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Church Of St Mary And All Saints, Chesterfield
Chesterfield Parish Church is an Anglicanism, Anglican church dedicated to Blessed Virgin Mary, Saint Mary and All Saints, in Chesterfield, Derbyshire, Chesterfield, Derbyshire, England. Building of the church began in 1234 AD, though the present church dates predominantly from the 14th century. Designated a Grade I listed building in 1971, St Mary's is best known for its twisted and leaning spire (known as the Crooked Spire). It is the largest parish church in the Diocese of Derby and forms part of the Archdeaconry of Chesterfield. In 1994, it also became the UK's only representative in the Association of the Twisted Spires of Europe; of the 72 member churches, it is deemed to have the greatest lean and twist. History Evidence of a Christian church on the site dates to the Anglo-Saxon era; a font thought to date from 890 to 1050 AD can be seen in the south transept of the current church. There is mention of the 'Church in Chesterfield' during the 11th-century reign of Edward the ...
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Chesterfield, Derbyshire
Chesterfield is a market town, market and industrial town in the county of Derbyshire, England. It is north of Derby and south of Sheffield at the confluence of the River Rother, South Yorkshire, Rivers Rother and River Hipper, Hipper. In 2011, the built-up-area subdivision had a population of 88,483, making it the second-largest settlement in Derbyshire, after Derby. The wider Borough of Chesterfield had a population of 103,569 in the 2021 Census. In 2021, the town itself had a population of 76,402. It has been traced to a transitory Ancient Roman architecture, Roman fort dated to approximately AD 80-100. The name of the later Anglo-Saxons, Anglo-Saxon village comes from the Old English ''ceaster'' (Roman fort) and ''feld'' (pasture). It has a sizeable street market three days a week. The town sits on an old coalfield, but little visual evidence of mining remains since the closure of the final town centre mine nicknamed “The Green Room”. The main landmark is the crooked sp ...
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Cruciform
A cruciform is a physical manifestation resembling a common cross or Christian cross. These include architectural shapes, biology, art, and design. Cruciform architectural plan Christian churches are commonly described as having a cruciform architecture. In Early Christian, Byzantine and other Eastern Orthodox forms of church architecture this is likely to mean a tetraconch plan, a Greek cross, with arms of equal length or, later, a cross-in-square plan. In the Western churches, a cruciform architecture usually, though not exclusively, means a church built with the layout developed in Gothic architecture. This layout comprises: *An east end, containing an altar and often with an elaborate, decorated window, through which light will shine in the early part of the day. *A west end, which sometimes contains a baptismal font, being a large decorated bowl, in which water can be firstly, blessed (dedicated to the use and purposes of God) and then used for baptism. *North and s ...
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Reredos
A reredos ( , , ) is a large altarpiece, a screen, or decoration placed behind the altar in a Church (building), church. It often includes religious images. The term ''reredos'' may also be used for similar structures, if elaborate, in secular architecture, for example very grand carved chimneypieces. It also refers to a simple, low stone wall placed behind a hearth. Description A reredos can be made of stone, wood, metal, ivory, or a combination of materials. The images may be painted, carved, gilded, composed of mosaics, and/or embedded with Niche (architecture), niches for statues. Sometimes a tapestry or another fabric such as silk or velvet is used. Derivation and history of the term ''Reredos'' is Etymology, derived through Middle English from the 14th-century Anglo-Norman ''areredos'', which in turn is from''arere'' 'behind' +''dos'' 'back', from Latin . (Despite its appearance, the first part of the word is not formed by doubling the prefix "re-", but by an archaic spell ...
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Temple Lushington Moore
Temple Lushington Moore (7 June 1856 – 30 June 1920) was an English architect who practised in London but whose work can be seen across England, particularly in the North. He is famous for a series of fine Gothic Revival churches built between about 1890 and 1917 and also restored many churches and designed church fittings. He did some work on domestic properties, and also designed memorial crosses. Life and career Temple Moore was born in Tullamore, County Offaly, Ireland, and was the son of an army officer. He was educated at Glasgow High School, then from 1872 privately by the Revd Richard Wilton in Londesborough in the East Riding of Yorkshire. In 1875, he moved to London and was articled to architect George Gilbert Scott, Jr. Although Moore set up his own practice in 1878, he continued to work closely with Scott, helping to complete his works when Scott's health deteriorated. From the early 1880s he travelled widely studying buildings on the continent, chiefly in Ge ...
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Sexton (office)
A sexton is an officer of a church, congregation, or synagogue charged with the maintenance of its buildings and/or an associated graveyard. In smaller places of worship, this office is often combined with that of verger. Larger establishments, such as cathedrals, may employ a team of sextons. Historically in North America and the United Kingdom the "sexton" was sometimes a minor municipal official responsible for overseeing the town graveyard. In the United Kingdom the position still exists today, related to management of the community's graveyard, with such sextons usually employed by the town/parish or community council. Origin of the name The words "sexton" and " sacristan" both derive from the Medieval Latin word ''sacristanus'' meaning "custodian of sacred objects". "Sexton" represents the popular development of the word via the Old French "Segrestein". Duties Among the traditional duties of the sexton in small parishes was the digging of graves—the The Graved ...
