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City Of Women
''City of Women'' ( it, La città delle donne) is a 1980 Italian fantasy comedy-drama film co-written (with Bernardino Zapponi and Brunello Rondi) and directed by Federico Fellini. Amid Fellini's characteristic combination of dreamlike, outrageous, and artistic imagery, Marcello Mastroianni plays Snàporaz, a man who voyages through male and female spaces toward a confrontation with his own attitudes toward women and his wife. Plot Snàporaz wakes up during a train ride and has a brief fling with a woman in the bathroom, but it's cut short when the train suddenly stops and the woman gets off. Snàporaz follows her into the woods, through a wilderness and into a Grand Hotel overrun with women in attendance for a surrealistic feminist convention. He winds up in a conference about polyandry, where his presence is rejected. A frightened Snàporaz retreats to the hotel lobby, but the exit is blocked; instead, he seeks refuge inside an elevator with a girl, Donatella, who offers her ...
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Federico Fellini
Federico Fellini (; 20 January 1920 – 31 October 1993) was an Italian film director and screenwriter known for his distinctive style, which blends fantasy and baroque images with earthiness. He is recognized as one of the greatest and most influential filmmakers of all time. His films have ranked highly in critical polls such as that of ''Cahiers du Cinéma'' and ''Sight & Sound'', which lists his 1963 film '' '' as the 10th-greatest film. Fellini's best-known films include ''La Strada'' (1954), ''Nights of Cabiria'' (1957), ''La Dolce Vita'' (1960), ''8½'' (1963), ''Juliet of the Spirits'' (1965), the "Toby Dammit" segment of ''Spirits of the Dead'' (1968), ''Fellini Satyricon'' (1969), ''Roma'' (1972), '' Amarcord'' (1973), and ''Fellini's Casanova'' (1976). Fellini was nominated for 16 Academy Awards over the course of his career, winning a total of four in the category of Best Foreign Language Film (the most for any director in the history of the award). He received an ...
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Surrealistic
Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or ''surreality.'' It produced works of painting, writing, theatre, filmmaking, photography, and other media. Works of Surrealism feature the element of surprise, unexpected juxtapositions and ''Non sequitur (literary device), non sequitur''. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatism" Breton speaks of in the first Surrealist Manifesto), with the works themselves being secondary, i.e. artifacts of surrealist experimentation. Leader Breton was explicit in his assertion that ...
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Marina Hedman
Bellis Marina Hedman, also known as Marina Frajese, Marina Lotar and Marina Lothar (born 29 September 1944 in Gothenburg, Sweden) is a retired Swedish pornographic and mainstream actress. Life and career Hedman, who had been a well-known model, arrived in Italy as wife of an Italian journalist, Paolo Frajese, who in 1965 had gone to Sweden for a number of television reports. In 1976 she made her film debut with a small uncredited role in Lucio Fulci's sex comedy ''La pretora'' (''My Sister In Law''), starring Edwige Fenech. Later in 1976, she played a minor role in ''Emanuelle in America'', appearing in her first hardcore scene. Then Hedman also appeared in the RAI show ''Carosello'' and posed for the Italian issue of ''Playboy Magazine''. In 1979 she played a major role in Joe D'Amato's '' Immagini di un convento'' ("Images in a Convent"), an adaptation of '' La Religieuse''. Throughout the late 1970s and early 1980s, Hedman had supporting roles in mainstream films such as '' ...
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Marina Confalone
Marina Confalone (born 2 June 1951) is an Italian actress born in Naples. She has appeared in numerous films including ''Così parlò Bellavista'', ''The Second Time'', ''Notes of Love'', '' The Vice of Hope'' for which she won four David di Donatello for Best Supporting Actress, and '' Incantesimo napoletano'', for which she was awarded with a David di Donatello for Best Actress. Selected filmography * ''L'infermiera'' by Nello Rossati (1975) * ''Febbre da cavallo'' by Steno (1976) * ''City of Women'' ('' La città delle donne'') by Federico Fellini (1980) * ''Fontamara'' by Carlo Lizzani (1980) * '' Il marchese del Grillo'' by Mario Monicelli (1981) * '' Grog'' by Francesco Laudadio (1982) * ''Pappa e ciccia'' by Neri Parenti (1982) * '' Flirt'' by Roberto Russo (1983) * '' Effetti personali'' by Giuseppe Bertolucci and Loris Mazzetti (1983) * ''Così parlò Bellavista'' by Luciano De Crescenzo (1984) * '' Don Chisciotte'' by Maurizio Scaparro (1984) * '' Il mistero di ...
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Dominique Labourier
Dominique Labourier (born 29 April 1943) is a French actress. Born in Reims, France, she is best known outside France for starring as Julie in Jacques Rivette's film '' Celine and Julie Go Boating'' (''Céline et Julie vont en bateau'', 1974). She has appeared in more than 40 films since 1968. Selected filmography * ''Les Oiseaux rares'' (1967) * ''The Little Theatre of Jean Renoir'' (1970) * '' It Only Happens to Others'' (1971) * '' Beau Masque'' (1972) * '' Celine and Julie Go Boating'' (1974) * ''Jonah Who Will Be 25 in the Year 2000'' (1976) * ''City of Women'' (1980) * '' La Passante du Sans-Souci'' (1982) * '' State of Grace'' (1986) * ''Eugénie Grandet'' (1994) * '' Time Regained'' (1999) * ''Les Blessures assassines ''Murderous Maids'' (french: Les blessures assassines) is a French film directed by Jean-Pierre Denis, released in 2000, which tells the true story of two French maids, Christine and Lea Papin. The screenplay by Jean-Pierre Denis with Michèle Pà ...'' ...
