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Cornetto (musical Instrument)
The cornett, cornetto, or zink is an early wind instrument that dates from the Medieval, Renaissance and Baroque periods, popular from 1500 to 1650. It was used in what are now called alta capellas or wind ensembles. It is not to be confused with the modern cornet. The sound of the cornett is produced by lip vibrations against a cup mouthpiece, similar to modern brass instruments. A cornett consists of a conical wooden pipe covered in leather, is about long, and has finger holes and a small horn, ivory, or bone mouthpiece. The range is from A3 to A5, however the bottom note can be lipped as far as G3 and a good player can get up to E6. Construction The ordinary treble cornett is made by splitting a length of wood and gouging out the two halves to make the gently conical, curved bore. The halves are then glued together, and the outside planed to an octagonal cross section, the whole being bound in thin black leather. Six front finger holes and a thumb hole on the back (like on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Three Cornetts
3 is a number, numeral, and glyph. 3, three, or III may also refer to: * AD 3, the third year of the AD era * 3 BC, the third year before the AD era * March, the third month Books * ''Three of Them'' (Russian: ', literally, "three"), a 1901 novel by Maksim Gorky * ''Three'', a 1946 novel by William Sansom * ''Three'', a 1970 novel by Sylvia Ashton-Warner * Three (novel), ''Three'' (novel), a 2003 suspense novel by Ted Dekker * Three (comics), ''Three'' (comics), a graphic novel by Kieron Gillen. * ''3'', a 2004 novel by Julie Hilden * ''Three'', a collection of three plays by Lillian Hellman * ''Three By Flannery O'Connor'', collection Flannery O'Connor bibliography Brands * 3 (telecommunications), a global telecommunications brand ** 3Arena, indoor amphitheatre in Ireland operating with the "3" brand ** 3 Hong Kong, telecommunications company operating in Hong Kong ** Three Australia, Australian telecommunications company ** Three Ireland, Irish telecommunications company * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Cornett
The tenor cornett or lizard was a common musical instrument in the Renaissance and Baroque periods. This instrument was normally built in C and the pedal (lowest) note of the majority of tenor cornetts was the C below middle C. A number of surviving instruments feature a key to secure the lowest note. The instrument has a useful range of approximately two and a half octaves, however, an experienced player with a strong embouchure may be able to push the instrument higher. The tenor cornett was used by composers like Giovanni Gabrieli, Heinrich Schütz and Orlando di Lasso as an alto or tenor voice in an ensemble of cornetts and trombones. Like most specimens of treble cornetts, tenor cornetts were usually pitched in ' or ''Cornettton'', ca. a' = 466 Hz – around a semi-tone higher than modern concert pitch, which is a' = 440 Hz. Nomenclature The tenor cornett was also known as the ''lyzard'', ''lizarden,'' ''lysarden'' or ''lyzarden'', because of the "S" shape of the instrument. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornets à Bouquin1
The cornet (, ) is a brass instrument similar to the trumpet but distinguished from it by its conical bore, more compact shape, and mellower tone quality. The most common cornet is a transposing instrument in B, though there is also a soprano cornet in E and cornets in A and C. All are unrelated to the Renaissance and early Baroque cornett. History The cornet was derived from the posthorn by applying rotary valves to it in the 1820s, in France. However, by the 1830s, Parisian makers were using piston valves. Cornets first appeared as separate instrumental parts in 19th-century French compositions.''Encyclopædia Britannica'', Micropedia, Volume III, William Benton, Chicago Illinois, 1974, p. 156 The instrument could not have been developed without the improvement of piston valves by Silesian horn players Friedrich Blühmel (or Blümel) and Heinrich Stölzel, in the early 19th century. These two instrument makers almost simultaneously invented valves, though it is likely tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nigel Hess
Nigel John Hess (born 22 July 1953) is a British composer, best known for his television, theatre and film soundtracks, including the theme tunes to ''Campion (1989 TV series), Campion'', ''Maigret (1992 TV series), Maigret'', ''Wycliffe (TV series), Wycliffe'', ''Dangerfield (TV series), Dangerfield'', ''Hetty Wainthropp Investigates'', ''Badger (TV series), Badger'' and ''Ladies in Lavender''. Biography Hess was born in Weston-super-Mare, Somerset. He was educated at Broadoak Mathematics and Computing College, Weston-super-Mare Grammar School for Boys, and went on to study music at Cambridge University, where he was Music Director of the famous Footlights Revue Company. He has since worked extensively as a composer and conductor in television, theatre and film. Hess has composed numerous scores for both American and British television productions, including ''A Woman of Substance (miniseries), A Woman of Substance'', ''Vanity Fair (1987 TV serial), Vanity Fair'', ''Campion ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano Trombone
The soprano trombone (sometimes called a slide trumpet, especially in jazz) is the soprano instrument in the trombone family of brass instruments. It is usually pitched in B an octave above the tenor trombone, and has a bore, bell and mouthpiece similar to the B trumpet. Although modern instruments are made, the soprano remains a rare trombone seldom written for, compared to the tenor, bass, or even the uncommon alto trombone. History Whether the soprano trombone was ever widely used in history is still a matter for debate. The earliest surviving instrument was made in 1677, held by the Kremsegg musical instrument museum. Johann Sebastian Bach composed three cantatas (BWV 2, 21 & 38) around 1723, where four trombones are required; the highest part was written in soprano clef, for a (). The soprano trombone was used in German-speaking countries to play the treble part in chorales, and this tradition survives in the trombone choirs of Moravian Church music. Outside of thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orfeo Ed Euridice
