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Classical Guitar Music
:''This article is a history of the classical guitar repertoire. For a longer list of compositions and composers who wrote for the classical guitar see List of composers for the classical guitar and List of compositions for guitar.'' To a greater extent than most other instruments and ensembles, it is difficult to compose music for the guitar without either proficiency in the instrument or close collaboration with a guitarist. As a result, a large part of the guitar repertoire consists of works by guitarists who did not compose extensively for other instruments. Music prior to the classical era was often composed for performance on various combinations of instruments, and could be adapted by the performer to keyboard instruments, the lute, or the guitar. Since the beginning of the 20th century, however, a significant amount of music has been written for the guitar by non-guitarist composers. Repertoire Renaissance era During the Renaissance, the guitar was likely to have been u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Composition
Musical composition can refer to an original piece or work of music, either vocal or instrumental, the structure of a musical piece or to the process of creating or writing a new piece of music. People who create new compositions are called composers. Composers of primarily songs are usually called songwriters; with songs, the person who writes lyrics for a song is the lyricist. In many cultures, including Western classical music, the act of composing typically includes the creation of music notation, such as a sheet music "score," which is then performed by the composer or by other musicians. In popular music and traditional music, songwriting may involve the creation of a basic outline of the song, called the lead sheet, which sets out the melody, lyrics and chord progression. In classical music, orchestration (choosing the instruments of a large music ensemble such as an orchestra which will play the different parts of music, such as the melody, accompaniment, counte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' ''contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Palest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Boccherini
Ridolfo Luigi Boccherini (, also , ; 19 February 1743 – 28 May 1805) was an Italian composer and cellist of the Classical era whose music retained a courtly and ''galante'' style even while he matured somewhat apart from the major European musical centers. He is best known for a minuet from his String Quintet in E, Op. 11, No. 5 ( G 275), and the Cello Concerto in B flat major (G 482). The latter work was long known in the heavily altered version by German cellist and prolific arranger Friedrich Grützmacher, but has recently been restored to its original version. Boccherini's output also includes several guitar quintets. The final movement of the Guitar Quintet No. 4 in D (G 448) is a fandango, a lively Spanish dance. Biography Boccherini was born into a musical family in Lucca, Italy in 1743. He was the third child of Leopoldo Boccherini, a cellist and double-bass player, and the brother of Giovanni Gastone Boccherini, a poet and dancer who wrote librettos for Antonio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santiago De Murcia
Santiago de Murcia (25 July 1673 – 25 April 1739) was a Spanish guitarist and composer. Biography Until new research was published in 2008, few details about the life of Santiago de Murcia were known. However, it is now known that he was born in Madrid and that his parents were Juan de Murcia and Magdalena Hernandez. He married Josefa Garcia in May 1695.A Vera, ''Early Music'', Vol 36 No 4, 2008 In his printed collection of guitar music, ''Resumen de acompañar,'' Murcia describes himself as Master of Guitar to the Spanish Queen Maria Luisa of Savoy. She was the first wife of the first Bourbon king of Spain, Philip (Felipe) V, a grandson of Louis XIV of France who succeeded to the Spanish throne on the death of Carlos II in November 1700. The marriage took place by proxy in Turin on 11 September 1701. On 3 November the marriage was re-celebrated in Figueras, Gerona. In April 1702, Felipe V left on a tour of his Italian possessions appointing Maria Luisa as regent in his absen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert De Visée
Robert de Visée (c. 1655 – 1732/1733) was a French lutenist, guitarist, theorbist and viol player at the court of the kings Louis XIV and Louis XV, as well as a singer and composer for lute, theorbo and guitar. Biography Robert de Visée's place and date of birth are unknown. He probably knew Francesco Corbetta and would have been familiar with his music. claimed that he studied with Corbetta and this information has been repeated uncritically in later sources including Strizich and Ledbetter 2001. It is however unsupported by any documentary evidence . He is first mentioned (by Le Gallois) in 1680, and at about that time became a chamber musician to Louis XIV, in which capacity he often performed at court. In 1709 he was appointed as a singer in the royal chamber, and in 1719 he was named 'Guitar Master of the King' (''Maître de Guitare du Roi'') to Louis XV, the ten-year-old great-grandson of Louis XIV who succeeded to the throne in 1715. Jean Rousseau reported in a letter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludovico Roncalli
