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Coltrane Changes
Coltrane changes (Coltrane Matrix or cycle, also known as chromatic third relations and multi-tonic changes) are a harmonic progression variation using substitute chords over common jazz chord progressions. These substitution patterns were first demonstrated by jazz musician John Coltrane on the albums ''Bags & Trane'' (on the track "Three Little Words") and '' Cannonball Adderley Quintet in Chicago'' (on "Limehouse Blues"). Coltrane continued his explorations on the 1960 album ''Giant Steps'' and expanded on the substitution cycle in his compositions "Giant Steps" and "Countdown", the latter of which is a reharmonized version of Eddie Vinson's "Tune Up". The Coltrane changes are a standard advanced harmonic substitution used in jazz improvisation. Function The changes serve as a pattern of chord substitutions for the ii–V–I progression (supertonic– dominant– tonic) and are noted for the tonally unusual root movement by major thirds (either up or down by a major third int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chord Progression
In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of Classical music to the 21st century. Chord progressions are the foundation of Western popular music styles (e.g., pop music, rock music), traditional music, as well as genres such as blues and jazz. In these genres, chord progressions are the defining feature on which melody and rhythm are built. In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the common chord progression I–vi–ii–V, are usually expressed by Roman numerals in Classical music theory. In many styles of popular and traditional music, chord progressions are expressed using the name and " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augmented Triad
Augment or augmentation may refer to: Language *Augment (Indo-European), a syllable added to the beginning of the word in certain Indo-European languages *Augment (Bantu languages), a morpheme that is prefixed to the noun class prefix of nouns in certain Bantu languages *Augment, a name sometimes given to the verbal ''ō-'' prefix in Nahuatl grammar Technology *Augmentation (obstetrics), the process by which the first and/or second stages of an already established labour is accelerated or potentiated by deliberate and artificial means *Augmentation (pharmacology), the combination of two or more drugs to achieve better treatment results *Augmented reality, a live view of a physical, real-world environment whose elements are ''augmented'' by computer-generated sensory input *Augmented cognition, a research field that aims at creating revolutionary human-computer interactions *Augment (Tymshare), a hypertext system derived from Douglas Engelbart's oN-Line System, renamed "Augment" b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dennis Sandole
Dennis Sandole (29 September 1913 — 30 September 2000) born Dionigi Sandoli, was an American jazz guitarist, composer, and music educator from Philadelphia. He was John Coltrane's mentor from 1946 until the early 1950s, introducing him to music theory beyond chords and scales and exposing him to the music of other cultures. Sandole taught advanced harmonic techniques that were applicable to any instrument, using exotic scales and creating his own. He taught privately until the end of his life. His students included saxophonists James Moody, Benny Golson, Michael Brecker, Rob Brown and Bobby Zankel; trumpeter Art Farmer; pianists Matthew Shipp and Sumi Tonooka; guitarists Jim Hall, Joe Diorio, Pat Martino, Joe Federico, Tony DeCaprio, Jon Herington, Bob DeVos, Larry Hoffman and Harry LeaheyBen Ratliff, Dennis Sandole, ''Jazz Guitarist And an Influential Teacher, 87,'' ''The New York Times,'' October 8, 2000 and other musicians such as Rufus Harley and Frank Gerrard. Sandole ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmony
In music, harmony is the process by which individual sounds are joined together or composed into whole units or compositions. Often, the term harmony refers to simultaneously occurring frequencies, pitches ( tones, notes), or chords. However, harmony is generally understood to involve both vertical harmony (chords) and horizontal harmony ( melody). Harmony is a perceptual property of music, and, along with melody, one of the building blocks of Western music. Its perception is based on consonance, a concept whose definition has changed various times throughout Western music. In a physiological approach, consonance is a continuous variable. Consonant pitch relationships are described as sounding more pleasant, euphonious, and beautiful than dissonant relationships which sound unpleasant, discordant, or rough. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Counterpoint, which refers to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hasaan Ibn Ali
Hasaan Ibn Ali (born William Henry Langford, Jr.; May 6, 1931 – 1980) was an American jazz pianist and composer. Ibn Ali was strongly influenced by Elmo Hope, and his playing was rapid and intense, retaining a sense of rhythm even when his style became increasingly unconventional. Only one recording of his playing – '' The Max Roach Trio Featuring the Legendary Hasaan'' – was released in his lifetime. Ibn Ali built a reputation in Philadelphia, where he influenced musicians including John Coltrane, but he remained little known elsewhere. Life and career Hasaan Ibn Ali was born William Henry Langford, Jr. in Philadelphia on May 6, 1931.Lee, William F. (1984) ''People in Jazz''. p. 163. Columbia Lady Music. . His mother was a domestic worker. In 1946 (aged 15), he toured with trumpeter Joe Morris's rhythm and blues band.Porter, Lewis (1998) ''John Coltrane: His Life and Music''. p. 88. University of Michigan Press. . In 1950, he played locally with Clifford Brown, Miles Dav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odean Pope
