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Cupid And Psyche (van Dyck)
''Cupid and Psyche'' is an oil on canvas painting by Anthony van Dyck. It is now in the Royal Collection and shown in Kensington Palace. One of the last works in van Dyck's oeuvre, it shows a marked influence of Titian and dates from his time as a court artist to Charles I of England. It is his sole surviving mythological painting from that period and possibly comes from a series of paintings on the Cupid and Psyche theme ordered for the Queen's House at Greenwich - other artists involved in the series included Jacob Jordaens and van Dyck's old tutor Peter Paul Rubens. That project was never completed, which is one possible explanation for why the painting has no frame and is relatively unfinished. This would date it to 1638–1640. A second alternative is that it was produced for the celebrations of Mary, Princess Royal and Princess of Orange, Princess Mary's marriage to William II of Orange in 1641. Psyche may be based on van Dyck's mistress Margaret Lemon. References Sources ...
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Anthonis Van Dyck 001
Anthonis is a Dutch language, Dutch masculine given name and a surname that is popular in the Provinces of the Netherlands, Belgium, Suriname, South Africa, Namibia, and Indonesia. Notable people with this name include the following: Given name *Anthonis Mor van Dashorst, also known as Antonis Mor (c. 1517 – 1577), Dutch painter *Anthonis van Obbergen (1543 – 1611), Flemish architect Surname *Lode Anthonis (1922 – 1992), Belgian cyclist *P. R. Anthonis (1911 – 2009), Sri Lankan surgeon See also *Anthoni *Stefan Anthonisz *Antonis Notes

{{given name, Anthonis Dutch masculine given names ...
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Peter Paul Rubens
Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp. In addition to running a large workshop in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar and diploma ...
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Paintings Of Cupid
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Mythological Paintings By Anthony Van Dyck
Myth is a folklore genre consisting of narratives that play a fundamental role in a society, such as foundational tales or origin myths. Since "myth" is widely used to imply that a story is not objectively true, the identification of a narrative as a myth can be highly controversial. Many adherents of religions view their own religions' stories as truth and so object to their characterization as myth, the way they see the stories of other religions. As such, some scholars label all religious narratives "myths" for practical reasons, such as to avoid depreciating any one tradition because cultures interpret each other differently relative to one another. Other scholars avoid using the term "myth" altogether and instead use different terms like "sacred history", "holy story", or simply "history" to avoid placing pejorative overtones on any sacred narrative. Myths are often endorsed by secular and religious authorities and are closely linked to religion or spirituality. Many socie ...
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1640 Paintings
Year 164 (Roman numerals, CLXIV) was a leap year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Macrinus and Celsus (or, less frequently, year 917 ''Ab urbe condita''). The denomination 164 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Marcus Aurelius gives his daughter Lucilla in marriage to his co-emperor Lucius Verus. * Avidius Cassius, one of Lucius Verus' generals, crosses the Euphrates and invades Parthia. * Ctesiphon is captured by the Roman empire, Romans, but returns to the Parthians after the end of the war. * The Antonine Wall in Scotland is abandoned by the Romans. * Seleucia on the Tigris is destroyed. Births * Bruttia Crispina, Roman empress (d. 191) * Ge Xuan (or Xiaoxian), Chinese Taoism, Taoist (d. 244) * Yu Fan, C ...
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Margaret Lemon
Margaret Lemon (born c. 1614) was an English artist's model. She was the most painted female commoner of the seventeenth century, and she was the partner of Anthony van Dyck. Life It is known that Lemon was English, but her date of birth can only be guessed by estimating her age in paintings of her. She is believed to have had Flemish ancestry and she was probably a courtesan when she met Anthony van Dyck after he came to work, again, in England in 1632. She was a musician who could play the viol. Her life story is recreated based on gossip rather than records. She is known to have been in London from 1629. Although she was extravagant with money she was given the responsibility of looking after her partner's houses in Blackfriars and at his suite of rooms at Eltham Palace. Van Dyck entertained his rich patrons at his houses including Charles I of England. It is not recorded that she and the King met although Charles later bought a portrait of her. She was the model for Van D ...
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William II Of Orange
William II (27 May 1626 – 6 November 1650) was sovereign Prince of Orange and Stadtholder of Holland, Zeeland, Utrecht, Guelders, Overijssel and Groningen in the United Provinces of the Netherlands from 14 March 1647 until his death three years later. His only child, William III, reigned as King of England, Ireland, and Scotland. Early life William II, Prince of Orange, was the son of Frederick Henry, Prince of Orange, and Amalia of Solms-Braunfels. Frederick Henry was the youngest son of William the Silent (stadtholder 1559–1584); his older half brother Maurits of Nassau was stadtholder (1585–1625); he was stadtholder from 1625 to 1647. The stadtholders governed in conjunction with the States-General, an assembly of representatives from each of the seven provinces, but usually dominated by the largest and wealthiest province, Holland. On 12 May 1641, William married Mary, Princess Royal, who was the eldest daughter of King Charles I of England, in the Chapel Royal of Wh ...
