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Crucifixion Of St. Peter (Caravaggio)
The ''Crucifixion of Saint Peter'' (Italian: ''Crocifissione di san Pietro'') is a work by Michelangelo Merisi da Caravaggio, painted in 1601 for the Cerasi Chapel of Santa Maria del Popolo in Rome. Across the chapel is a second Caravaggio work depicting the '' Conversion of Saint Paul on the Road to Damascus'' (1601). On the altar between the two is the ''Assumption of the Virgin Mary'' by Annibale Carracci. History The two lateral paintings were commissioned in September 1600 by Monsignor Tiberio Cerasi, Treasurer-General to Pope Clement VIII, who purchased the chapel from the Augustinian friars on 8 July 1600 and commissioned Carlo Maderno to rebuild the small edifice in Baroque style. The contract for the altarpiece with Carracci has not been preserved but it is generally assumed that the document had been signed somewhat earlier, and Caravaggio had to take into consideration the other artist's work and the overall iconographic programme of the chapel. Cerasi nourished a dee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caravaggio
Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio, known as simply Caravaggio (, , ; 29 September 1571 – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. During the final four years of his life he moved between Naples, Malta, and Sicily until his death. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferring to forgo drawings and work directly onto the canvas. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capella Paolina
The Cappella Paolina (the Pauline Chapel) is a chapel in the Apostolic Palace, Vatican City. It is separated from the Sistine Chapel by the Sala Regia. It is not on any of the regular tourist itineraries. Michelangelo's two frescoes in the Cappella Paolina, '' The Conversion of Saul'' and '' The Crucifixion of St Peter'' were painted from 1542 to 1549, the height of his fame, but were widely viewed as disappointments and even failures by their contemporary audience. They did not conform to the compositional conventions of the time and the subject-matter is depicted in an unorthodox manner. Despite the importance of the chapel and the significance of their subjects, the frescoes were generally neglected and overlooked in favor of Michelangelo's nearby masterpieces in the Sistine Chapel. An Italian scholar has recognised Michelangelo's face both in the Saint Paul and Saint Peter paintings by facial superimposition. Building and decoration The chapel was commissioned in 1538 by th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Sannesio
Giacomo Sannesio (c. 1557/1560 – 19 February 1621) was and Italian Catholic cardinal, prominent art collector and patron of early 17th-century artists. Early life Sanessio was born in Belforte del Chienti to a "very humble" family. He studied law and then, assisted by his brother, he went to Rome and entered the service of Cardinal Pietro Aldobrandini. He was appointed to a number of administrative church positions. Cardinalate In 1604 Sannesio was elevated to cardinal by Pope Clement VIII and was appointed cardinal-priest of Santo Stefano Rotondo. He was elected Bishop of Orvieto in 1605. He was appointed Camerlengo of the Sacred College of Cardinals in 1620 but died early the following year on 19 February 1621 and was buried at the church of San Silvestro al Quirinale Art patronage and collection As cardinal, Sannesio became a renowned art collector and patron. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Baglione
Giovanni Baglione (1566 – 30 December 1643) was an Italian Late Mannerist and Early Baroque painter and art historian. He is best remembered for his acrimonious and damaging involvement with the slightly younger artist Caravaggio and his important collection of biographies of the other artists working in Rome in his lifetime, although there are many works of his in Roman churches and galleries and elsewhere. Life He was born and died in Rome, but from his own account came from a noble family of Perugia. A pupil of the obscure Florentine artist working in Rome, Francesco Morelli (not to be confused with the later French-Italian engraver Francesco Morelli), he worked mainly in Rome, initially with a late-Mannerist style influenced by Giuseppe Cesari (or the "Cavaliere d'Arpino"). After an ''intermezzo Caravaggesco'' when he was heavily influenced by the young Caravaggio in the early years of the new century, and a Bolognese-influenced phase in the 1610s, Baglione's final ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baglione Caravaggio Vita
Giovanni Baglione (1566 – 30 December 1643) was an Italian Mannerism, Late Mannerist and Baroque, Early Baroque painter and art historian. He is best remembered for his acrimonious and damaging involvement with the slightly younger artist Caravaggio and his important collection of biographies of the other artists working in Rome in his lifetime, although there are many works of his in Roman churches and galleries and elsewhere. Life He was born and died in Rome, but from his own account came from a noble family of Perugia. A pupil of the obscure Florentine artist working in Rome, Francesco Morelli (not to be confused with the later French-Italian engraver Francesco Morelli), he worked mainly in Rome, initially with a late-Mannerism, Mannerist style influenced by Giuseppe Cesari (or the "Cavaliere d'Arpino"). After an ''intermezzo Caravaggesco'' when he was heavily influenced by the young Caravaggio in the early years of the new century, and a Bolognese-influenced phase i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Giustiniani
Marchese Vincenzo Giustiniani (13 September 1564 – 27 December 1637) was an aristocratic Italian banker, art collector and intellectual of the late 16th and early 17th centuries, known today largely for the Giustiniani art collection, assembled at the Palazzo Giustiniani, near the Pantheon, in Rome, and at the family palazzo at Bassano by Vincenzo and his brother, Cardinal Benedetto, and for his patronage of the artist Caravaggio. Biography Vincenzo's father, Giuseppe Giustiniani, had been the last Genoese ruler of the Aegean island of Chios, which had been a family possession for centuries. In 1566 the island was lost to the Ottomans. On April 14, 1566 an Ottoman fleet under Piali Pasha arrive at the port of Chios and occupied it. The island was pillaged; churches destroyed or converted to mosques. Some members of the family were taken captive and transported to Constantinople. About twenty younger Giustinianis were drafted as janissaries. Three accepted their fate; the oth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cupressus Sempervirens
