Conradus De Pistoria
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Conradus De Pistoria
Conradus de Pistoria (also Coradus, de Pistoia, de Pistoja) (fl. early 15th century) was an Italian composer of the late medieval era and early Renaissance, active in Florence and elsewhere in northern Italy. He is listed in the standard histories of music for the period, including the ''New Oxford History of Music: Ars Nova and the Renaissance, 1300–1540'', and the ''New Grove''. Conradus was an Italian representative of the manneristic school of composers known as the ''ars subtilior'', closely associated with the courts of the schismatic popes during the period of the Avignon Papacy.Ursula Günther, "Conradus de Pistoria". Grove Music Online. Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/article/grove/music/18061 (accessed 18 December 2011). Life and career Next to nothing is known about his life, but for a few inferences, and one archival reference. Probably he was associated with Antipope Alexander V and Antipope John XXIII. Conradus's two known w ...
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Medieval Music
Medieval music encompasses the sacred and secular music of Western Europe during the Middle Ages, from approximately the 6th to 15th centuries. It is the first and longest major era of Western classical music and followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period. Following the traditional division of the Middle Ages, medieval music can be divided into Early (500–1150), High (1000–1300), and Late (1300–1400) medieval music. Medieval music includes liturgical music used for the church, and secular music, non-religious music; solely vocal music, such as Gregorian chant and choral music (music for a group of singers), solely instrumental music, and music that uses both voices and instruments (typically with the instruments accompanying the voices). Gregorian chant was sung by monks during Catholic Mass. The Mass is a reenactment of Christ's Last Supper, intended to provide a ...
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Antipope John XXIII
Baldassarre Cossa (c. 1370 – 22 December 1419) was Pisan antipope John XXIII (1410–1415) during the Western Schism. The Catholic Church regards him as an antipope, as he opposed Pope Gregory XII whom the Catholic Church now recognizes as the rightful successor of Saint Peter. He was also an opponent of Antipope Benedict XIII, who was recognized by the French clergy and monarchy as the legitimate Pontiff. Cossa was born in the Kingdom of Naples. In 1403, he served as a papal legate in Romagna. He participated in the Council of Pisa in 1408, which sought to end the Western Schism with the election of a third alternative pope. In 1410, he succeeded Antipope Alexander V, taking the name John XXIII. At the instigation of Sigismund, King of the Romans, Pope John called the Council of Constance of 1413, which deposed John XXIII and Benedict XIII, accepted Gregory XII's resignation, and elected Pope Martin V to replace them, thus ending the schism. John XXIII was tried fo ...
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Italian Classical Composers
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ...
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Corpus Mensurabilis Musicae
The ''Corpus mensurabilis musicae'' (CMM) is a collected print edition of most of the sacred and secular vocal music of the late medieval and Renaissance period in western music history, with an emphasis on the central Franco-Flemish and Italian repertories. CMM is a publication of the American Institute of Musicology, and consists of 109 series (individual volumes or sets of volumes) as of 2007. Renowned composers whose works have appeared in other collected editions, such as Josquin des Prez, Giovanni Pierluigi da Palestrina, and Orlande de Lassus, are generally excluded from the set. Many of the series are devoted to works of a single composer, and in some cases they are organized into sub-volumes because of their size (for example, "Volume 1" contains the works of Guillaume Dufay; it actually consists of 6 separate bound volumes, separately containing motets, masses, mass fragments, other liturgical music, and secular songs). Other series contain anthologies and contents o ...
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Facsimile
A facsimile (from Latin ''fac simile'', "to make alike") is a copy or reproduction of an old book, manuscript, map, Old master print, art print, or other item of historical value that is as true to the original source as possible. It differs from other forms of reproduction by attempting to replicate the source as accurately as possible in scale, color, condition, and other material qualities. For books and manuscripts, this also entails a complete copy of all pages; hence, an incomplete copy is a "partial facsimile". Facsimiles are sometimes used by scholars to research a source that they do not have access to otherwise, and by museums and archives for media preservation and Art conservation and restoration, conservation. Many are sold commercially, often accompanied by a volume of commentary. They may be produced in limited editions, typically of 500–2,000 copies, and cost the equivalent of a few thousand United States dollars. The term "fax" is a shortened form of "facsimile" ...
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Modena Codex
The Modena Codex (''Modena, Biblioteca Estense, α.m.5,24''; often referred to with the siglum Mod A) is an early fifteenth-century Italian manuscript of medieval music. The manuscript is one of the most important sources of the ''ars subtilior'' style of music. It is held in the Biblioteca Estense library in Modena. The precise origin of Mod A is controversial, with Pavia/Milan, Pisa and Bologna all being proposed. Firm evidence of ownership of the book by the Biblioteca Estense only occurs in the early nineteenth century, although a 1495 catalogue of the Este family library in Ferrara might refer to it. It was rediscovered by the philologist Antonio Cappelli in 1868. Excluding flyleaves and modern additions, Mod A comprises 51 parchment folios divided into five gatherings. The first and last gatherings are decorated in a simpler style from the central gatherings and mostly contain the works of Matteo da Perugia, while the middle three gatherings contain works by a more varied ...