Count Ludovico Giuseppe Antonio Filippo Roncalli, or simply Count Ludovico (1654–1713), was an Italian composer. Roncalli was born in Bergamo on 6 March 1654 and baptized at the church of San Pancrazio in the Città Alta in Bergamo on 8 June 1654. He was the younger son of Conte Giovanni Martino Roncalli (1626–1700) and brother of Francesco, Conte di Montorio (1645–1717). He was ordained to the priesthood and died in Bergamo on 25 August 1713. The Roncalli family still possess a portrait of him in clerical dress .A note on the back of the painting reads "Comes Ludovicus Roncalius I.V.D. [Iuris Utriusque Doctor) et abbas, et suis legatis ad Sancta exercitia promovenda insignis largitur. Obiit ann. 1713 Die 25 augusti. Aetatis sue ann. 59. men. sex". (Count Ludovico Roncalli, graduate in civil and canon law and priest, illustrious donor of his erudition for the promotion of spiritual exercises. Died in the year 1713, 25th day of August at the age of 59 years and 6 months). Ano ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaspar Sanz
Francisco Bartolomé Sanz Celma (April 4, 1640 (baptized) – 1710), better known as Gaspar Sanz, was a Spanish composer, guitarist, and priest born to a wealthy family in Calanda in the comarca of Bajo Aragón, Spain. He studied music, theology and philosophy at the University of Salamanca, where he was later appointed Professor of Music. He wrote three volumes of pedagogical works for the baroque guitar that form an important part of today's classical guitar repertory and have informed modern scholars in the techniques of baroque guitar playing. Biography His birth date is unknown but he was baptized as ''Francisco Bartolomé Sanz Celma'' in the church of ''Calanda de Ebro, Aragon'' on 4 April 1640 later adopting the first name "Gaspar". After gaining his Bachelor of Theology at the University of Salamanca, Gaspar Sanz traveled to Naples, Rome and perhaps Venice to further his music education. He is thought to have studied under Orazio Benevoli, choirmaster at the Vatican a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angelo Michele Bartolotti
Angelo Michele Bartolotti (died before 1682) was an Italian guitarist, theorbo player and composer. Bartolotti was probably born in Bologna, Italy, as he describes himself as "Bolognese" on the title page of his first guitar book and "di Bologna" on the title page of his second. Career Bartolotti's early career was probably spent in Florence, possibly in the service of Jacopo Salviati, Duke of Giuliano. He was amongst a group of Italian musicians invited to the Court of Queen Christina of Sweden in the early 1650s. There are records of his employment there in 1652 and 1654. On her abdication in 1655, Christina lived in Rome and Bartolotti was probably employed in her service there. In 1658, she travelled to Paris, and it is possible that Bartolotti accompanied her. He seems to have settled there and lived there until his death sometime before 1682. Works During his years in Italy, Bartolotti published at least two collections of guitar music: ''Libro primo di chitarra spagnola'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Corbetta
Francesco Corbetta (ca. 1615 – 1681, in French also Francisque Corbette) was an Italian guitar virtuoso, teacher and composer. Along with his compatriots Giovanni Paolo Foscarini and Angelo Michele Bartolotti, he was a pioneer and exponent of the combination of strummed and plucked textures referred to today as "mixed" style. Biography Early life and education Corbetta's obituary, probably written by his fellow guitarist Rémy Médard, says that he showed a strong inclination for the guitar at an early age, and pursued it over the strong objections of his parents. In the Italian preface to his 1671 ''La Guitarre Royalle,'' he claims that he was self-taught on the guitar, and also that he had never played the lute (unlike most celebrated guitarists of his day).Hall, Monica. "Francesco Corbetta: The Best of All." Online essay, accessed 2019-07-23, : p. 1. Professional career Corbetta spent his early career in Italy. He seems to have worked as a teacher in Bologna where t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claudio Monteverdi
Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and Baroque periods of music history. Born in Cremona, where he undertook his first musical studies and compositions, Monteverdi developed his career first at the court of Mantua () and then until his death in the Republic of Venice where he was ''maestro di cappella'' at the basilica of San Marco. His surviving letters give insight into the life of a professional musician in Italy of the period, including problems of income, patronage and politics. Much of Monteverdi's output, including many stage works, has been lost. His surviving music includes nine books of madrigals, large-scale religious works, such as his ''Vespro della Beata Vergine'' (''Vespers for the Blessed Virgin'') ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Vivaldi
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and Program music, programatic music. He consolidated the emerging concerto form into a widely accepted and followed idiom, which was paramount in the development of Johann Sebastian Bach's instrumental music. Vivaldi composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as Sacred Music, sacred choral works and more than List of operas by Antonio Vivaldi, fifty operas. His best-known work is a series of violin concertos known as ''The Four Seasons (Vivaldi), the Four Seasons''. Many of his compositions were written for the all-female music ensemble of the ''Ospedale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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