Cinq Grimaces Pour Le Songe D'une Nuit D'été
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Cinq Grimaces Pour Le Songe D'une Nuit D'été
The ''Cinq grimaces pour Le songe d'une nuit d'été'' (''Five Grimaces for A Midsummer Night's Dream'') is a set of incidental music pieces for orchestra by Erik Satie. Composed in 1915 for a planned circus-style staging of Shakespeare's play ''A Midsummer Night's Dream'', it marked the composer's first collaboration with author Jean Cocteau. The production failed to materialize and Satie's music went unperformed in his lifetime. His score was published posthumously in 1929. Background In early 1915, composer Edgard Varèse proposed an idea for a French World War I propaganda production of Shakespeare's comedy to theatrical impresario Gabriel Astruc. Varèse had served as chorus master for director Max Reinhardt's 1913 revival of ''A Midsummer Night's Dream'' in Berlin, using Mendelssohn's famous incidental score; now he hoped to mount a comparable spectacle in Paris to prove that Shakespeare was an "ally" of the French and not of the Germans. He intended to replace Mendelsso ...
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Erik Satie
Eric Alfred Leslie Satie (, ; ; 17 May 18661 July 1925), who signed his name Erik Satie after 1884, was a French composer and pianist. He was the son of a French father and a British mother. He studied at the Paris Conservatoire, but was an undistinguished student and obtained no diploma. In the 1880s he worked as a pianist in café-cabaret in Montmartre, Paris, and began composing works, mostly for solo piano, such as his ''Gymnopédies'' and '' Gnossiennes''. He also wrote music for a Rosicrucian sect to which he was briefly attached. After a spell in which he composed little, Satie entered Paris's second music academy, the Schola Cantorum, as a mature student. His studies there were more successful than those at the Conservatoire. From about 1910 he became the focus of successive groups of young composers attracted by his unconventionality and originality. Among them were the group known as Les Six. A meeting with Jean Cocteau in 1915 led to the creation of the ballet '' Par ...
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Alfred Jarry
Alfred Jarry (; 8 September 1873 – 1 November 1907) was a French symbolist writer who is best known for his play ''Ubu Roi'' (1896). He also coined the term and philosophical concept of 'pataphysics. Jarry was born in Laval, Mayenne, France, and his mother was from Brittany. He was associated with the Symbolist movement. His play ''Ubu Roi'' is often cited as a forerunner of Dada and the Surrealist and Futurist movements of the 1920s and 1930s. He wrote in a variety of hybrid genres and styles, prefiguring the postmodern, including novels, poems, short plays and opéras bouffes, absurdist essays and speculative journalism. His texts are considered examples of absurdist literature and postmodern philosophy. Biography and works His father Anselme Jarry (1837–1895) was a salesman who descended into alcoholism; his mother Caroline, née Quernest (1842–1893), was interested in music and literature, but her family had a streak of insanity, and her mother and brother were ...
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Albert Gleizes
Albert Gleizes (; 8 December 1881 – 23 June 1953) was a French artist, theoretician, philosopher, a self-proclaimed founder of Cubism and an influence on the School of Paris. Albert Gleizes and Jean Metzinger wrote the first major treatise on Cubism, ''Du "Cubisme"'', 1912. Gleizes was a founding member of the Section d'Or group of artists. He was also a member of ''Der Sturm'', and his many theoretical writings were originally most appreciated in Germany, where especially at the Bauhaus his ideas were given thoughtful consideration. Gleizes spent four crucial years in New York, and played an important role in making America aware of modern art. He was a member of the Society of Independent Artists, founder of the Ernest-Renan Association, and both a founder and participant in the Abbaye de Créteil. Gleizes exhibited regularly at Léonce Rosenberg's ''Galerie de l’Effort Moderne'' in Paris; he was also a founder, organizer and director of Abstraction-Création. From the mid-1 ...