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Gabriella Giorgelli
Gabriella Giorgelli (born 29 July 1941) is an Italian film and television actress. She appeared in more than 70 films between 1960 and 1998. Biography Early life Born in Fossola, a frazione of Carrara, Giorgelli was the daughter of a businessman in the marble industry and a housewife. As a child her parents separated and she moved to Castelpoggio, another of Carrara's frazione and her mother's birthplace. Due to her mother's economic difficulties, at ten years of age, young old Gabriella was entrusted to the college of the Sisters of Capulet, in Carrara. At fifteen years old she started to work, including as a pizza chef and a bartender. Career Giorgelli made her film debut in 1960, in a very minor role in Luigi Comencini's ''Everybody Go Home''. After winning several local and regional beauty contests, in 1961 she was among the finalists of Miss Italia, and thanks to her participation to the popular beauty pageant she started to attract a significant media attention, t ...
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Fiammetta Baralla
Fiammetta Baralla (2 May 1943 - 7 September 2013) was an Italian actress. She appeared in more than forty films from 1958 to 2006. Selected filmography References External links * 1943 births 2013 deaths Italian film actresses {{Italy-film-actor-stub ...
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Fred Astaire
Fred Astaire (born Frederick Austerlitz; May 10, 1899 â€“ June 22, 1987) was an American dancer, choreographer, actor, and singer. He is often called the greatest dancer in Hollywood film history. Astaire's career in stage, film, and television spanned 76 years. He starred in more than 10 Broadway and West End musicals, made 31 musical films, four television specials, and numerous recordings. As a dancer, he was known for his uncanny sense of rhythm, creativity, and tireless perfectionism. Astaire's most memorable dancing partnership was with Ginger Rogers, whom he co-starred with in 10 Hollywood musicals during the classic age of Hollywood cinema. Astaire and Rogers starred together in ''Top Hat'' (1935), '' Swing Time'' (1936), and ''Shall We Dance'' (1937). Astaire's fame grew in films like ''Holiday Inn'' (1942), '' Easter Parade'' (1948), '' The Band Wagon'' (1953), '' Funny Face'' (1957), and ''Silk Stockings'' (1957). The American Film Institute named Astaire the ...
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Telekinesis
Psychokinesis (from grc, ψυχή, , soul and grc, κίνησις, , movement, label=ㅤ), or telekinesis (from grc, τηλε, , far off and grc, κίνησις, , movement, label=ㅤ), is a hypothetical psychic ability allowing a person to influence a physical system without physical interaction. Psychokinesis experiments have historically been criticized for lack of proper scientific control, controls and repeatability. There is no good evidence that psychokinesis is a real phenomenon, and the topic is generally regarded as pseudoscience. Etymology The word ''psychokinesis'' was coined in 1914 by American author Henry Holt (publisher), Henry Holt in his book ''On the Cosmic Relations''. The term is a Compound (linguistics) , compound of the Greek language, Greek words ψυχή (''psyche'') – meaning "mind", "soul", "spirit", or "breath" – and κίνησις (''kinesis'') – meaning "motion" or "movement". The American parapsychologist Joseph Banks Rhine , J. B. Rhi ...
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Obelisk
An obelisk (; from grc, ὀβελίσκος ; diminutive of ''obelos'', " spit, nail, pointed pillar") is a tall, four-sided, narrow tapering monument which ends in a pyramid-like shape or pyramidion at the top. Originally constructed by Ancient Egyptians and called ''tekhenu'', the Greeks used the Greek term to describe them, and this word passed into Latin and ultimately English. Ancient obelisks are monolithic; they consist of a single stone. Most modern obelisks are made of several stones. Ancient obelisks Egyptian Obelisks were prominent in the architecture of the ancient Egyptians, and played a vital role in their religion placing them in pairs at the entrance of the temples. The word "obelisk" as used in English today is of Greek rather than Egyptian origin because Herodotus, the Greek traveler, was one of the first classical writers to describe the objects. A number of ancient Egyptian obelisks are known to have survived, plus the " Unfinished Obelisk" found part ...
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Italo Disco
Italo disco (variously capitalized, and sometimes hyphenated as Italo-disco) is a music genre which originated in Italy in the late 1970s and was mainly produced in the early 1980s. Italo disco evolved from the then-current underground dance, pop, and electronic music, both domestic and foreign (American hi-NRG, French Euro disco) and developed into a diverse genre. The genre employs electronic drums, drum machines, synthesizers, and occasionally vocoders. It is usually sung in English, and to a lesser extent in Italian and Spanish. The origin of the genre's name is strongly tied to marketing efforts of the ZYX record label, which began licensing and marketing the music outside Italy in 1982. Italo disco faded in the early 1990s and then split into many genres (Eurobeat, Italo house, Italo dance). Terminology The term "Italo", a generic prefix meaning Italian, had been used on pop music compilation albums in Germany as early as 1978, such as ''Italo Top Hits'' on the K-Tel l ...
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