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Come And Praise
''Come and Praise'' is a hymnal published by the BBC and widely used in collective worship in British schools. The hymnal was compiled by Geoffrey Marshall-Taylor with musical arrangements by Douglas Coombes, and includes well-known hymns such as “Oil in My Lamp”, “Kum Ba Yah” and “Water of Life” as well as Christmas carols and Easter hymns. Volumes Two volumes were published: ''Come and Praise'' in 1978, and ''Come and Praise 2'' in 1988. The hymns from both volumes were published together in ''The Complete Come and Praise'' in 1990. CDs CD 1 # Morning has broken # Water of life # All things bright and beautiful # Autumn days # Somebody greater # The earth is yours, O God # Let us with a gladsome mind # Who put the colours in the rainbow? # Song of Caedmon # All nations of the earth # God knows me # When God made the garden of creation # Think of a world without any flowers # He made me # He's got the whole world # Come my brothers, praise the Lord # Come and prai ...
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Hymnal
A hymnal or hymnary is a collection of hymns, usually in the form of a book, called a hymnbook (or hymn book). Hymnals are used in congregational singing. A hymnal may contain only hymn texts (normal for most hymnals for most centuries of Christian history); written melodies are extra, and more recently harmony parts have also been provided. Hymnals are omnipresent in churches but they are not often discussed; nevertheless, liturgical scholar Massey H. Shepherd once observed: "in all periods of the Church’s history, the theology of the people has been chiefly molded by their hymns." Elements and Format Since the twentieth century, singer-songwriter hymns have become common, but in previous centuries, generally poets wrote the words, and musicians wrote the tunes; the texts are known and indexed by their first lines ("incipits") and the hymn tunes are given names, sometimes geographical (the tune "New Britain" for the incipit "Amazing Grace, how sweet the sound"). The hy ...
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Lord Of All Hopefulness
"Lord of all Hopefulness" is a Christian hymn written by English writer Jan Struther, which was published in the enlarged edition of ''Songs of Praise'' (Oxford University Press) in 1931. The hymn is used in liturgy, at weddings and at the beginning of funeral services, and is one of the most popular hymns in the United Kingdom. "Lord of all Hopefulness" is commonly set to the melody of an Irish folksong named ''Slane''. In English hymn books, where traditional folk tunes are used, the place of collection is sometimes attributed as the tune name, and this melody is named after the Hill of Slane, the site where St. Patrick lit an Easter fire in defiance of the pagan king, Lóegaire, near the village of the same name ( ga, Baile Shláine) in County Meath, Ireland. ''Slane'' is also the melody of another well-known hymn, "Be Thou My Vision," and of the hymn "Lord of Creation, to Thee be All Praise" by J. C. Winslow, whose lyrics are similar. There are two variants of this tun ...
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Hymnals
A hymnal or hymnary is a collection of hymns, usually in the form of a book, called a hymnbook (or hymn book). Hymnals are used in congregational singing. A hymnal may contain only hymn texts (normal for most hymnals for most centuries of Christian history); written melodies are extra, and more recently harmony parts have also been provided. Hymnals are omnipresent in churches but they are not often discussed; nevertheless, liturgical scholar Massey H. Shepherd once observed: "in all periods of the Church’s history, the theology of the people has been chiefly molded by their hymns." Elements and Format Since the twentieth century, singer-songwriter hymns have become common, but in previous centuries, generally poets wrote the words, and musicians wrote the tunes; the texts are known and indexed by their first lines ("incipits") and the hymn tunes are given names, sometimes geographical (the tune "New Britain" for the incipit "Amazing Grace, how sweet the sound"). The hym ...