''Cupressus sempervirens'', the Mediterranean cypress (also known as Italian cypress, Tuscan cypress, Persian cypress, or pencil pine), is a species of cypress native to the eastern Mediterranean region, in northeast Libya, southern Albania, southern and coastal Bulgaria, southern coastal Croatia and Slovenia, southern Montenegro, southern Bosnia and Herzegovina, southwestern North Macedonia, southern Greece, southern Turkey, Cyprus, northern Egypt, western Syria, Lebanon, Malta, Italy, southern France, Spain, Palestine, Israel, western Jordan, South Caucasus, and also a disjunct population in Iran. Description ''Cupressus sempervirens'' is a medium-sized coniferous evergreen tree to 35 m (115 ft) tall, with a conic crown with level branches and variably loosely hanging branchlets. It is very long-lived, with some trees reported to be over 1,000 years old. The foliage grows in dense sprays, dark green in colour. The leaves are scale-like, 2–5 mm long, and produ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denis Mahon
Sir John Denis Mahon, (8 November 1910 – 24 April 2011) was a British collector and historian of Italian art. Considered to be one of the few art collectors who was also a respected scholar, he is generally credited, alongside Sacheverell Sitwell and Tancred Borenius, with bringing Italian pre-Baroque and Baroque painters to the attention of English-speaking audiences, reversing the critical aversion to their work that had prevailed from the time of John Ruskin. Biography Born in London into a wealthy Anglo-Irish family, his father John FitzGerald Mahon (fourth son of Sir William Vesey Ross Mahon, 4th Baronet (1813–1893), was a member of the family that had prospered from the Guinness Mahon merchant bank fortune; and the grandson, through his mother Lady Alice Evelyn Browne, of Henry Browne the fifth Marquess of Sligo. After attending Ludgrove School, Eton College, he went up to Christ Church, University of Oxford, where he received an MA. A lover of opera, he de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Farnese
Palazzo Farnese () or Farnese Palace is one of the most important High Renaissance List of palaces in Italy#Rome, palaces in Rome. Owned by the Italian Republic, it was given to the French government in 1936 for a period of 99 years, and currently serves as the French embassy in Italy. First designed in 1517 for the House of Farnese, Farnese family, the building expanded in size and conception when Alessandro Farnese became Pope Paul III in 1534, to designs by Antonio da Sangallo the Younger. Its building history involved some of the most prominent Italian architects of the 16th century, including Michelangelo, Jacopo Barozzi da Vignola and Giacomo della Porta. At the end of the 16th century, the important fresco cycle of The Loves of the Gods (Carracci), ''The Loves of the Gods'' in the Farnese Gallery was carried out by the Bolognese painter Annibale Carracci, marking the beginning of two divergent trends in painting during the 17th century, the Roman High Baroque and Clas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Loves Of The Gods
''The Loves of the Gods'' is a monumental fresco cycle, completed by the Bolognese artist Annibale Carracci and his studio, in the Farnese Gallery which is located in the west wing of the Palazzo Farnese, now the French Embassy, in Rome. The frescoes were greatly admired at the time, and were later considered to reflect a significant change in painting style away from sixteenth century Mannerism in anticipation of the development of Baroque and Classicism in Rome during the seventeenth century. Production Cardinal Odoardo Farnese, Pope Paul III's nephew, commissioned Annibale Carracci and his workshop to decorate the barrel-vaulted gallery on the ''piano nobile'' of the family palace. Work was started in 1597 and was not entirely finished until 1608, one year before Annibale's death. His brother Agostino joined him from 1597 to 1600, and other artists in the workshop included Giovanni Lanfranco, Francesco Albani, Domenichino, and Sisto Badalocchio. Scheme and interpreta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contarelli Chapel
The Contarelli Chapel or Cappella Contarelli is located within the church of San Luigi dei Francesi in Rome. It is famous for housing three paintings on the theme of Saint Matthew the Evangelist by the Baroque master Caravaggio. The paintings were Caravaggio's first major public commission and one that cemented his reputation as a master artist. The chapel commemorates the French cardinal Matthieu Cointerel. History The chapel owes its existence to an endowment left by the French cardinal, Matthieu Cointerel (Contarelli in Italian), who died in 1585. He left instructions for the decoration of the chapel, the first one to the left of the apse, which he had purchased within San Luigi dei Francesi ("Saint Louis of the French"), the church of the French community in Rome in 1565. The cardinal was rich and he had already paid for part of the construction of the church facade. He put a large sum towards the high altar and specified that his chapel be decorated with scenes from the lif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caravaggio Cerasi Contract
Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio, known as simply Caravaggio (, , ; 29 September 1571 – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. During the final four years of his life he moved between Kingdom of Naples, Naples, Hospitaller Malta, Malta, and Kingdom of Sicily, Sicily until his death. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferring t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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