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Mary, Princess Royal And Princess Of Orange
Mary, Princess Royal (Mary Henrietta Stuart; 4 November 1631 – 24 December 1660), was an English princess, a member of the House of Stuart, and by marriage Princess of Orange and Countess of Nassau. She acted as regent for her minor son from 1651 to 1660. She was the first holder of the title Princess Royal. The eldest daughter of King Charles I of England and Queen Henrietta Maria, Mary was married to the future stadtholder of the Netherlands, William II of Orange, at 9 years old in 1641. Initially, she remained in England with her parents because of the heated political situation in England until early 1642, when she and her mother left for the Netherlands. Five years later in 1647, Mary's husband inherited the titles of Prince of Orange and Stadtholder of Holland, Zeeland, Utrecht, Guelders, Overijssel and Groningen in the United Provinces of the Netherlands. Eight days after her husband's death in 1650, Mary gave birth to a son, William III of Orange, who later became King ...
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Jacob Jordaens
Jacob (Jacques) Jordaens (19 May 1593 – 18 October 1678) was a Flemish painter, draughtsman and tapestry designer known for his history paintings, genre scenes and portraits. After Peter Paul Rubens and Anthony van Dyck, he was the leading Flemish Baroque painter of his day. Unlike those contemporaries he never travelled abroad to study Italian painting, and his career is marked by an indifference to their intellectual and courtly aspirations.d'Hulst, pp. 23 In fact, except for a few short trips to locations elsewhere in the Low Countries, he remained in Antwerp his entire life. As well as being a successful painter, he was a prominent designer of tapestries.d'Hulst, pp. 24–25. Like Rubens, Jordaens painted altarpieces, mythological, and allegorical scenes, and after 1640—the year Rubens died—he was the most important painter in Antwerp for large-scale commissions and the status of his patrons increased in general.d'Hulst, p. 26–27. However, he is best known today for ...
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Anthony Van Dyck
Sir Anthony van Dyck (, many variant spellings; 22 March 1599 – 9 December 1641) was a Brabantian Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy. The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony painted from an early age. He was successful as an independent painter in his late teens, and became a master in the Antwerp guild in 1618. By this time he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly in Genoa. In the late 1620s he completed his greatly admired ''Iconography'' series of portrait etchings, mostly of other artists. He spent five years in Flanders after his return from Italy, and from 1630 was court painter for the arch ...
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Queen's House
Queen's House is a former royal residence built between 1616 and 1635 near Greenwich Palace, a few miles down-river from the City of London and now in the London Borough of Greenwich. It presently forms a central focus of what is now the Old Royal Naval College with a grand vista leading to the River Thames. Its architect was Inigo Jones, for whom it was a crucial early commission, for Anne of Denmark, the queen of King James VI and I. Queen's House is one of the most important buildings in British architectural history, being the first consciously classical building to have been constructed in the country. It was Jones's first major commission after returning from his 1613–1615 grand tour of Roman, Renaissance, and Palladian architecture in Italy. Some earlier English buildings, such as Longleat and Burghley House, had made borrowings from the classical style, but these were restricted to small details not applied in a systematic way, or the building may be a mix of diff ...
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Cupid And Psyche
Cupid and Psyche is a story originally from ''Metamorphoses'' (also called ''The Golden Ass''), written in the 2nd century AD by Lucius Apuleius Madaurensis (or Platonicus). The tale concerns the overcoming of obstacles to the love between Psyche (; , , "Soul" or "Breath of Life") and Cupid (Latin ''Cupido'', "Desire") or Amor ("Love", Greek Eros, Ἔρως), and their ultimate union in a sacred marriage. Although the only extended narrative from antiquity is that of Apuleius from 2nd century AD, Eros and Psyche appear in Greek art as early as the 4th century BC. The story's Neoplatonic elements and allusions to mystery religions accommodate multiple interpretations, and it has been analyzed as an allegory and in light of folktale, '' Märchen'' or fairy tale, and myth. The story of Cupid and Psyche was known to Boccaccio in c. 1370, but the '' editio princeps'' dates to 1469. Ever since, the reception of ''Cupid and Psyche'' in the classical tradition has been extensive. The ...
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