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Couesnophone
The couesnophone, also known as the goofus or queenophone, is a free-reed musical instrument resembling a saxophone harmonicor. Its reeds vibrate when the desired keys are activated and the player blows through a tube. "Best described as a mouth-blown accordion,"Rosenkrantz, Timme (2012). ''Harlem Jazz Adventures: A European Baron's Memoir, 1934-1969'', p.52. Scarecrow. . "it sounded like a cross between a harmonica and an accordion." French manufacturer Couesnon was awarded patent no. 569294 in 1924 for an instrument that was described as a ''saxophone jouet'' ( fr. "toy saxophone"). However, the couesnophone is a polyphonic instrument, while the saxophone is monophonic. Play The couesnophone's keys are set in a keyboard with a layout similar to that of the Hohner early melodicas, in parallel rows corresponding to the white and black keys of a piano. Its rubber mouthpiece allows the horn be held and played vertically like a saxophone or horizontally like a melodica. Perform ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Couesnophone Fcm
The couesnophone, also known as the goofus or queenophone, is a free-reed musical instrument resembling a saxophone harmonicor. Its reeds vibrate when the desired keys are activated and the player blows through a tube. "Best described as a mouth-blown accordion,"Rosenkrantz, Timme (2012). ''Harlem Jazz Adventures: A European Baron's Memoir, 1934-1969'', p.52. Scarecrow. . "it sounded like a cross between a harmonica and an accordion." French manufacturer Couesnon was awarded patent no. 569294 in 1924 for an instrument that was described as a ''saxophone jouet'' ( fr. "toy saxophone"). However, the couesnophone is a polyphonic instrument, while the saxophone is monophonic. Play The couesnophone's keys are set in a keyboard with a layout similar to that of the Hohner early melodicas, in parallel rows corresponding to the white and black keys of a piano. Its rubber mouthpiece allows the horn be held and played vertically like a saxophone or horizontally like a melodica. P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodica
The melodica is a handheld free-reed instrument similar to a pump organ or harmonica. It features a musical keyboard on top, and is played by blowing air through a mouthpiece that fits into a hole in the side of the instrument. The keyboard usually covers two or three octaves. Melodicas are small, lightweight, and portable, and many are designed for children to play. They are popular in music education programs, especially in Asia. The modern form of the instrument was invented by Hohner in the late 1950s, though similar instruments have been known in Italy since the 19th century. Description The mouthpiece can be a short rigid or semi-flexible plastic piece or a long flexible plastic tube (designed to allow the player to either hold the keyboard so the keys can be seen or lay the keyboard horizontally on a flat surface for two-handed playing). A foot pump can also be used as an alternative to breathing into the instrument. Melodica keyboards typically ascend from a low F note. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saxophones
The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to produce a sound wave inside the instrument's body. The pitch is controlled by opening and closing holes in the body to change the effective length of the tube. The holes are closed by leather pads attached to keys operated by the player. Saxophones are made in various sizes and are almost always treated as transposing instruments. Saxophone players are called '' saxophonists''. The saxophone is used in a wide range of musical styles including classical music (such as concert bands, chamber music, solo repertoire, and occasionally orchestras), military bands, marching bands, jazz (such as big bands and jazz combos), and contemporary music. The saxophone is also used as a solo and melody instrument or as a member of a horn section in some sty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Reed Aerophones
Free may refer to: Concept * Freedom, having the ability to do something, without having to obey anyone/anything * Freethought, a position that beliefs should be formed only on the basis of logic, reason, and empiricism * Emancipate, to procure political rights, as for a disenfranchised group * Free will, control exercised by rational agents over their actions and decisions * Free of charge, also known as gratis. See Gratis vs libre. Computing * Free (programming), a function that releases dynamically allocated memory for reuse * Free format, a file format which can be used without restrictions * Free software, software usable and distributable with few restrictions and no payment * Freeware, a broader class of software available at no cost Mathematics * Free object ** Free abelian group ** Free algebra ** Free group ** Free module ** Free semigroup * Free variable People * Free (surname) * Free (rapper) (born 1968), or Free Marie, American rapper and media personality ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Redman
Donald Matthew Redman (July 29, 1900 – November 30, 1964) was an American jazz musician, music arrangement, arranger, bandleader, and composer. Biography Redman was born in Piedmont, West Virginia, Piedmont, Mineral County, West Virginia, United States. His father was a music teacher, his mother was a singer. Beginning by playing the trumpet at the age of three, Redman joined his first band at the age of six and by the age of 12 was proficient on all wind instruments ranging from trumpet to oboe as well as piano. He studied at Storer College in Harper's Ferry and at the Boston Conservatory, then joined Billy Page's Broadway Syncopaters in New York City. He was the uncle of saxophonist Dewey Redman, and thus great-uncle of saxophonist Joshua Redman and trumpeter Carlos Redman. Career In 1923, Redman joined the Fletcher Henderson orchestra, mostly playing clarinet and saxophones. He began writing arrangements, and Redman did much to formulate the sound that was to become Swing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Lang
