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Cleobis And Biton
Kleobis (Cleobis) and Biton (Ancient Greek: Κλέοβις, gen.: Κλεόβιδος; Βίτων, gen.: Βίτωνος) are two Archaic Greek Kouros brothers from Argos, whose stories date back to about 580 BC. Two statues, discovered in Delphi, represent them. The story can first be seen in Herodotus’ ''Histories'' (1.31)'','' where Solon tells King of Lydia, Croesus about the happiest person in the world. Legend Herodotus' story The legend begins with the story of Solon, upon his meeting with Croesus. Solon was an Athenian statesman, lawmaker, and poet and Croesus was the King of Lydia who reigned for 14 years. Croesus, concerned about his legacy over the kingdom, takes the time to ask Solon who he found to be the happiest person in the world. Upon his reply, Solon names three separate people. The first being Tellus, the second and third being the brothers known as Kleobis and Biton. When hearing about this news, Croesus was confused as to why he was not considered to be one ...
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Nicolas Loir 001
Nicolas or Nicolás may refer to: People Given name * Nicolas (given name) Mononym * Nicolas (footballer, born 1999), Brazilian footballer * Nicolas (footballer, born 2000), Brazilian footballer Surname Nicolas * Dafydd Nicolas (c.1705–1774), Welsh poet * Jean Nicolas (1913–1978), French international football player * Nicholas Harris Nicolas (1799–1848), English antiquary * Paul Nicolas (1899–1959), French international football player * Robert Nicolas (1595–1667), English politician Nicolás * Adolfo Nicolás (1936–2020), Superior General of the Society of Jesus * Eduardo Nicolás (born 1972), Spanish former professional tennis player Other uses * Nicolas (wine retailer), a French chain of wine retailers * ''Le Petit Nicolas'', a series of children's books by René Goscinny See also * San Nicolás (other) * Nicholas (other) * Nicola (other) * Nikola Nikola () is a given name which, like Nicholas, is a version of the Greek ''Nikolaos ...
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Archaic Greece
Archaic Greece was the period in Greek history lasting from circa 800 BC to the second Persian invasion of Greece in 480 BC, following the Greek Dark Ages and succeeded by the Classical period. In the archaic period, Greeks settled across the Mediterranean and the Black Seas, as far as Marseille in the west and Trapezus (Trebizond) in the east; and by the end of the archaic period, they were part of a trade network that spanned the entire Mediterranean. The archaic period began with a massive increase in the Greek population and of significant changes that rendered the Greek world at the end of the 8th century entirely unrecognisable from its beginning. According to Anthony Snodgrass, the archaic period was bounded by two revolutions in the Greek world. It began with a "structural revolution" that "drew the political map of the Greek world" and established the ''poleis'', the distinctively Greek city-states, and it ended with the intellectual revolution of the Classical peri ...
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Archaic Greek Sculptures
Archaic is a period of time preceding a designated classical period, or something from an older period of time that is also not found or used currently: *List of archaeological periods **Archaic Sumerian language, spoken between 31st - 26th centuries BC in Mesopotamia (Classical Sumerian is from 26th - 23rd centuries BC). ** Archaic Greece **Archaic period in the Americas **Early Dynastic Period of Egypt * Archaic Homo sapiens, people who lived about 300,000 to 30,000 B.P. (this is far earlier than the archaeological definition) * Archaism, speech or writing in a form that is no longer current * Archaic language, one that preserves features that are no longer present in other languages of the same language family *List of archaic musical instruments This is a list of medieval musical instruments as used in European music. List References External links''Zampogne e Ciaramella'' {{DEFAULTSORT:Medieval musical instruments Medieval In the history of Europ ...
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Ancient Greek Sculpture
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: the Archaic (from about 650 to 480 BC), Classical (480–323) and Hellenistic. At all periods there were great numbers of Greek terracotta figurines and small sculptures in metal and other materials. The Greeks decided very early on that the human form was the most important subject for artistic endeavour. Seeing their gods as having human form, there was little distinction between the sacred and the secular in art—the human body was both secular and sacred. A male nude of Apollo or Heracles had only slight differences in treatment to one of that year's Olympic boxing champion. The statue, originally single but by the Hellenistic period often in groups was the dominant form, though reliefs, often so ...
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Excavations At Delphi
Archaeological investigation in Delphi started in the second half of the 19th century, but it was not until 1892 when a systematic excavation began under the direction of Théophile Homolle and the French Archaeological School of Athens. The "Great Excavation" (La Grande Fouille) lasted 10 years and was concluded by the creation of the first museum on-site. In the years to follow, the site never ceased to be excavated and investigated. Several of the monuments were restored and new interpretations continue to see the light in the academic field. The rediscovery of Delphi In the course of the Ottoman period the archaeological site of Delphi was often visited by European travelers, inspired by the Renaissance spirit. The first one was Cyriacus of Ancona in 1436. The backwater village of Kastri in Phocis became renowned through their descriptions, sketches and engravings. Yet, although the site of ancient Delphi had been securely identified, it was very difficult to start a syste ...
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Heroic Nudity
Heroic nudity or ideal nudity is a concept in classical scholarship to describe the un-realist use of nudity in classical sculpture to show figures who may be heroes, deities, or semi-divine beings. This convention began in Archaic and Classical Greece and continued in Hellenistic and Roman sculpture. The existence or place of the convention is the subject of scholarly argument. In ancient Greek art, warriors on reliefs and painted vases were often shown as nude in combat, which was not in fact the Greek custom, and in other contexts. Idealized young men (but not women) were carved in ''kouros'' figures, and cult images in the temples of some male deities were nude. Later, portrait statues of the rich, including Roman imperial families, were given idealized nude bodies; by now this included women. The bodies were always young and athletic; old bodies are never seen. Pliny the Elder noted the introduction of the Greek style to Rome. Agnolo Bronzino's painting ''Portrait ...
