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Cornelis Van Der Geest
Cornelis van der Geest (1555 – 10 March 1638) was a spice merchant from Antwerp, who used his wealth to support the Antwerp artists and to establish his art collection. He was also the dean of the haberdashers guild. Art collection He is best known today for his art collection. He was portrayed repeatedly by Anthony van Dyck, while Willem van Haecht, whom he had hired as curator, painted his " constcammer" several times, including a view of the visit of Albert VII, Archduke of Austria and Isabella Clara Eugenia to his art collection. He owned two paintings by Quentin Matsys, one of which, a ''Madonna'', can be seen in the Van Haecht painting. Other works included in that view are ''Women at her toilet'' by Jan van Eyck, a still life by Frans Snyders, ''Ceres Mocked'' by Adam Elsheimer, ''Danaë'' by Van Haecht, ''Battle of the Amazons'' and a portrait by Peter Paul Rubens, ''Peasant Company with Woman making Pancakes'' by Pieter Aertsen, ''Apelles'' by Jan Wierix and a hunting sc ...
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Anthonis Van Dyck 025
Anthonis is a Dutch masculine given name and a surname that is popular in the Provinces of the Netherlands, Belgium, Suriname, South Africa, Namibia, and Indonesia. Notable people with this name include the following: Given name *Anthonis Mor van Dashorst, also known as Antonis Mor (c. 1517 – 1577), Dutch painter *Anthonis van Obbergen (1543 – 1611), Flemish architect Surname *Lode Anthonis (1922 – 1992), Belgian cyclist *P. R. Anthonis (1911 – 2009), Sri Lankan surgeon See also *Anthoni *Stefan Anthonisz *Antonis Antónis (Greek alphabet: Αντώνης) is a Greek masculine given name that is a variant of Antonios that is used in Greece and Cyprus. Antonis is a Dutch masculine given name that is a diminutive of Anthonius that is used in Netherlands, Belgi ... Notes {{given name, Anthonis Dutch masculine given names ...
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Jan Wildens
Jan Wildens (1586 in Antwerp – 16 October 1653 in Antwerp) was a Flemish painter and draughtsman specializing in landscapes. His Realist landscapes show an eye for detail and have a serene character. He was a regular collaborator with Rubens and other leading Flemish Baroque painters of his generation in whose compositions he painted the landscapes.Matthias Depoorter, ''Jan Wildens''
at Barok in Vlaanderen


Life

Jan Wildens was born in Antwerp as the son of Hendrick Wildens and Magdalena van Vosbergen. His father died when he was still young. His mother remarried to Cornelis Cock, who later became the father in law of the Antwerp portrait painter

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Sebastiano Del Piombo
Sebastiano del Piombo (; c. 1485 – 21 June 1547) was an Italian painter of the High Renaissance and early Mannerism, Mannerist periods famous as the only major artist of the period to combine the colouring of the Venetian School (art), Venetian school in which he was trained with the monumental forms of the Roman school. He belongs both to the painting school of his native city, Venice, where he made significant contributions before he left for Rome in 1511, and that of Rome, where he stayed for the rest of his life, and whose style he thoroughly adopted. Born Sebastiano Luciani, after coming to Rome he became known as ''Sebastiano Veneziano'' or ''Viniziano'' ("Sebastian the Venetian"), until in 1531 he became the Keeper of the Seals#Papacy, Keeper of the Seal to the Papacy, and so got the nickname ''del Piombo'' ("of the Lead") thereafter, from his new job title of ''piombatore''. Friends like Michelangelo and Ariosto called him ''Fra Bastiano'' ("Brother Bastian"). Never a ...
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Samson And Delilah (van Dyck, Vienna)
''Samson and Delilah'' is a 1630 painting by Anthony van Dyck. Like his 1620 version of the subject, it is in the style of his former master Peter Paul Rubens. Unlike Rubens, however, van Dyck shows Delilah seemingly appalled at her own betrayal of Samson and regretting her act of treason, whereas Rubens showed him as a captive and her as an unscrupulous temptress."Samson and Delilah"
Google artProject Van Dyck's palette in the work also reveals the influence of during van Dyck's stay in Italy. It is now in the

