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Curtal Sonnet
The curtal sonnet is a form invented by Gerard Manley Hopkins, and used in three of his poems. It is an eleven-line (or, more accurately, ten-and-a-half-line) sonnet, but rather than the first eleven lines of a standard sonnet it consists of precisely ¾ of the structure of a Petrarchan sonnet shrunk proportionally.Pitchford, "The Curtal Sonnets of Gerard Manley Hopkins". ''Modern Language Notes'', Vol. 67, No. 3. (Mar., 1952), pp. 165–169. The octave of a sonnet becomes a sestet and the sestet a quatrain plus an additional "tail piece". That is, the first eight lines of a sonnet are translated into the first six lines of a curtal sonnet and the last six lines of a sonnet are translated into the last four and a half lines of a curtal sonnet. Hopkins describes the last line as half a line, though in fact it can be shorter than half of one of Hopkins's standard sprung rhythm lines. In the preface to his ''Poems'' (1876–89), Hopkins describes the relationship between the Petrarc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerard Manley Hopkins
Gerard Manley Hopkins (28 July 1844 – 8 June 1889) was an English poet and Jesuit priest, whose posthumous fame placed him among leading Victorian poets. His prosody – notably his concept of sprung rhythm – established him as an innovator, as did his praise of God through vivid use of imagery and nature. Only after his death did Robert Bridges publish a few of Hopkins's mature poems in anthologies, hoping to prepare for wider acceptance of his style. By 1930 Hopkins's work was seen as one of the most original literary advances of his century. It intrigued such leading 20th-century poets as T. S. Eliot, Dylan Thomas, W. H. Auden, Stephen Spender and Cecil Day-Lewis. Early life and family Gerard Manley Hopkins was born in Stratford, EssexW. H. Gardner (1963), ''Gerard Manley Hopkins: Poems and Prose'' Penguin p. xvi. (now in Greater London), as the eldest of probably nine children to Manley and Catherine Hopkins, née Smith. He was christened at the Anglican church of S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonnet
A sonnet is a poetic form that originated in the poetry composed at the Court of the Holy Roman Emperor Frederick II in the Sicilian city of Palermo. The 13th-century poet and notary Giacomo da Lentini is credited with the sonnet's invention, and the Sicilian School of poets who surrounded him then spread the form to the mainland. The earliest sonnets, however, no longer survive in the original Sicilian language, but only after being translated into Tuscan dialect. The term "sonnet" is derived from the Italian word ''sonetto'' (lit. "little song", derived from the Latin word ''sonus'', meaning a sound). By the 13th century it signified a poem of fourteen lines that followed a strict rhyme scheme and structure. According to Christopher Blum, during the Renaissance, the sonnet became the "choice mode of expressing romantic love". During that period, too, the form was taken up in many other European language areas and eventually any subject was considered acceptable for writers o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petrarchan Sonnet
The Petrarchan sonnet, also known as the Italian sonnet, is a sonnet named after the Italian poet Francesco Petrarca, although it was not developed by Petrarch himself, but rather by a string of Renaissance poets.Spiller, Michael R. G. The Development of the Sonnet: An Introduction. London: Routledge, 1992. 5 Dec. 2015. Because of the structure of Italian, the rhyme scheme of the Petrarchan sonnet is more easily fulfilled in that language than in English. The original Italian sonnet form consists of a total of fourteen hendecasyllabic lines (in English sonnets, iambic pentameter is used) in two parts, the first part being an octave and the second being a sestet. Form The rhyme scheme for the octave is typically ABBAABBA. The sestet is more flexible. Petrarch typically used CDECDE or CDCDCD for the sestet. Some other possibilities for the sestet include CDDCDD, CDDECE, or CDDCCD (as in Wordsworth's "Nuns Fret Not at Their Convent's Narrow Room," a sonnet about sonnets). This form was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octave (poetry)