Eddie Lang (born Salvatore Massaro, October 25, 1902 – March 26, 1933) was an American musician who is credited as the father of jazz guitar. During the 1920s, he gave the guitar a prominence it previously lacked as a solo instrument, as part of a band or orchestra, and as accompaniment for vocalists. He recorded duets with guitarists Lonnie Johnson and Carl Kress and jazz violinist Joe Venuti, and played rhythm guitar in the Paul Whiteman Orchestra and was the favoured accompanist of Bing Crosby. Biography The son of an Italian-American instrument maker, Lang was born in Philadelphia, Pennsylvania, and grew up with violinist Joe Venuti. His first instrument was violin when he was seven. He performed on violin in 1917 and became a member of a trio. In 1920, he dropped the violin for banjo and worked with Charlie Kerr, then Bert Estlow, Vic D'Ippolito, and Billy Lustig's Scranton Siren Orchestra. A few years later, he dropped the banjo for guitar when he became a member ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Venuti
Giuseppe "Joe" Venuti (September 16, 1903 – August 14, 1978) was an American jazz musician and pioneer jazz violinist. Considered the father of jazz violin, he pioneered the use of string instruments in jazz along with the guitarist Eddie Lang, a friend since childhood. Through the 1920s and early 1930s, Venuti and Lang made many recordings as leader and as featured soloists. He and Lang became so well known for their 'hot' violin and guitar solos that on many commercial dance recordings they were hired to do 12- or 24-bar duos towards the end of otherwise stock dance arrangements. In 1926, Venuti and Lang started recording for the OKeh label as a duet (after a solitary duet issued on Columbia), followed by "Blue Four" combinations, which are considered milestone jazz recordings. Venuti also recorded commercial dance records for OKeh under the name "New Yorkers". He worked with Benny Goodman, Adrian Rollini, the Dorsey Brothers, Bing Crosby, Bix Beiderbecke, Jack Teagard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Varsity Eight
Varsity may refer to: *University, an institution of higher (or tertiary) education and research which awards academic degrees in various academic disciplines Places *Varsity, Calgary, a neighbourhood in Calgary, Alberta, Canada * Varsity Lakes, Queensland, a suburb of the Gold Coast, Queensland, Australia Books and publications * ''Varsity'' (Cambridge), a student newspaper at Cambridge University * ''Varsity'' (Cape Town), a student newspaper of the University of Cape Town * ''The Varsity'' (newspaper), a student newspaper at the University of Toronto Business *The Varsity (restaurant), a drive-in restaurant in Atlanta, Georgia, US * Varsity (pub chain), a UK pub chain Media * '' The Boys Presents: Varsity'', a 2023 live-action adaptation of ''The Boys'' comic book series arc "We Gotta Go Now" * Varsity (band), an indie rock band from Chicago * "Varsity" (alma mater song), the alma mater song of the University of Wisconsin-Madison * "Varsity" (fight song), a 1911 fight so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Little Ramblers
The California Ramblers were an American jazz group that recorded hundreds of songs for many different record labels throughout the 1920s. Four members of the band – Red Nichols, Jimmy Dorsey, Tommy Dorsey, and Adrian Rollini – went on to front big band A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s ...s in later decades. The band was formed in 1921 by banjoist Ray Kitchenman. Its members were from Ohio but chose the name California Ramblers. The band was instantly successful and were one of the most prolific recording groups in the 1920s. In late 1924 the Ramblers signed a contract with Columbia Records and then, in conjunction with their manager Ed Kirkeby, agreed to waive all royalties to Columbia for the right to record for other companies under pseudonyms. They r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ed Kirkeby
Wallace Theodore "Ed" Kirkeby (October 10, 1891 – June 12, 1978) was an American bandleader, vocalist, manager, and salesman, best remembered as the manager of Fats Waller. He was one of the first recording managers at Columbia Records to record jazz and organized the California Ramblers to record it. He recorded extensively during the 1920s and early 1930s using many pseudonyms for recording including The Little Ramblers, The Goofus Five, Five Birmingham Babies, The Vagabonds, The Varsity Eight, Ted Wallace (And His Campus Boys), Ed Kirkeby Wallace, and Eddie Lloyd (and Loyd). Over the years he also managed the Pickens Sisters, was an A&R person at RCA Victor, and worked in the band booking department at NBC. As Fats Waller's manager he also acted as his archivist building a collection which is held today by the Institute of Jazz Studies The Institute of Jazz Studies (IJS) is the largest and most comprehensive library and archives of jazz and jazz-related materials in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adrian Rollini
Adrian Francis Rollini (June 28, 1903 – May 15, 1956) was an American jazz multi-instrumentalist who played the bass saxophone, piano, vibraphone, and many other instruments. Rollini is also known for introducing the goofus in jazz music. As a leader, his major recordings included "You've Got Everything" (1933), "Savage Serenade" (1933) and "Got The Jitters" (1934) on Banner, Perfect, Melotone, Romeo, Oriole, "A Thousand Good Nights" (1934) on Vocalion, "Davenport Blues" (1934) on Decca, "Nothing But Notes", "Tap Room Swing", "Jitters", "Riverboat Shuffle" (1934) on Decca, and "Small Fry" (1938) on Columbia. Early life Rollini was born in New York City on June 28, 1903 of French and Swiss extraction to Ferdinand Rollini and Adele (née Augenti) Rollini. The original family name had been changed to "Rollini" by his grandfather, after a move to Italy during one of Europe's many wars. (Some sources will date 1904, but his brother Arthur Rollini, as well as Social Security Adm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vibraphonist
The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist,'' or ''vibist''. The vibraphone resembles the steel marimba, which it superseded. One of the main differences between the vibraphone and other keyboard percussion instruments is that each bar suspends over a resonator tube containing a flat metal disc. These discs are attached together by a common axle and spin when the motor is turned on. This causes the instrument to produce its namesake tremolo or vibrato effect. The vibraphone also has a sustain pedal similar to a piano. When the pedal is up, the bars produce a muted sound; when the pedal is down, the bars sustain for several seconds or until again muted with the pedal. The vibraphone is commonly used in jazz music, in which it often plays a featured role, and was a defining element ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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