, olive oil, honey, and in India, ghee. The vessels used in the ritual, including the patera, often had a significant form which differentiated them from secular vessels. The libation could be poured onto something of religious significance, such as an altar, or into the earth. In East Asia, pouring an offering of rice into a running stream symbolizes the detachment from karma and bad energy. Religious practice Historical Ancient Sumer The Sumerian afterlife was a dark, dreary cavern located deep below the ground. This bleak domain was known as Kur, where the souls were believed to eat nothing but dry dust and family members of the deceased would ritually pou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyre
The lyre () is a stringed musical instrument that is classified by Hornbostel–Sachs as a member of the lute-family of instruments. In organology, a lyre is considered a yoke lute, since it is a lute in which the strings are attached to a yoke that lies in the same plane as the sound table, and consists of two arms and a crossbar. The lyre has its origins in ancient history. Lyres were used in several ancient cultures surrounding the Mediterranean Sea. The earliest known examples of the lyre have been recovered at archeological sites that date to c. 2700 BCE in Mesopotamia. The oldest lyres from the Fertile Crescent are known as the eastern lyres and are distinguished from other ancient lyres by their flat base. They have been found at archaeological sites in Egypt, Syria, Anatolia, and the Levant. The round lyre or the Western lyre also originated in Syria and Anatolia, but was not as widely used and eventually died out in the east c. 1750 BCE. The round lyre, called so fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Himation
A himation ( grc, ἱμάτιον ) was a type of clothing, a mantle or wrap worn by ancient Greek men and women from the Archaic through the Hellenistic periods (c. 750–30 BC). It was usually worn over a chiton and/or peplos, but was made of heavier drape and played the role of a cloak or shawl. When the himation was used alone, without a chiton, and served both as a chiton and as a cloak, it was called an ''achiton''. The himation was markedly less voluminous than the Roman toga. It was usually a large rectangular piece of woollen cloth. Many vase paintings depict women wearing a himation as a veil covering their faces. The himation continued into the Byzantine era as "iconographic dress" used in art and by the lower classes, worn by Christ, the Virgin Mary, and biblical figures. Wearing styles Himation is not kept in place using pins, unlike other types of Ancient Greek overgarments. When worn by men, the himation is draped over the left shoulder and wrapped around t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chiton (costume)
A chiton (Greek: χιτών, ''khitōn'') is a form of tunic that fastens at the shoulder, worn by men and women of ancient Greece and Rome. There are two forms of chiton. One is the Doric chiton and the later Ionic chiton. According to Herodotus, popular legend was that Athenian women began to wear the chiton as opposed to the peplos after several women stabbed a messenger to death with the bronze pins characteristic of the peplos. Etymology The word ''chiton'' is derived from a Central Semitic language *''kittan'' (e.g. Hebrew כֻּתֹּנֶת ''kuttṓnĕṯ''), ultimately from a word for flax. Different forms and wearing styles A shorter version of the chiton was called the chitoniskos. Doric chiton The Doric chiton is a single rectangle of woolen or linen fabric. It can be worn plain or with an overfold called an ''apoptygma'', which is more common to women. It can be draped and fastened at the shoulder by pins (Greek: peronai; Latin: fibulae) or sewing, or by button ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apollo Black Bird AM Delphi 8140 - Large
Apollo, grc, Ἀπόλλωνος, Apóllōnos, label=genitive , ; , grc-dor, Ἀπέλλων, Apéllōn, ; grc, Ἀπείλων, Apeílōn, label=Arcadocypriot Greek, ; grc-aeo, Ἄπλουν, Áploun, la, Apollō, la, Apollinis, label=genitive, , ; , is one of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The national divinity of the Greeks, Apollo has been recognized as a god of archery, music and dance, truth and prophecy, healing and diseases, the Sun and light, poetry, and more. One of the most important and complex of the Greek gods, he is the son of Zeus and Leto, and the twin brother of Artemis, goddess of the hunt. Seen as the most beautiful god and the ideal of the ''kouros'' (ephebe, or a beardless, athletic youth), Apollo is considered to be the most Greek of all the gods. Apollo is known in Greek-influenced Etruscan mythology as ''Apulu''. As the patron deity of Delphi (''Apollo Pythios''), Apollo is an oracula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pistoxenos Painter
