Château De Puivert
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Château De Puivert
The Château de Puivert (Languedocien: ''Castèl de Puègverd'') is a so-called Cathar castle situated in the ''commune'' of Puivert, in the Aude ''département'' of France. The castle has been classified as a ''monument historique'' by the French Ministry of Culture since 1902. This building, on top of a hill overhanging the village and its lake, reaches an elevation of 605 m. The site is in the Quercob region, south of Carcassonne and east of Foix. History The first castle The construction of the present castle dates from the 12th century. The first mention is in 1170; it belonged to the Congost family before the Albigensian Crusade. These lords practised Catharism and were accused as heretics. Then, in November 1210, the castle was subjected for three days to a siege by the army of Thomas Pons de Bruyère, lieutenant of Simon de Montfort. The castle subsequently became the property of the northern barons. All that is left of this older castle is a few sections of wall to th ...
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Isabelle De Melun
Isabel is a female name of Spanish origin. Isabelle is a name that is similar, but it is of French origin. It originates as the medieval Spanish form of '' Elisabeth'' (ultimately Hebrew ''Elisheva''), Arising in the 12th century, it became popular in England in the 13th century following the marriage of Isabella of Angoulême to the king of England. Today sometimes abbreviated to Isa. Etymology This set of names is a Spanish variant of the Hebrew name Elisheba through Latin and Greek represented in English and other western languages as Elisabeth.Albert Dauzat, ''Noms et prénoms de France'', Librairie Larousse 1980, édition revue et commentée par Marie-Thérèse Morlet, p. 337a.Chantal Tanet et Tristan Hordé, ''Dictionnaire des prénoms'', Larousse, Paris, 2009, p. 38 These names are derived from the Latin and Greek renderings of the Hebrew name based on both etymological and contextual evidence (the use of Isabel as a translation of the name of the mother of John the Bapti ...
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Psaltery
A psaltery ( el, ψαλτήρι) (or sawtry, an archaic form) is a fretboard-less box zither (a simple chordophone) and is considered the archetype of the zither and dulcimer; the harp, virginal, harpsichord and clavichord were also inspired by it. Its resonance box is usually trapezoidal, rectangular or in the form of a "pig's head" and often richly decorated. Etymology The psaltery of Ancient Greece (''epigonion'') was a harp-like stringed instrument. The word ''psaltery'' derives from the Ancient Greek ψαλτήριον (''psaltḗrion''), "stringed instrument, psaltery, harp" and that from the verb ψάλλω (''psállō''), "to touch sharply, to pluck, pull, twitch" and in the case of the strings of musical instruments, "to play a stringed instrument with the fingers, and not with the plectrum." The psaltery was originally made from wood, and relied on natural acoustics for sound production. In the King James Bible "psaltery", and its plural, "psalteries", are used to ...
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Portative Organ
A portative organ (from the Latin verb , "to carry"), also known during Italian Trecento as the , is a small pipe organ that consists of one rank of flue pipes, sometimes arranged in two rows, to be played while strapped to the performer at a right angle. The performer manipulates the bellows with one hand and fingers the keys with the other. The portative organ lacks a reservoir to retain a supply of wind, thus it will only produce sound while the bellows are being operated. The instrument was commonly used in European secular music from the 12th to the 16th centuries. The Italian composer Francesco Landini is known to have played the instrument. There are performers on the instrument again as a result of the Early Music Revival. Some contemporary music has been written for it, for example by José María Sánchez-Verdú. Dolly Collins also used it in modern English folk music. Terminology The portative organ is also called a portatif organ, portativ organ, or simply portative, ...
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Gittern
The gittern was a relatively small gut-strung, round-backed instrument that first appears in literature and pictorial representation during the 13th century in Western Europe (Iberian Peninsula, Italy, France, England). It is usually depicted played with a quill plectrum, as can be seen clearly beginning in manuscript illuminations from the thirteenth century. It was also called the in Spain, or in France, the in Italy and in Germany. A popular instrument with court musicians, minstrels, and amateurs, the gittern is considered an ancestor of the modern guitar and other instruments like the mandore, bandurria and gallichon. From the early 16th century, a -shaped (flat-backed) began to appear in Spain, and later in France, existing alongside the gittern. Although the round-backed instrument appears to have lost ground to the new form which gradually developed into the guitar familiar today, the influence of the earlier style continued. Examples of lutes converted into guitars ...
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Lute
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can refer to an instrument from the family of European lutes. The term also refers generally to any string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed with one hand while the other hand "frets" (presses down) the strings on the neck's fingerboard. By pressing the strings on different places of the fingerboard, the player can sho ...
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Rebec
The rebec (sometimes rebecha, rebeckha, and other spellings, pronounced or ) is a bowed stringed instrument of the Medieval era and the early Renaissance. In its most common form, it has a narrow boat-shaped body and one to five strings. Origins Popular from the 13th to 16th centuries, the introduction of the rebec into Western Europe coincided with the Arabic conquest of the Iberian Peninsula. There is, however, evidence of the existence of bowed instruments in the 9th century in Eastern Europe. The Persian geographer of the 9th century Ibn Khurradadhbih cited the bowed Byzantine lira (or ''lūrā'') as a typical bowed instrument of the Byzantines and equivalent to the pear-shaped Arab '' rebab''. The rebec was adopted as a key instrument in Arab classical music and in Morocco it was used in the tradition of Arabo-Andalusian music, which had been kept alive by descendants of Muslims who left Spain as refugees following the Reconquista. The rebec also became a favorite ins ...
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Tambourin
The tambourin is a low-pitched tenor drum of Provence, which has also lent its name to a Provençal dance accompanied by lively duple meter music. The dance is so named because the music imitates the drum (''tambour'' being a generic French term for "drum"), usually as a repetitive not-very-melodic figure in the bass. The Drum A deep, two-headed drum of Arabic origin, called the ''tambourin e Provence', is mentioned as early as the 1080s and noted as the "tabor" in the Chanson de Roland). This type of instrument, commonly found in the Provence region of France, is played by a musician who wears the drum on a strap hanging from the player's left arm and elbow. The player strikes the drum head with a beater held in the right hand, and plays a little pipe with their left hand. The combination of the tambourin, played together with a small flute, known as the galoubet or flaviol, forms a Provençal pipe and tabor. The Dance Jean-Philippe Rameau included tambourins in many of his o ...
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Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ...
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Bagpipes
Bagpipes are a woodwind instrument using enclosed reeds fed from a constant reservoir of air in the form of a bag. The Great Highland bagpipes are well known, but people have played bagpipes for centuries throughout large parts of Europe, Northern Africa, Western Asia, around the Persian Gulf and northern parts of South Asia. The term ''bagpipe'' is equally correct in the singular or the plural, though pipers usually refer to the bagpipes as "the pipes", "a set of pipes" or "a stand of pipes". Construction A set of bagpipes minimally consists of an air supply, a bag, a chanter, and usually at least one drone. Many bagpipes have more than one drone (and, sometimes, more than one chanter) in various combinations, held in place in stocks—sockets that fasten the various pipes to the bag. Air supply The most common method of supplying air to the bag is through blowing into a blowpipe or blowstick. In some pipes the player must cover the tip of the blowpipe with their t ...
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Troubadours
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, ''trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his ''De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) it died out. The texts of troubadou ...
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