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Kumbaya
"''Kum ba yah''" ("''Come by here''") is an African American spiritual song of disputed origin, but known to be sung in the Gullah culture of the islands off South Carolina and Georgia, with ties to enslaved West Africans. The song is thought to have spread from the islands to other Southern states and the North, as well as other places in the world. The first known recording, of someone known only as H. Wylie, who sang in the Gullah dialect, was recorded by folklorist Robert Winslow Gordon in 1926. It later became a standard campfire song in Scouting and summer camps and enjoyed broader popularity during the folk revival of the 1950s and 1960s. The song was originally an appeal to God to come and help those in need. Origins According to Library of Congress editor Stephen Winick, the song almost certainly originated among African Americans in the Southeastern United States, and had a Gullah version early in its history even if it did not originate in that dialect. The two ...
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Black And White (Pete Seeger Song)
"Black and White" is a song written in 1954 by David I. Arkin and Earl Robinson. It was first recorded by Pete Seeger featuring an African-American child, in 1956 from the album ''Love Songs for Friends & Foes''. The most successful recording of the song was the pop version by Three Dog Night in 1972, when it reached number one on both the ''Billboard'' Hot 100 and ''Billboard'' Easy Listening charts. ''Billboard'' ranked it as the number 63 song for 1972.Billboard Year-End Hot 100 singles of 1972 Danny Hutton sang the lead vocals with a children's chorus adding their voices to the song. Early recordings Following Seeger's version, the song's writer Earl Robinson released his own recording in 1957, on the Folkways album ''A Walk in the Sun and other Songs and Ballads''. (The album title refers to a song written for the 1945 film '' A Walk in the Sun''.) Sammy Davis Jr. released his version also in 1957. Reggae groups the Maytones, from Jamaica, and Greyhound, from the UK, bo ...
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The Skye Boat Song
"The Skye Boat Song" is a late 19th-century Music of Scotland, Scottish song recalling the journey of Prince Charles Edward Stuart ("Bonnie Prince Charlie") from Benbecula to the Isle of Skye as he evaded capture by government troops after his defeat at the Battle of Culloden in 1746. Sir Harold Boulton, 2nd Baronet composed the lyrics to an air (music), air collected by Anne Campbell MacLeod in the 1870s, and the line "Over the Sea to Skye" is now a cornerstone of the tourism industry on the Isle of Skye. Alternative lyrics to the tune were written by Robert Louis Stevenson, probably in 1885. After hearing the Jacobitism, Jacobite airs sung by a visitor, he judged the lyrics to be "unworthy", so made a new set of verses "more in harmony with the plaintive tune". It is often played as a slow lullaby or waltz, and entered into the modern folk canon in the twentieth century with versions by Paul Robeson, Tom Jones (singer), Tom Jones, Rod Stewart, Roger Whittaker, Tori Amos, and ...
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The Lord's My Shepherd
"The Lord's My Shepherd" is a Christian hymn. It is a metrical psalm commonly attributed to the English Puritan Francis Rous and based on the text of Psalm 23 in the Bible. The hymn first appeared in the ''Scots Metrical Psalter'' in 1650 traced to a parish in Aberdeenshire. It is commonly sung to the tune , which is generally credited to Jessie Seymour Irvine. History "The Lord's My Shepherd" is based on the words of Psalm 23: During the Protestant Reformation in Scotland, the practice of exclusive psalmody made Psalm singing a central part of public worship. The ''Book of Common Order'', introduced in the Church of Scotland by reformer John Knox in 1564, contained metrical versions of all the Psalms, adapted from John Calvin's ''Genevan Psalter'' (1539). Psalms were sung to Genevan tunes and were only permitted to be sung in unison. Many revisions were published, but by the mid-17th century, the Churches of England and Scotland were both in need of a new translation. The E ...
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The King Of Love My Shepherd Is
The King of Love My Shepherd Is is an 1868 hymn with lyrics written by Henry Williams Baker, based on the Welsh version of Psalm 23 and the work of Edmund Prys. It is sung to four different melodies: Dominus Regit Me, the traditional Irish tune St. Columba, " Ich dank' dir schon" by Michael Praetorius, and Remsen, the Welsh original. Henry Baker's last words were reportedly lyrics from this hymn. In 1997, the hymn was sung at the funeral of Diana, Princess of Wales The funeral of Diana, Princess of Wales, started on Saturday 6 September 1997 at 9:08am in London, when the tenor bell of Westminster Abbey started tolling to signal the departure of the cortège from Kensington Palace. The coffin was carried .... Lyrics References English Christian hymns 1868 songs {{christian-song-stub ...