The Pistoxenos Painter was an important ancient Greek vase painter of the Classical period. He was active in Athens between c. 480 and 460 BC. Many vases have been attributed to his hand on the basis of style. John Beazley gave him the name from a ''skyphos'' now at Schwerin with a signature indicating that it was made by the potter Pistoxenos. It depicts Iphikles being taught music by Linos, and Heracles accompanied by his tattooed Thracian servant Geropso. The Pistoxenos Painter probably started his apprenticeship under the Antiphon Painter in the workshop of Euphronios. He specialized in '' kylikes'', which he painted in the red-figure style, bringing "the delicacy of Late Archaic vase-painting into the Early Classical style". Some of his best pieces, however, were produced in the white ground technique. The most important motifs of his paintings are horses, warriors and ''thiasos'' imagery. He was one of the first painters to employ four-colour polychromy, using slip, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Delphi Archaeological Museum
Delphi Archaeological museum (Modern Greek : ''Αρχαιολογικό Μουσείο Δελφών'') is one of the principal museums of Greece and one of the most visited. It is operated by the Greek Ministry of Culture (Ephorate of Antiquities of Phocis). Founded in 1903, it has been rearranged several times and houses the discoveries made at the Panhellenic sanctuary of Delphi, which date from the Late Helladic (Mycenean) period to the early Byzantine era. Organised in fourteen rooms on two levels, the museum mainly displays statues, including the famous Charioteer of Delphi, architectural elements, like the frieze of the Siphnian Treasury and ex votos dedicated to the sanctuary of Pythian Apollo, like the Sphinx of Naxos. The exhibition floor space is more than 2270m2, while the storage and conservation rooms (mosaics, ceramics and metals) take up 558m2. Visitors are also catered to by an entrance hall, a cafeteria and a gift shop. History of the museum First museum A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Onesimos (vase Painter)
Onesimos was an ancient Athenian vase painter who flourished c. 500–480 BC. He specialized in decorating cups, mostly of Type B, which comprise virtually all known examples of his work. Like many of his fellow red-figure painters, Onesimos emphasized realistically rendered, active figures, and depicted tableaux drawn from daily life as well as scenes from mythology. A number of the pieces painted by Onesimos bear the signature of Euphronios as potter. In light of this evidence of the two artists' close collaboration, as well as similarities in their painting styles, many researchers believe that Onesimos learned his trade as Euphronios's pupil. Similarly, the works of the later Antiphon Painter bear a close stylistic resemblance to those of Onesimos, suggesting that Onesimos may have served as a teacher in his own right. See also * Kylix depicting athletic combats by Onesimos The kylix depicting athletic combats is a ceramic drinking cup made approximately in the late A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euphronios
Euphronios ( el, Εὐφρόνιος; c. 535 – after 470 BC) was an ancient Greek vase painter and potter, active in Athens in the late 6th and early 5th centuries BC. As part of the so-called "Pioneer Group," (a modern name given to a group of vase painters who were instrumental in effecting the change from black-figure to red-figure pottery), Euphronios was one of the most important artists of the red-figure technique. His works place him at the transition from Late Archaic to Early Classical art, and he is one of the first known artists in history to have signed his work. General considerations The discovery of Greek vase painters In contrast to other artists, such as sculptors, no Ancient Greek literature sources refer specifically to vase painters. The copious literary tradition on the arts hardly mention pottery. Thus, reconstruction of Euphronios's life and artistic development—like that of all Greek vase painters—can only be derived from his works. Modern s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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