An octave is a verse form consisting of eight lines of iambic pentameter (in English) or of hendecasyllables (in Italian). The most common rhyme scheme for an octave is ABBA ABBA. An octave is the first part of a Petrarchan sonnet, which ends with a contrasting sestet. In traditional Italian sonnets the octave always ends with a conclusion of one idea, giving way to another idea in the sestet. Some English sonnets break that rule, often to striking effect. In Milton's Sonnet 19, the sestet begins early, halfway through the last line of the octave: See also *Sicilian octave *''Ottava rima Ottava rima is a rhyming stanza form of Italian origin. Originally used for long poems on heroic themes, it later came to be popular in the writing of mock-heroic works. Its earliest known use is in the writings of Giovanni Boccaccio. The otta ...'' References External linksPoetic Form: Sonnet- Poets.org {{Western medieval lyric forms Stanzaic form Sonnet studies Western mediev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sestet
A sestet is six lines of poetry forming a stanza or complete poem. A sestet is also the name given to the second division of an Italian sonnet (as opposed to an English or Spenserian Sonnet), which must consist of an octave, of eight lines, succeeded by a sestet, of six lines. The etymology of the word can be traced to the Italian word ''sestetto'', meaning “sixth”. The origin of the sonnet form has been traced to poems by Giacomo di Lentino in Sicily. The original sonnet form is the Sicilian Sonnet (also in octave and sestet) rhyming ABABABAB CDECDE or CDCDCD. It is generally believed that the first eight lines derive from the Sicilian form of the ''Stramboto''. The first recognized and documented user of this poetical form was the Italian poet Petrarch. In the usual course the rhymes are arranged ABCABC, but this is not necessary. Early Italian sonnets, and in particular those of Dante, often close with the rhyme arrangement ABCCBA, but in languages where the sonority of s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quatrain
A quatrain is a type of stanza, or a complete poem, consisting of four lines. Existing in a variety of forms, the quatrain appears in poems from the poetic traditions of various ancient civilizations including Persia, Ancient India, Ancient Greece, Ancient Rome, and China, and continues into the 21st century, where it is seen in works published in many languages. This form of poetry has been continually popular in Iran since the medieval period, as Ruba'is form; an important faction of the vast repertoire of Persian poetry, with famous poets such as Omar Khayyam and Mahsati Ganjavi of Seljuk Persia writing poetry only in this format. Michel de Nostredame (Nostradamus) used the quatrain form to deliver his famous prophecies in the 16th century. There are fifteen possible rhyme schemes, but the most traditional and common are ABAA, AAAA, ABAB, and ABBA. Forms *The heroic stanza or elegiac stanza consists of the iambic pentameter, with the rhyme scheme of ABAB or AABB. An e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sprung Rhythm
Sprung rhythm is a poetic rhythm designed to imitate the rhythm of natural speech. It is constructed from feet in which the first syllable is stressed and may be followed by a variable number of unstressed syllables. The British poet Gerard Manley Hopkins said he discovered this previously unnamed poetic rhythm in the natural patterns of English in folk songs, spoken poetry, Shakespeare, Milton, et al. He used diacritical marks on syllables to indicate which should be stressed in cases "where the reader might be in doubt which syllable should have the stress" (acute, e.g. shéer) and which syllables should be pronounced but not stressed (grave, e.g., gleanèd). Some critics believe he merely coined a name for poems with mixed, irregular feet, like free verse. However, while sprung rhythm allows for an indeterminate number of syllables to a foot, Hopkins was very careful to keep the number of feet per line consistent across each individual work, a trait that free verse does not shar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pied Beauty
"Pied Beauty" is a curtal sonnet by the English poet Gerard Manley Hopkins (1844–1889). It was written in 1877, but not published until 1918, when it was included as part of the collection ''Poems of Gerard Manley Hopkins''. The Classic Hundred Poems'. Background In the poem, the narrator praises God for the variety of "dappled things" in nature, such as piebald cattle, trout and finches. He also describes how falling chestnuts resemble coals bursting in a fire, because of the way in which the chestnuts' reddish-brown meat is exposed when the shells break against the ground. The narrator then moves to an image of the landscape which has been "plotted and pieced" into fields (like quilt squares) by agriculture. At the end of the poem, the narrator emphasizes that God's beauty is "past change", and advises readers to "Praise him". This ending is gently ironic and beautifully surprising: the entire poem has been about variety, and then God's attribute of immutability is prai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literary Criticism