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Kouroi2
kouros ( grc, κοῦρος, , plural kouroi) is the modern term given to free-standing Ancient Greek sculptures that depict nude male youths. They first appear in the Archaic period in Greece and are prominent in Attica and Boeotia, with a less frequent presence in many other Ancient Greek territories such as Sicily. Such statues are found across the Greek-speaking world; the preponderance of these were found in sanctuaries of Apollo with more than one hundred from the sanctuary of Apollo Ptoion, Boeotia, alone. These free-standing sculptures were typically marble, but the form is also rendered in limestone, wood, bronze, ivory and terracotta. They are typically life-sized, though early colossal examples are up to 3 meters tall. The female sculptural counterpart of the kouros is the kore. Etymology The Ancient Greek word kouros (κοῦρος) refers to "youth, boy, especially of noble rank." When a pubescent was received into the body of grown men, as a grown ''Kouros'', he c ...
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Kouros
kouros ( grc, κοῦρος, , plural kouroi) is the modern term given to free-standing Ancient Greek sculptures that depict nude male youths. They first appear in the Archaic period in Greece and are prominent in Attica and Boeotia, with a less frequent presence in many other Ancient Greek territories such as Sicily. Such statues are found across the Greek-speaking world; the preponderance of these were found in sanctuaries of Apollo with more than one hundred from the sanctuary of Apollo Ptoion, Boeotia, alone. These free-standing sculptures were typically marble, but the form is also rendered in limestone, wood, bronze, ivory and terracotta. They are typically life-sized, though early colossal examples are up to 3 meters tall. The female sculptural counterpart of the kouros is the kore. Etymology The Ancient Greek word kouros (κοῦρος) refers to "youth, boy, especially of noble rank." When a pubescent was received into the body of grown men, as a grown ''Kouros'', he c ...
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Archaic Smile
The archaic smile was used by sculptors in Archaic Greece, especially in the second quarter of the 6th century BCE, possibly to suggest that their subject was alive and infused with a sense of well-being. One of the most famous examples of the archaic smile is the Kroisos Kouros, and the Peplos Kore is another. By the middle of the Archaic Period of ancient Greece (roughly 800 BCE to 480 BCE), the art that proliferated contained images of people who had the archaic smile, ''A Brief History of the Smile'', Angus Trumble, 2005, , p.11, Google Books link: books-google-AT11 "Archaic smile", Britannica Online Encyclopedia, 2009, webpage: -->Archaic-smile EB-Smile as evidenced by statues found in excavations all across the Greek mainland, Asia Minor, and on islands in the Aegean Sea. The significance of the convention is not known although it is often assumed that for the Greeks, that kind of smile reflected a state of ideal health and well-being. It has also b ...
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Polymedes Of Argos
Polymedes of Argos was a Greek sculptor of the Ancient Greek sculpture#Archaic, Archaic Period (6th century BC). His exact dates of birth and death are unknown. His life is little known. His most famous known work is the statues of ''Kleobis and Biton'' (Ancient Greek: Κλέοβις, gen.: Κλεόβιδος; Βίτων, gen.: Βίτωνος), which are the names of two human brothers in Greek mythology. These statues now reside in the Delphi Archaeological Museum, at Delphi, Greece. The statues date from about 580 BC and come from Ancient Argos, Argos in the Peloponnese, although they were found at Delphi. The second part of Polymedes' name is legible on the inscription that is divided on the plinths of the two statues. References Delphi Archaeological Museum - Ebook by Latsis Foundation
Year of birth unknown Year of death unknown Ancient Greek sculptors {{Greece-sculptor-stub ...
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Peloponnese
The Peloponnese (), Peloponnesus (; el, Πελοπόννησος, Pelopónnēsos,(), or Morea is a peninsula and geographic regions of Greece, geographic region in southern Greece. It is connected to the central part of the country by the Isthmus of Corinth land bridge which separates the Gulf of Corinth from the Saronic Gulf. From the late Middle Ages until the 19th century the peninsula was known as the Morea ( grc-x-byzant, Μωρέας), (Morèas) a name still in colloquial use in its demotic Greek, demotic form ( el, Μωριάς, links=no), (Moriàs). The peninsula is divided among three administrative regions of Greece, administrative regions: most belongs to the Peloponnese (region), Peloponnese region, with smaller parts belonging to the West Greece and Attica (region), Attica regions. Geography The Peloponnese is a peninsula located at the southern tip of the mainland, in area, and constitutes the southernmost part of mainland Greece. It is connected to the mainlan ...
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Castor And Pollux
Castor; grc, Κάστωρ, Kástōr, beaver. and Pollux. (or Polydeukes). are twin half-brothers in Greek and Roman mythology, known together as the Dioscuri.; grc, Διόσκουροι, Dióskouroi, sons of Zeus, links=no, from ''Dîos'' ('Zeus') and '' koûroi'' ('boys'). Their mother was Leda, but they had different fathers; Castor was the mortal son of Tyndareus, the king of Sparta, while Pollux was the divine son of Zeus, who raped Leda in the guise of a swan. The pair are thus an example of heteropaternal superfecundation. Though accounts of their birth are varied, they are sometimes said to have been born from an egg, along with their twin sisters Helen of Troy and Clytemnestra. In Latin the twins are also known as the Gemini (literally "twins") or Castores, as well as the Tyndaridae or Tyndarids.. Pollux asked Zeus to let him share his own immortality with his twin to keep them together, and they were transformed into the constellation Gemini. The pair were regarded ...
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