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Augustinians
Augustinians are members of Christian religious orders that follow the Rule of Saint Augustine, written in about 400 AD by Augustine of Hippo. There are two distinct types of Augustinians in Catholic religious orders dating back to the 12th–13th centuries: * Various congregations of Canons Regular also follow the Rule of Saint Augustine, embrace the evangelical counsels and lead a semi-monastic life, while remaining committed to pastoral care appropriate to their primary vocation as priests. They generally form one large community which might serve parishes in the vicinity, and are organized into autonomous congregations. * Several orders of friars who live a mixed religious life of contemplation and apostolic ministry. The largest and most familiar is the Order of Saint Augustine (OSA), founded in 1244 and originally known as the Hermits of Saint Augustine (OESA). They are commonly known as the Austin Friars in England. Two other orders, the Order of Augustinian Recollects a ...
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Medici
The House of Medici ( , ) was an Italian banking family and political dynasty that first began to gather prominence under Cosimo de' Medici, in the Republic of Florence during the first half of the 15th century. The family originated in the Mugello region of Tuscany, and prospered gradually until it was able to fund the Medici Bank. This bank was the largest in Europe during the 15th century and facilitated the Medicis' rise to political power in Florence, although they officially remained citizens rather than monarchs until the 16th century. The Medici produced four popes of the Catholic Church—Pope Leo X (1513–1521), Pope Clement VII (1523–1534), Pope Pius IV (1559–1565) and Pope Leo XI (1605)—and two queens of France—Catherine de' Medici (1547–1559) and Marie de' Medici (1600–1610). In 1532, the family acquired the hereditary title Duke of Florence. In 1569, the duchy was elevated to the Grand Duchy of Tuscany after territorial expansion. The Medici ruled the G ...
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Santa Reparata, Florence
Santa Reparata is the former cathedral of Florence, Italy. Its name refers to Saint Reparata, an early virgin martyr who is the co-patron saint of Florence. Florence Cathedral was constructed over it. History Ever since the 3rd century there was an area in the north of Florence which was dedicated to Christianity and up to the Middle Ages represented the most important religious center of the city. From the 6th century onwards, a building complex called 'the sacred axis' was constructed in east–west direction (from the Piazza dell'Olio to the area of the apsis of the Duomo), which was traditionally considered the cult area in Late Antiquity, protected by existing Roman walls. The place included the Bishop's palace, the Baptistery of San Giovanni, a hospital, a parsonage, a graveyard, and three churches: ''Salvatore al Vescovo'', ''San Michele Visdomini'' and ''Santa Reparata''. The main point within the sacred axis was Santa Reparata, a sacral building of paleo-Christian o ...
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Antipope Alexander V
Peter of Candia, also known as Peter Phillarges (c. 1339 – May 3, 1410), named as Alexander V ( la, Alexander PP. V; it, Alessandro V), was an antipope elected by the Council of Pisa during the Western Schism (1378–1417). He reigned briefly from June 26, 1409 to his death in 1410, in opposition to the Roman pope Gregory XII and the Avignon antipope Benedict XIII. In the 20th century, the Catholic Church reinterpreted the Western Schism by recognizing the Roman popes as legitimate. Gregory XII's reign was extended to 1415, and Alexander V is now regarded as an antipope. Life Alexander V was born near present-day Neapoli in Crete, then part of the Republic of Venice, in 1339. He was baptised Pietro Filargo, but is often known by the names Pietro di Candia and Peter Philarges. He entered the Franciscan order, and his abilities were such that he was sent to study at the universities of Oxford and Paris. While he was in Paris the Western Schism occurred; Philarges supported P ...
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Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' ''contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Palest ...
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Ursula Günther
Ursula Günther (15 June 1927 – 20 or 21 November 2006) was a German musicologist specializing in the fourteenth and early fifteenth centuries and the music of Giuseppe Verdi. She coined the term , to categorize the rhythmically complex music that followed . Life Ursula Günther was born Ursula Rösse in Hamburg.*Hans Heinrich Eggebrecht, "Günther, Ursula". In The ''New Grove Dictionary of Music and Musicians,'' second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001). After studying piano with D. Kraus and H. E. Riebensahm and music theory with H. Stahmer in Hamburg, she graduated with a music teacher's degree in 1947. From 1948 she studied music with Heinrich Husmann at the University of Hamburg along with other subjects such as art history, German and Romance Literature, philosophy, psychology, and phonetics. In 1957 at Hamburg she wrote a thesis under the tutelage of Heinrich Besseler on the change in style of the French ...
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