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Cubism
Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. In Cubist artwork, objects are analyzed, broken up and reassembled in an abstracted form—instead of depicting objects from a single viewpoint, the artist depicts the subject from a multitude of viewpoints to represent the subject in a greater context. Cubism has been considered the most influential art movement of the 20th century. The term is broadly used in association with a wide variety of art produced in Paris (Montmartre and Montparnasse) or near Paris ( Puteaux) during the 1910s and throughout the 1920s. The movement was pioneered by Pablo Picasso and Georges Braque, and joined by Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri Le Fauconnier, Juan Gris, and Fernand Léger. One primary influence that led to Cubism was the representation of three-dimensional form in the late works of Pau ...
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Fratellini Family
The Fratellini family was a famous European circus family in the late 1910s and 1920s. An engagement at the Circus Medrano in Paris, France, after World War I was so successful that it sparked a strong resurgence of interest in the circus. By 1923, the Fratellini brothers had become the darlings of the Parisian intellectuals. They were lauded in print and worshiped by adoring fans who would show up at the circus just in time for the Fratellini entree, which sometimes ran as long as forty-five minutes. The Fratellini's success has been attributed to many factors, but above all they succeeded because of their talent and experience. The Fratellini brothers were: *Paul Fratellini (1877–1940) *François Fratellini (1879–1951) poetic clown *Albert Fratellini (1886–1961), very wild, and crazy Their father, Gustavo Fratellini (1842–1905), was an Italian patriot rebel, along with Giuseppe Garibaldi Giuseppe Maria Garibaldi ( , ;In his native Ligurian language, he is known ...
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Robin Starveling
Robin Starveling is a character in William Shakespeare's ''A Midsummer Night's Dream'' (1596), one of the Rude Mechanicals of Athens who plays the part of Moonshine in their performance of ''Pyramus and Thisbe''. His part is often considered one of the more humorous in the play, as he uses a lantern in a failed attempt to portray Moonshine and is wittily derided by his audience. Role in the play In ''A Midsummer Night's Dream'', Theseus, the Duke of Athens, is preparing to marry Hippolyta. Peter Quince decides to entertain her and hires a group of actors nicknamed the Rude Mechanicals to perform ''Pyramus and Thisbe'', a love story. Robin is one of the Rude Mechanicals, the tailor, who gathers with his colleagues to prepare their production. Robin at first is told to play the part of Thisbe's mother, but Peter Quince points out that a love story needs moonlight shining on the lovers to have any real effect on the audience. After Nick Bottom suggests looking in the almanac for ...
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Francis Flute
Francis Flute is a character in William Shakespeare's '' A Midsummer Night's Dream''. His occupation is a bellows-mender. He is forced to play the female role of Thisbe in "Pyramus and Thisbe", a play-within-the-play which is performed for Theseus' marriage celebration. In the play Flute (Thisbe) speaks through the wall (played by Tom Snout) to Pyramus (Nick Bottom). Flute is a young, excited actor who is disappointed when he finds he is meant to play a woman (Thisbe) in their interlude before the duke and the duchess. He generally is portrayed using a falsetto voice. He is an unsure actor who asks many questions. Flute is often portrayed as the lowest in status of the Mechanicals, but his performance at the wedding of Theseus and Hippolyta arguably wins them favour at the court of the duke and duchess. Flute's name, like that of the other mechanicals, is metonymical and derives from his craft: "Flute" references a church organ, an instrument prominently featuring the bellows ...
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Nick Bottom
Nick Bottom is a character in Shakespeare's ''A Midsummer Night's Dream'' who provides comic relief throughout the play. A weaver by trade, he is famously known for getting his head transformed into that of a donkey by the elusive Puck. Bottom and Puck are the only two characters who converse with and progress the three central stories in the whole play. Puck is first introduced in the fairies' story and creates the drama of the lovers' story by messing up who loves whom, and places the donkey head on Bottom's in his story. Similarly, Bottom is performing in a play in his story intending it to be presented in the lovers' story, as well as interacting with Titania in the fairie's story. Overview While they are in the woods rehearsing a play for the Duke, the fairy Puck, a mischievous sprite and minion of Oberon, king of the fairies, happens upon their rehearsal. He decides to have some fun with them, carrying out part of Oberon's orders in the process, and when Bottom exi ...