Portrait Of A Commander
''Portrait of a Commander'' or ''A Commander Being Dressed for Battle'' is a portrait of an unknown man in plate armour, by Peter Paul Rubens. In July 2010 it was sold for £9 million by Christie's after Sotheby's turned it down, suspecting its authenticity as a Rubens. In December 2011, the portrait was placed on loan with the Metropolitan Museum of Art in New York. Description The painting, done in Oil painting, oil on panel, measures 48.25 × 38 3/8 in. (122.6 × 98.2 cm). It depicts a military commander, as shown by his Baton (symbol), baton, being dressed by Page (servant), pages. The identity of the commander is unknown, although Charles V, Holy Roman Emperor, Charles V, Cornelis van der Geest, and the Fernando Álvarez de Toledo, 3rd Duke of Alba, Duke of Alba have all been identified as possible subjects. The Christie's cataloguer felt that the commander appears too idealized to be an actual person. The painting has been praised for its crisp and intense hue and the ...
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The Battle Of The Amazons (Rubens)
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ...
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The Reconciliation Of Esau And Jacob
''The Reconciliation of Esau and Jacob'' is a 1624 painting by Peter Paul Rubens. Originally in the Spanish royal collection, it was sent to Germany by Maria Anna of Neuburg (wife of Charles II of Spain) to her brother Johann Wilhelm. It is now in the Staatsgalerie Schleissheim near Munich. It shows the biblical story of meeting between Jacob and Esau. It was the model for a painting by Abraham Willemsen.VADS
website; ''The Meeting of Jacob and Esau'', by Abraham Willemsen, now at . This painting was featured in 's ''Gallery of

The Money Changer And His Wife
''The Money Changer and His Wife'' is a 1514 oil on panel painting by the Flemish renaissance artist Quentin Matsys. Painting A man, who is weighing the jewels and pieces of gold on the table in front of him sits next to his wife who is reading a book of devotion with an illustration of the Virgin and Child. The couple is not dressed as members of nobility, but rather as well-to-do burghers of Antwerp, where the painting was made. At the time, Antwerp had grown with the influx of many southern immigrants fleeing the Spanish Inquisition. Among this international community there was a demand for money-changers and money-lenders, as international commerce was increasing in the port city. The same motif was used 25 years later by Matsys' follower, the painter Marinus van Reymerswaele. This painting was copied in a painting of the gallery of Cornelis van der Geest by Willem van Haecht a century later in the 1620s. Van der Geest was an admirer of Matsys' work and owned several of hi ...
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Daniel Seghers
Daniël Seghers or Daniel Seghers (3 December 1590 – 2 November 1661) was a Flemish Jesuit brother and painter who specialized in flower still lifes. He is particularly well known for his contributions to the genre of flower garland painting.Irene Haberland, "Seghers, Daniel," ''Grove Art Online''. Oxford University Press, ccessed 15 February 2015 His paintings were collected enthusiastically by aristocratic patrons and he had numerous followers and imitators.John Rupert Martin, "A Portrait of Rubens by Daniel Seghers," ''Record of the Art Museum, Princeton University'', vol. 17 (1958), pp. 2–20. Life Seghers was born in Antwerp. He moved with his mother to the Dutch Republic, probably Utrecht around 1601, following the death of his father Pieter and the conversion of his mother to Calvinism.
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Paul Bril
Paul Bril (1554 – 7 October 1626) was a Flemish painter and printmaker principally known for his landscapes.Nicola Courtright. "Paul Bril." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 26 September 2016 He spent most of his active career in Rome. His Italianate landscapes had a major influence on landscape painting in Italy and Northern Europe.Paul Bril, Landscape with Diana and Callisto
at the


Life


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Madonna And Child Kissing
''Madonna and Child Kissing'' is a 1520s oil on panel painting by the Flemish renaissance artist Quentin Matsys in the collection of the Rijksmuseum, Amsterdam, on loan to the Mauritshuis. Painting Mary, holding two cherries with her right hand, sits kissing her child who sits next to her on a pedestal inside a richly decorated throne with a view of a castle on a river beyond. Lying on a banister in the foreground are a bunch of grapes (referring to the wine of the Eucharist) and an apple (symbol of the Fall of Man). There are several known versions of this painting, made popular by a 1628 painting by Willem van Haecht of ''The Gallery of Cornelis van der Geest''. That ''Madonna of the Cherries'' painting was the subject of an anecdote published in 1648 by Frans Fickaert (1614–1654) in which he stated that on 23 August 1615, while on a visit, the Archduke attempted to buy it from Van der Geest but was refused. He claimed it was in the possession of Van der Geest who declin ...
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Woman Bathing (van Eyck)
''Woman Bathing'' (or ''Woman at Her Toilet'', sometimes ''Bathsheba at Her Toilet'') is a lost panel painting by the Early Netherlandish artist Jan van Eyck. The work is today known through two copies which diverge in important aspects;Seidel, 38 one in Antwerp and a more successful but small c 1500 panel in Harvard University's Fogg Museum, which is in poor condition.Schabacker; Jones, 56 It is unique in van Eyck's known oeuvre for portraying a nude in secular setting, although there is mention in two 17th-century literary sources of other now lost but equally erotic van Eyck panels.Schabacker; Jones, 59 The attribution of either panel to an original by van Eyck is usually not contested; while it may be doubted whether either copy was completed until one or two generations after his early death c. 1441, it is accepted that neither is a forgery or wishful thinking. Art historians broadly consider it likely that both were copied from a single source, that is, one is not a copy of ...
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