Literary criticism (or literary studies) is the study, evaluation, and interpretation of literature. Modern literary criticism is often influenced by literary theory, which is the philosophical discussion of literature's goals and methods. Though the two activities are closely related, literary critics are not always, and have not always been, theorists. Whether or not literary criticism should be considered a separate field of inquiry from literary theory is a matter of some controversy. For example, the ''Johns Hopkins Guide to Literary Theory and Criticism'' draws no distinction between literary theory and literary criticism, and almost always uses the terms together to describe the same concept. Some critics consider literary criticism a practical application of literary theory, because criticism always deals directly with particular literary works, while theory may be more general or abstract. Literary criticism is often published in essay or book form. Academic literary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucy Newlyn
Lucy Newlyn (born 1956) is a poet and academic. She is Emeritus Fellow in English at St Edmund Hall, Oxford, having retired as professor of English Language and Literature at the University of Oxford in 2016. Newlyn is a specialist in eighteenth- and early nineteenth-century poetry. Early life and education Lucy Newlyn was born in 1956 in Kampala, Uganda. She grew up in Leeds, where she attended Lawnswood High School, winning an open scholarship to read English at Lady Margaret Hall, Oxford in 1974. She took up her Oxford place in 1975 and graduated with a Congratulatory First in 1978. Her D.Phil. thesis, supervised by Dr Roy Park, was later published as an Oxford English Monograph by Oxford University Press. Career In 1984 (after a year as a lecturer at Christ Church) Newlyn took up a Stipendiary Lectureship at St Edmund Hall. Two years later, she was elected as the A.C. Cooper Fellow and Tutor in English there – a permanent post which she held in conjunction with a C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caudate Sonnet
A caudate sonnet is an expanded version of the sonnet. It consists of 14 lines in standard sonnet forms followed by a coda (Latin ''cauda'' meaning "tail", from which the name is derived). The invention of the form is credited to Francesco Berni. However, Burchiello (1404–1449) used the same form with over 150 of his paradoxical (sometimes referred to as nonsensical) sonnets nearly 50 years before Berni was born. Burchiello's "popularity was not limited to Florence or the fifteenth century" and "in the sixteenth century Italian Renaissance" ... there were "several narratives about the poet-barber written by well-known figures such as Antonfrancesco Grazzini, Anton Francesco Doni, Angelo Colocci, and Tommaso Costo." Berni was not only familiar with Burchielo's work, but was an admirer of it. Berni wrote: S'i' avessi l'ingegno del Burchiello, Io vi farei volentieri un sonetto; Ché non ebbi già mai tèma e subietto Piú dolce, piú piacevol né piú bello. 1 f I had Burchiello's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonnet Studies
A sonnet is a poetic form that originated in the poetry composed at the Court of the Holy Roman Emperor Frederick II in the Sicilian city of Palermo. The 13th-century poet and notary Giacomo da Lentini is credited with the sonnet's invention, and the Sicilian School of poets who surrounded him then spread the form to the mainland. The earliest sonnets, however, no longer survive in the original Sicilian language, but only after being translated into Tuscan dialect. The term "sonnet" is derived from the Italian word ''sonetto'' (lit. "little song", derived from the Latin word ''sonus'', meaning a sound). By the 13th century it signified a poem of fourteen lines that followed a strict rhyme scheme and structure. According to Christopher Blum, during the Renaissance, the sonnet became the "choice mode of expressing romantic love". During that period, too, the form was taken up in many other European language areas and eventually any subject was considered acceptable for writers o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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