Odean Pope (born October 24, 1938) is an American jazz tenor saxophonist. Biography Pope was raised in Philadelphia, where he learned from Ray Bryant while young. Early in his career, at Philadelphia's Uptown Theater, Pope played behind a number of noted rhythm and blues artists including James Brown, Marvin Gaye and Stevie Wonder. He played briefly in the 1960s with Jimmy McGriff, and late in the 1960s he began working with Max Roach, including on tours of Europe in 1967-68. He was a member of Philadelphia group Catalyst in the early and mid-1970s, and assembled the Saxophone Choir, which consists of nine saxophones and a rhythm section (piano, bass and drums), in 1977. He became a regular member of Roach's quartet in 1979 and recorded extensively with him, in addition to numerous releases as a leader. Pope has publicly spoken about his bipolar disorder, which he has had for over 30 years. Pope was quoted in 2001 as saying, "Every time I pick that horn up there's always s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thelonious Monk
Thelonious Sphere Monk (, October 10, 1917 – February 17, 1982) was an American jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including " 'Round Midnight", "Blue Monk", " Straight, No Chaser", "Ruby, My Dear", "In Walked Bud", and "Well, You Needn't". Monk is the second-most-recorded jazz composer after Duke Ellington. Monk's compositions and improvisations feature dissonances and angular melodic twists and are consistent with his unorthodox approach to the piano, which combined a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations. Monk's distinct look included suits, hats, and sunglasses. He also had an idiosyncratic habit during performances: while other musicians continued playing, Monk would stop, stand up, and dance for a few moments before returning to the piano. Monk is one of five jazz musicians to have been featured on the cover of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sheets Of Sound
Sheets of sound was a term coined in 1958 by ''DownBeat'' magazine jazz critic Ira Gitler to describe the new, unique improvisational style of John Coltrane. Gitler first used the term on the liner notes for ''Soultrane (album), Soultrane'' (1958).Porter 1999, p. 319. Style Coltrane, a saxophonist, employed extremely dense improvisational yet patterned lines consisting of high speed arpeggios and scale patterns played in rapid succession: hundreds of notes running from the lowest to highest registers.Porter 1999, p. 111. The lines are often faster than sixteenth notes, consisting of quintuplets, septuplets, etc., and can sound like glissandos. Coltrane invented this style while playing with Thelonious Monk and developed it further when he returned to Miles Davis' group. Vertical approach Coltrane used the "sheets of sound" lines to liquidise and loosen the strict chords, modes, and harmonies of Hard Bop, whilst still adhering to them (at this stage in his musical development).Coltr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trinity
The Christian doctrine of the Trinity (, from 'threefold') is the central dogma concerning the nature of God in most Christian churches, which defines one God existing in three coequal, coeternal, consubstantial divine persons: God the Father, God the Son (Jesus Christ) and God the Holy Spirit, three distinct persons sharing one ''homoousion'' (essence) "each is God, complete and whole." As the Fourth Lateran Council declared, it is the Father who begets, the Son who is begotten, and the Holy Spirit who proceeds. In this context, the three persons define God is, while the one essence defines God is. This expresses at once their distinction and their indissoluble unity. Thus, the entire process of creation and grace is viewed as a single shared action of the three divine persons, in which each person manifests the attributes unique to them in the Trinity, thereby proving that everything comes "from the Father," "through the Son," and "in the Holy Spirit." This doctrine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trimurti
The Trimūrti (; Sanskrit: त्रिमूर्ति ', "three forms" or "trinity") are the trinity of supreme divinity in Hinduism, in which the cosmic functions of creation, maintenance, and destruction are personified as a triad of deities. Typically, the designations are that of Brahma the creator, Vishnu the preserver, and Shiva the destroyer. The Om symbol of Hinduism is considered to have an allusion to Trimurti, where the A, U, and M phonemes of the word are considered to indicate creation, preservation and destruction, adding up to represent Brahman. The Tridevi is the trinity of goddess consorts for the Trimurti. Evolution Brahma, Vishnu and Shiva seated on lotuses with their consorts, ca1770.jpg, Left: Brahma and Saraswati, Middle: Vishnu and Lakshmi, Right: Shiva and Parvati. Halebid3.JPG, An art depiction of the Trimurti at the Hoysaleswara temple in Halebidu Brahma Vishnu Mahesh.jpg, Trimurti, painting from Andhra Pradesh The Puranic period from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Numerology
Numerology (also known as arithmancy) is the belief in an occult, divine or mystical relationship between a number and one or more coinciding events. It is also the study of the numerical value, via an alphanumeric system, of the letters in words and names. When numerology is applied to a person's name, it is a form of onomancy. It is often associated with the paranormal, alongside astrology and similar to divinatory arts. Despite the long history of numerological ideas, the word "numerology" is not recorded in English before c. 1907. The term numerologist can be used for those who place faith in numerical patterns and draw inferences from them, even if those people do not practice traditional numerology. For example, in his 1997 book ''Numerology: Or What Pythagoras Wrought'' (), mathematician Underwood Dudley uses the term to discuss practitioners of the Elliott wave principle of stock market analysis. History The practice of gematria, assigning numerical values to wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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