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Circus Maximus (Norwegian Band)
The Circus Maximus (Latin for "largest circus"; Italian: ''Circo Massimo'') is an ancient Roman chariot-racing stadium and mass entertainment venue in Rome, Italy. In the valley between the Aventine and Palatine hills, it was the first and largest stadium in ancient Rome and its later Empire. It measured in length and in width and could accommodate over 150,000 spectators. In its fully developed form, it became the model for circuses throughout the Roman Empire. The site is now a public park. Events and uses The Circus was Rome's largest venue for ''ludi'', public games connected to Roman religious festivals. ''Ludi'' were sponsored by leading Romans or the Roman state for the benefit of the Roman people (''populus Romanus'') and gods. Most were held annually or at annual intervals on the Roman calendar. Others might be given to fulfil a religious vow, such as the games in celebration of a triumph. In Roman tradition, the earliest triumphal ''ludi'' at the Circus were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Religion In Ancient Rome
Religion in ancient Rome consisted of varying imperial and provincial religious practices, which were followed both by the people of Rome as well as those who were brought under its rule. The Romans thought of themselves as highly religious, and attributed their success as a world power to their collective piety ''(pietas)'' in maintaining Pax deorum, good relations with the gods. Their Polytheism, polytheistic religion is known for having honored List of Roman deities, many deities. The presence of Magna Graecia, Greeks on the Italian peninsula from the beginning of the historical period influenced Culture of ancient Rome, Roman culture, introducing some religious practices that became fundamental, such as the ''Cult (religious practice), cultus'' of Apollo. The Romans looked for common ground between their major gods and those of the Greeks (''interpretatio graeca''), adapting Greek mythology, Greek myths and iconography for Latin literature and Roman art, as the Etruscans h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pompa Circensis
In ancient Rome, the ''pompa circensis'' ("circus parade") was the procession that preceded the official games ''(ludi)'' held in the circus as part of religious festivals and other occasions. Description The most detailed description of the ''pompa circensis'' during the Republican era is given by Dionysius of Halicarnassus, based on eyewitness observation and the historian Fabius Pictor, who says he is describing the original ''Ludi Romani''; Fabius may, however, have been more influenced by what he saw in the ''pompa'' of the Saecular Games in 249 BC. The procession was led by boys of the nobility ''(nobiles)'' riding on horseback, followed by boys on foot who were future infantrymen. Next came the charioteers and athletes who would compete in the games. Troops of dancers followed to musical accompaniment performed on ''auloi'', a type of woodwind instrument, and the lyre. The dancers were divided into age classes, men, youths, and children. Wearing purple tunics, they wielde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gladiator
A gladiator ( la, gladiator, "swordsman", from , "sword") was an armed combatant who entertained audiences in the Roman Republic and Roman Empire in violent confrontations with other gladiators, wild animals, and condemned criminals. Some gladiators were volunteers who risked their lives and their legal and social standing by appearing in the arena. Most were despised as slaves, schooled under harsh conditions, socially marginalized, and segregated even in death. Irrespective of their origin, gladiators offered spectators an example of Rome's martial ethics and, in fighting or dying well, they could inspire admiration and popular acclaim. They were celebrated in high and low art, and their value as entertainers was commemorated in precious and commonplace objects throughout the Roman world. The origin of gladiatorial combat is open to debate. There is evidence of it in funeral rites during the Punic Wars of the 3rd century BC, and thereafter it rapidly became an essential fea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venationes
Venatio ( la, venatio, "hunting", plural ''venationes'') was a type of entertainment in Roman amphitheaters involving the hunting and killing of wild animals. History Venatio was first introduced by Marcus Fulvius Nobilior, who celebrated his Greek campaign by hosting games where gladiators would fight lions and panthers. He was possibly inspired by Alexander the Great's purported pastime of pitting lions against both men and dogs. Exotic wild beasts from the far reaches of the Roman Empire were brought to Rome and hunts were held in the morning prior to the afternoon main event of gladiatorial duels. The hunts were held in the Roman Forum, the Saepta, and in the Circus Maximus, though none of these venues offered protection to the crowd from the wild animals on display. Special precautions were taken to prevent the animals from escaping these venues, such as the erection of barriers and the digging of ditches. Very few animals survived these hunts though they did sometimes defe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Of Ancient Rome
The architectural form of theatre in Rome has been linked to later, more well-known examples from the 1st century BC to the 3rd Century AD. The theatre of ancient Rome referred to as a period of time in which theatrical practice and performance took place in Rome has been linked back even further to the 4th century BC, following the state’s transition from monarchy to republic. Theatre during this era is generally separated into genres of tragedy and comedy, which are represented by a particular style of architecture and stage play, and conveyed to an audience purely as a form of entertainment and control. When it came to the audience, Romans favored entertainment and performance over tragedy and drama, displaying a more modern form of theatre that is still used in contemporary times. 'Spectacle' became an essential part of an everyday Romans expectations when it came to theatre. Some works by Plautus, Terence, and Seneca the Younger that survive to this day, highlight the diff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suessa Pometia