' (; French: '; English: ''Orpheus and Eurydice'') is an opera composed by Christoph Willibald Gluck, based on Orpheus, the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the ''azione teatrale'', meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. ''Orfeo ed Euridice'' is the first of Gluck's "reform" operas, in which he attempted to replace the abstruse plots and overly complex music of ''opera seria'' with a "noble simplicity" in both the music and the drama. The opera is the most popular of Gluck's works, and was one of the most influential on subsequent Opera in German, German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Wolfgang Amadeus Mozart, Mozart's ''The Magic Flute'', Ludwig van Beethoven, Beetho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Willibald Gluck
Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he gained prominence at the Habsburg court at Vienna. There he brought about the practical reform of opera's dramaturgical practices for which many intellectuals had been campaigning. With a series of radical new works in the 1760s, among them '' Orfeo ed Euridice'' and '' Alceste'', he broke the stranglehold that Metastasian '' opera seria'' had enjoyed for much of the century. Gluck introduced more drama by using orchestral recitative and cutting the usually long da capo aria. His later operas have half the length of a typical baroque opera. Future composers like Mozart, Schubert, Berlioz and Wagner revered Gluck very highly. The strong influence of French opera encouraged Gluck to move to Paris in November 1773. Fusing the traditions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Joseph Fux
Johann Joseph Fux (; – 13 February 1741) was an Austrian composer, music theory, music theorist and pedagogy, pedagogue of the late Baroque music, Baroque era. His most enduring work is not a musical composition but his treatise on counterpoint, ''Gradus ad Parnassum#Music and art, Gradus ad Parnassum'', which has become the single most influential book on the Giovanni Pierluigi da Palestrina, Palestrinian style of Renaissance music, Renaissance polyphony. Life Fux's exact date of birth is unknown. He was born to a peasant family in Langegg bei Graz, Hirtenfeld, Styria, Austria. Relatively little is known about his early life, but likely he went to nearby Graz for music lessons. In 1680 he was accepted at the Jesuit Ferdinandeum University there, where his musical talent became apparent. From 1685 until 1688 he served as organist at St. Moritz in Ingolstadt. Sometime during this period he must have made a trip to Italy, as evidenced by the strong influence of Arcangelo Corelli, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Scarlatti
Pietro Alessandro Gaspare Scarlatti (2 May 1660 – 22 October 1725) was an Italian Baroque composer, known especially for his operas and chamber cantatas. He is considered the most important representative of the Neapolitan school of opera. Nicknamed by his contemporaries "the Italian Orpheus", he divided his career between Naples and Rome, where he received his training; a significant part of his works was composed for the papal city. He is often considered the founder of the Neapolitan school, although he has only been its most illustrious representative: his contribution, his originality and his influence were essential, as well as lasting, both in Italy and in Europe. Particularly known for his operas, he brought the Italian dramatic tradition to its maximum development, begun by Monteverdi at the beginning of 17th century and continued by Cesti, Cavalli, Carissimi, Legrenzi and Stradella, designing the final form of the ''Da capo aria'', imitated throughout Europe. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
O Jesu Christ, Meins Lebens Licht, BWV 118
''O Jesu Christ, meins Lebens Licht'' (O Jesus Christ, light of my life), BWV 118, is a sacred motet composed by Johann Sebastian Bach. It is known to have been performed at a funeral, and was possibly a generic work intended for funerals.(accessed via Highbeam Research, subscription required) When the work was first published in the nineteenth century it was called a cantata, perhaps because it has an instrumental accompaniment. While it is not an a cappella work, modern scholarship accepts it is a motet. History and text This work was written around 1736 or 1737, and so may have been premiered before the first known performance at the grave-side ceremony for Count on October 11, 1740. The Count was Governor of Leipzig and known to Bach who had presented a couple of congratulatory works to him. The fact that the accompaniment exists in two versions suggests that there was a subsequent revival of the work in the 1740s. The text is a 1610 hymn by Martin Behm. Music "O Je ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Philipp Telemann
Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of that city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died less than two years after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving him. Telemann is one of the most prolific composers in history, at least in terms of surviving oeuvre. He was considered by his contemporaries to be one of the leading German composers of the time, and he was compared favourably bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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