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Montmartre
Montmartre ( , ) is a large hill in Paris's northern 18th arrondissement. It is high and gives its name to the surrounding district, part of the Right Bank. The historic district established by the City of Paris in 1995 is bordered by Rue Caulaincourt and Rue Custine on the north, the Rue de Clignancourt on the east and the Boulevard de Clichy and Boulevard de Rochechouart to the south, containing . Montmartre is primarily known for its artistic history, the white-domed Basilica of the Sacré-Cœur on its summit, as well as a nightclub district. The other church on the hill, Saint Pierre de Montmartre, built in 1147, was the church of the prestigious Montmartre Abbey. On 15 August 1534, Saint Ignatius of Loyola, Saint Francis Xavier and five other companions bound themselves by vows in the Martyrium of Saint Denis, 11 Rue Yvonne Le Tac, the first step in the creation of the Jesuits. Near the end of the 19th century and at the beginning of the 20th, during the Belle Époqu ...
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Cirque Medrano
The Cirque Medrano (in English: Circus Medrano) is a French circus that was located at 63 Boulevard de Rochechouart, at the corner of rue des Martyrs, in the 18th arrondissement at the edge of Montmartre in Paris. It was originally called Cirque Fernando. The title "Cirque Medrano" is still active today: it is now a successful French traveling circus. History The Parisian circus was created by a Belgian circus entrepreneur, Ferdinand Beert (1835-1902), known as Fernando, and was built at the corner of the Boulevard de Rochechouart and the Rue des Martyrs, in what was then the edge of the City of Paris, under the name "Cirque Fernando." The area was a working-class neighborhood at the foot of the hill of Montmartre, famous for its many places of popular entertainment, among which the Moulin de la Galette and the famous Bal du Moulin Rouge — and in the vicinity of the Bateau-Lavoir in Montmartre, where many young painters lived. Cirque Fernando An acrobat and equestria ...
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Jean Cocteau B Meurisse 1923
Jean may refer to: People * Jean (female given name) * Jean (male given name) * Jean (surname) Fictional characters * Jean Grey, a Marvel Comics character * Jean Valjean, fictional character in novel ''Les Misérables'' and its adaptations * Jean Pierre Polnareff, a fictional character from ''JoJo's Bizarre Adventure'' Places * Jean, Nevada, USA; a town * Jean, Oregon, USA Entertainment * Jean (dog), a female collie in silent films * "Jean" (song) (1969), by Rod McKuen, also recorded by Oliver * ''Jean Seberg'' (musical), a 1983 musical by Marvin Hamlisch Other uses * JEAN (programming language) * USS ''Jean'' (ID-1308), American cargo ship c. 1918 * Sternwheeler Jean, a 1938 paddleboat of the Willamette River See also *Jehan * * Gene (other) * Jeanne (other) * Jehanne (other) * Jeans (other) * John (other) John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testa ...
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Rive Gauche
The Rive Gauche (, ''Left Bank'') is the southern bank of the river Seine in Paris. Here the river flows roughly westward, cutting the city in two parts. When facing downstream, the southern bank is to the left, and the northern bank (or ''Rive Droite'') is to the right. The Left Bank is associated with artists, writers, and philosophers, including Colette, Margaret Anderson, Djuna Barnes, Natalie Barney, Sylvia Beach, Erik Satie, Kay Boyle, Bryher, Caresse Crosby, Nancy Cunard, Hilda Doolittle (H.D.), Janet Flanner, Jane Heap, Maria Jolas, Mina Loy, Henry Miller, Adrienne Monnier, Anaïs Nin, Jean Rhys, Gertrude Stein, Alice B. Toklas, Renee Vivien, Edith Wharton Pablo Picasso, Arthur Rimbaud, Paul Verlaine, Henri Matisse, Jean-Paul Sartre, Ernest Hemingway, F. Scott Fitzgerald, James Baldwin, and dozens of other members of the great artistic community at Montparnasse. The phrase implies a sense of bohemianism, counterculture, and creativity. Some of its famous streets are ...
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