Suessa Pometia ( el, ; also Pometia) was an ancient city of Latium, which had ceased to exist in historical times. Although the modern city of Pomezia is named after it, the exact location of the ancient city is unknown. It bordered on the Pomptinus ager or Pomptinae Paludes, which supposedly took its name. Virgil reckons it among the colonies of Alba, and must therefore have considered it as a Latin city: it is found also in the list of the same colonies given by Diodorus; but it seems certain that it had at a very early period become a Volscian city. It was taken from that people by Tarquinius Superbus, the first of the Roman kings who is mentioned as having made war on the Volsci: Strabo indeed calls it the metropolis of the Volsci, for which we have no other authority; and it is probable that this is a mere inference from the statements as to its great wealth and power. These represent it as a place of such opulence, that it was with the booty derived from thence that Tarqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Kingdom
The Roman Kingdom (also referred to as the Roman monarchy, or the regal period of ancient Rome) was the earliest period of Roman history when the city and its territory were ruled by kings. According to oral accounts, the Roman Kingdom began with the city's founding 753 BC, with settlements around the Palatine Hill along the river Tiber in central Italy, and ended with the overthrow of the kings and the establishment of the Republic 509 BC. Little is certain about the kingdom's history as no records and few inscriptions from the time of the kings survive. The accounts of this period written during the Republic and the Empire are thought largely to be based on oral tradition. Origin The site of the founding of the Roman Kingdom (and eventual Republic and Empire) had a ford where one could cross the river Tiber in central Italy. The Palatine Hill and hills surrounding it provided easily defensible positions in the wide fertile plain surrounding them. Each of these features c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tarquinius Superbus
Lucius Tarquinius Superbus (died 495 BC) was the legendary seventh and final king of Rome, reigning 25 years until the popular uprising that led to the establishment of the Roman Republic.Livy, ''ab urbe condita libri'', I He is commonly known as Tarquin the Proud, from his cognomen ''Superbus'' (Latin for "proud, arrogant, lofty"). Ancient accounts of the regal period mingle history and legend. Tarquin was said to have been either the son or grandson of Lucius Tarquinius Priscus, the fifth king of Rome, and to have gained the throne through the murders of both his wife and his elder brother, followed by the assassination of his predecessor, Servius Tullius. His reign has been described as a tyranny that justified the abolition of the monarchy. Background The most ancient sources, such as that of Quintus Fabius Pictor, assert Tarquin was the son of Tarquinius Priscus, but modern historians believe that to be "impossible" under the traditional chronology, indicating either he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Triumph
The Roman triumph (') was a civil religion, civil ceremony and Religion in ancient Rome, religious rite of ancient Rome, held to publicly celebrate and sanctify the success of a military commander who had led Roman forces to victory in the service of the state or in some historical traditions, one who had successfully completed a foreign war. On the day of his triumph, the general wore a crown of laurel and an all-purple, gold-embroidered triumphal ''toga picta'' ("painted" toga), regalia that identified him as near-divine or near-kingly. In some accounts, his face was painted red, perhaps in imitation of Rome's highest and most powerful god, Jupiter (mythology), Jupiter. The general rode in a four-horse chariot through the streets of Rome in unarmed procession with his army, captives, and the spoils of his war. At Temple of Jupiter Optimus Maximus, Jupiter's temple on the Capitoline Hill, he offered sacrifice and the tokens of his victory to the god Jupiter. In Roman Republic, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Votum
In ancient Roman religion, a ''votum'', plural ''vota'', is a vow or promise made to a deity. The word comes from the past participle of the Latin verb ''voveo, vovere'', "vow, promise". As the result of this verbal action, a ''votum'' is also that which fulfills a vow, that is, the thing promised, such as offerings, a statue, or even a temple building. The ''votum'' is thus an aspect of the contractual nature of Roman religion, a bargaining expressed by '' do ut des'', "I give that you might give." Private ''vota'' In everyday life, individuals might make votive offerings to a deity for private concerns. ''Vota privata'' are attested in abundance by inscriptions, particularly for the later Imperial era. These are regularly marked with the letters V.S.L.M., ''votum solvit libens merito'', noting that the person making the dedication "He has fulfilled his vow, willingly, as it should." William Warde Fowler found in these offerings "expressions of … religious feeling" and a gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Calendar
The Roman calendar was the calendar used by the Roman Kingdom and Roman Republic. The term often includes the Julian calendar established by the reforms of the Roman dictator, dictator Julius Caesar and Roman emperor, emperor Augustus in the late 1stcenturyBC and sometimes includes any system dated by inclusive counting towards months' kalends, nones (calendar), nones, and ides (calendar), ides in the Roman manner. The term usually excludes the Alexandrian calendar of Roman Egypt, which continued the unique months of that land's Egyptian calendar, former calendar; the Byzantine calendar of the Byzantine Empire, later Roman Empire, which usually dated the Roman months in the simple count of the ancient Greek calendars; and the Gregorian calendar, which refined the Julian system to bring it into still closer alignment with the tropical year. Roman dates were counted inclusively forward to the next of three principal days: the first of the month (the kalends), a day shortly befor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
