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Consecration Of The House
''The Consecration of the House'' (german: Die Weihe des Hauses), Op. 124, is a work by Ludwig van Beethoven composed in September 1822. It was commissioned by Carl Friedrich Hensler, the Director of Vienna's new Theater in der Josefstadt, and was first performed at the theatre's opening on October 3, 1822. It was the first work Beethoven wrote after his revival of studying the works of J. S. Bach and Handel, and bears their influence. The ''Consecration of the House'' overture was also the first item on the program at Beethoven’s 7 May 1824 concert at Vienna’s Theater am Kärntnertor, where the world premiere of his 9th Symphony took place. Composition history Previously, in 1811, Beethoven had written '' The Ruins of Athens'' (''Die Ruinen von Athen''), Op. 113, incidental music for August von Kotzebue's play of the same name, for the dedication of a new theatre in Pest. This same work was to be performed again in 1822 for the new theatre in Vienna. However, Car ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
August Von Kotzebue
August Friedrich Ferdinand von Kotzebue (; – ) was a German dramatist and writer who also worked as a consul in Russia and Germany. In 1817, one of Kotzebue's books was burned during the Wartburg festival. He was murdered in 1819 by Karl Ludwig Sand, a militant member of the ''Burschenschaften''. This murder gave Metternich the pretext to issue the Carlsbad Decrees of 1819, which dissolved the ''Burschenschaften'', cracked down on the liberal press, and seriously restricted academic freedom in the states of the German Confederation. Life Kotzebue was born in Weimar to the respected merchant Kotzebue family and was educated at Wilhelm-Ernst- Gymnasium in Weimar, where his uncle, the writer and critic Johann Karl August Musäus was among his teachers. In 1776 the young Kotzebue acted alongside Goethe in the latter's play ''Die Geschwister'' when it premiered in Weimar. In 1777, aged sixteen, he enrolled at the University of Jena to study legal science. He continued his stud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Ludwig Van Beethoven
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fugue
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Haydn
Franz Joseph Haydn ( , ; 31 March 173231 May 1809) was an Austrian composer of the Classical period (music), Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions to musical form have led him to be called "Father of the Symphony" and "Father of the String quartet, String Quartet". Haydn spent much of his career as a court musician for the wealthy Esterházy family at their Eszterháza Castle. Until the later part of his life, this isolated him from other composers and trends in music so that he was, as he put it, "forced to become original". Yet his music circulated widely, and for much of his career he was the most celebrated composer in Europe. He was Haydn and Mozart, a friend and mentor of Mozart, Beethoven and his contemporaries#Joseph Haydn, a tutor of Beethoven, and the elder brother of composer Michael Haydn. Biography Early life Joseph Haydn was born in Rohrau, Austria, Rohrau, Habsburg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modulation (music)
In music, modulation is the change from one tonality ( tonic, or tonal center) to another. This may or may not be accompanied by a change in key signature (a key change). Modulations articulate or create the structure or form of many pieces, as well as add interest. Treatment of a chord as the tonic for less than a phrase is considered tonicization. Requirements * Harmonic: quasi- tonic, modulating dominant, pivot chordForte (1979), p. 267. *Melodic: recognizable segment of the scale of the quasi-tonic or strategically placed leading-tone *Metric and rhythmic: quasi-tonic and modulating dominant on metrically accented beats, prominent pivot chord The quasi-tonic is the tonic of the new key established by the modulation was semi. The modulating dominant is the dominant of the quasi-tonic. The pivot chord is a predominant to the modulating dominant and a chord common to both the keys of the tonic and the quasi-tonic. For example, in a modulation to the dominant, ii/V–V/V– ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterpoint
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has been us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Schindler
Anton Felix Schindler (13 June 1795 in Medlov – 16 January 1864 in Bockenheim (Frankfurt am Main)) was an Austrian law clerk and associate, secretary, and early biographer of Ludwig van Beethoven. Life Schindler moved to Vienna in 1813 to study law, and from 1817 to 1822 was a clerk in a law office there. He was a competent, though not an exceptional violinist, and played in various musical ensembles, first meeting Beethoven in 1814. He gave up his law career, becoming in 1822 first violinist at the Theater in der Josefstadt, and from 1825 first violinist at the Theater am Kärntnertor. His acquaintance with Beethoven continued, and from 1822, he lived in the composer's house, as his unpaid secretary.Paul Nettl. "Schindler, Anton Felix". ''Beethoven Encyclopedia''. Philosophical Library, New York, 1956. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Meisl
Karl Meisl, or Carl Meisl (30 June 1775 – 8 October 1853) was an accountant in the Imperial Austrian Navy, and a dramatist. Life Meisl was born in Ljubljana (at that time in the Hapsburg Monarchy) in 1775, and was educated there. In 1800 he was appointed ''Fourier'' (a military officer rank); he was promoted to accounting officer and field warfare commissioner, and moved to Vienna. He rose to become accounting adviser in the naval department of the ''Hofkriegsrat''. He retired in 1840; he died in Vienna in 1853 and was buried in . Dramatic works He wrote about 200 pieces for the stage. His first play, ''Carolo Carolina'', appeared in 1802, and his last, ''Die blonden Locken'', in 1844. Together with the dramatists Josef Alois Gleich (1772–1841) and Adolf Bäuerle (1786–1859), he was important during a period in , after the earlier Hanswurst-theatre and before the folk theatre of Ferdinand Raimund and Johann Nestroy. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pest, Hungary
Pest () is the eastern, mostly flat part of Budapest, Hungary, comprising about two-thirds of the city's territory. It is separated from Buda and Óbuda, the western parts of Budapest, by the Danube River. Among its most notable sights are the Inner City (Budapest), Inner City, the Hungarian Parliament Building, Heroes' Square (Budapest), Heroes' Square and Andrássy Avenue. In colloquial Hungarian language, Hungarian, "Pest" is often used for the whole Capital (political), capital of Budapest. The three parts of Budapest (Pest, Buda, Óbuda) united in 1873. Etymology According to Ptolemy the settlement was called ''Pession'' in ancient times (Contra-Aquincum). Alternatively, the name ''Pest'' may have come from a Slavic word meaning "furnace", "oven" (Bulgarian ; Serbian /''peć''; Croatian ''peć''), related to the word (meaning "cave"), probably with reference to a local cave where fire burned. The spelling ''Pesth'' was occasionally used in English, even as late as the e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Incidental Music
Incidental music is music in a play, television program, radio program, video game, or some other presentation form that is not primarily musical. The term is less frequently applied to film music, with such music being referred to instead as the film score or soundtrack. Incidental music is often background music, and is intended to add atmosphere to the action. It may take the form of something as simple as a low, ominous tone suggesting an impending startling event or to enhance the depiction of a story-advancing sequence. It may also include pieces such as overtures, music played during scene changes, or at the end of an act, immediately preceding an interlude, as was customary with several nineteenth-century plays. It may also be required in plays that have musicians performing on-stage. History The use of incidental music dates back at least as far as Greek drama. A number of classical composers have written incidental music for various plays, with the more famous e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively tau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