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To Be A Pilgrim
"To Be a Pilgrim" (also known as "He Who Would Valiant Be") is an English Christian hymn using words of John Bunyan in The Pilgrim's Progress. It first appeared in Part 2 of ''The Pilgrim's Progress'', written in 1684. The hymn recalls the words of Hebrews 11:13: "...and confessed that they were strangers and pilgrims on the earth." The words were modified extensively by Percy Dearmer for the 1906 ''The English Hymnal''. At the same time it was given a new tune by British composer Ralph Vaughan Williams, who used a melody taken from the traditional song "Our Captain Cried All Hands" which he collected in the hamlet of Monk's Gate in West Sussex – hence the name of "Monks Gate" by which the melody is referred to in hymn books. The hymn has also been sung to the melody "Moab" (John Roberts, 1870) and "St Dunstans" (Charles W. Douglas, 1917). For a time, Bunyan's original version was not commonly sung in churches, perhaps because of the references to "hobgoblin" and "foul fie ...
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School Standards And Framework Act 1998
The School Standards and Framework Act 1998 was the major education legislation passed by the incoming Labour government led by Tony Blair. This Act: * imposed a limit of 30 on infant class sizes. * abolished grant-maintained schools, introducing foundation status. * provided for a schedule of fully selective state schools (grammar schools), and set up a procedure by which local communities could vote for their abolition. No grammar schools have yet been abolished using this mechanism. * prohibited the expansion of partial selection but allowed some specialist schools to admit 10% of pupils based on aptitude in their subject specialisms. * introduced super headteachers and Education Action Zones * introduced an Admissions Code and the office of Schools Adjudicator to enforce this Code and consider objections to admission arrangements. *introduced a right of appeal against the refusal of an admission authority to offer an applicant child a place at the relevant school. * expanded ...
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Go Tell It On The Mountain (song)
"Go Tell It on the Mountain" is an African-American spiritual song, compiled by John Wesley Work Jr., dating back to at least 1865, that has been sung and recorded by many gospel and secular performers. It is considered a Christmas carol as its original lyrics celebrate the Nativity of Jesus: An alternate final line omits the reference to the birth of Christ, instead declaring that "Jesus Christ is Lord". Recording artists In 1963, the musical team Peter, Paul and Mary, along with their musical director Milt Okun, adapted and rewrote "Go Tell It on the Mountain" as "Tell It on the Mountain", their lyrics referring specifically to Exodus and using the phrase "Let my people go", but referring implicitly to the civil rights struggle of the early 1960s. This version became a moderately successful single for them (US No. 33 pop, 1964). ''Cash Box'' described it as "a rhythmic, updating of the folk oldie with a plaintive message-song motif." According to religious studies prof ...
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Lord Of The Dance (hymn)
"Lord of the Dance" is a hymn written by English songwriter Sydney Carter in 1963. The melody is from the American Shaker song " Simple Gifts". The hymn is widely performed in English-speaking congregations and assemblies. The song follows the idea of the traditional English carol "Tomorrow Shall Be My Dancing Day", which tells the gospel story in the first-person voice of Jesus of Nazareth with the device of portraying Jesus' life and mission as a dance. Author's perspective In writing the lyrics to "Lord of the Dance", Carter was inspired partly by Jesus, but also by a statue of the Hindu deity Shiva as Nataraja (Shiva's dancing pose) which sat on his desk. He later stated, "I did not think the churches would like it at all. I thought many people would find it pretty far flown, probably heretical and anyway dubiously Christian. But in fact people did sing it and, unknown to me, it touched a chord." Carter wrote: Reception Verse 3 of the hymn, which includes the line that " ...
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