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Gas Lighting
Gas lighting is the production of artificial light from combustion of a fuel gas such as methane, propane, butane, acetylene, ethylene, hydrogen, carbon monoxide, coal gas (town gas) or natural gas. The light is produced either directly by the flame, generally by using special mixes (typically propane or butane) of illuminating gas to increase brightness, or indirectly with other components such as the gas mantle or the limelight, with the gas primarily functioning to heat the mantle or the lime to incandescence. Before electricity became sufficiently widespread and economical to allow for general public use, gas lighting was prevalent for outdoor and indoor use in cities and suburbs where the infrastructure for distribution of gas was practical. At that time, the most common fuels for gas lighting were wood gas, coal gas and, in limited cases, water gas. Early gas lights were ignited manually by lamplighters, although many later designs are self-igniting. Gas light ...
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Somersal Hall
Somersal Herbert Hall is a privately owned timber-framed 16th-century country house at Somersal Herbert, near Ashbourne, Derbyshire, in England. It is a Grade I listed building. The FitzHerbert family came to Somersal in the 13th century when the estate was acquired by Thomas FitzHerbert, second son of Sir William FitzHerbert of Norbury. The present timber-framed house was built by John FitzHerbert on the site of an earlier manor house in 1564. The entrance front at the south and other parts were encased in brick in 1712, when the property was enlarged. The Somersal line of the FitzHerbert family was extinct on the death of Richard FitzHerbert in 1803. The estate was initially sold in 1806 outside the family but was later repurchased by his cousin Alleyne FitzHerbert, 1st Baron St Helens, younger brother of Sir William FitzHerbert, Bt of Tissington. He lent it in 1808 for life to cousins of his, the novelist Frances Jacson (1754–1842) and her sister Maria Jacson (1755–1829 ...
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Baptismal Font
A baptismal font is an Church architecture, ecclesiastical architectural element, which serves as a receptacle for baptismal water used for baptism, as a part of Christian initiation for both rites of Infant baptism, infant and Believer's baptism, adult baptism. Aspersion and affusion fonts The earliest western fonts are found in the Catacombs of Rome. The fonts of many western Christian denominations that practice infant baptism are designed for baptisms using a non-immersive method, such as aspersion (sprinkling) or affusion (pouring). The simplest of these fonts has a pedestal with a holder for a basin of water. The materials vary greatly, consisting of carved and sculpted stone (including marble), wood, or metal in different shapes. Many fonts are in Octagon, octagonal shape, as a reminder of the new creation and as a connection to the Old Testament practice of circumcision, which traditionally occurs on the eighth day. Some fonts are three-sided as a reminder of the Holy T ...
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William Wailes
William Wailes (1808–1881) was the proprietor of one of England's largest and most prolific stained glass workshops. Life and career Wailes was born and grew up in Newcastle on Tyne, England's centre of domestic glass and bottle manufacturing. His first business was as a grocer and tea merchant. However, his artistic talent and practical skills led him to set up a small kiln in the backyard of his premises. He made and fired small decorative enamels which were sold in his shop. In 1830 he went to Germany to study stained glass design and production under Mayer of Munich. In 1838 he set up his own stained glass studio to design and manufacture windows and in 1841 the business began producing its own glass. In 1842 the architect Augustus Pugin approached Wailes about producing windows for him. Working with Pugin was a thankless task, as Pugin went from one workshop to another in an attempt to get his designs realised at the lowest possible cost. The working relationship laste ...
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Stained Glass
Stained glass refers to coloured glass as a material or art and architectural works created from it. Although it is traditionally made in flat panels and used as windows, the creations of modern stained glass artists also include three-dimensional structures and sculpture. Modern vernacular usage has often extended the term "stained glass" to include domestic leadlight, lead light and ''objet d'art, objets d'art'' created from glasswork, for example in the famous lamps of Louis Comfort Tiffany. As a material ''stained glass'' is glass that has been coloured by adding Salt (chemistry), metallic salts during its manufacture. It may then be further decorated in various ways. The coloured glass may be crafted into a stained-glass window, say, in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead, called cames or calms, and supported by a rigid frame. Painted details and yellow-coloured Silver staining, silver stain ...
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George Gilbert Scott
Sir George Gilbert Scott (13 July 1811 – 27 March 1878), largely known as Sir Gilbert Scott, was a prolific English Gothic Revival architect, chiefly associated with the design, building and renovation of churches and cathedrals, although he started his career as a leading designer of workhouses. Over 800 buildings were designed or altered by him. Scott was the architect of many notable buildings, including the Midland Grand Hotel at St Pancras Station, the Albert Memorial, and the Foreign and Commonwealth Office, all in London, St Mary's Cathedral, Glasgow, the main building of the University of Glasgow, St Mary's Cathedral in Edinburgh and King's College Chapel, London. Life and career Born in Gawcott, Buckingham, Buckinghamshire, Scott was the son of the Reverend Thomas Scott (1780–1835) and grandson of the biblical commentator Thomas Scott. He studied architecture as a pupil of James Edmeston and, from 1832 to 1834, worked as an assistant to Henry Roberts. He ...
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Reformation
The Reformation, also known as the Protestant Reformation or the European Reformation, was a time of major Theology, theological movement in Western Christianity in 16th-century Europe that posed a religious and political challenge to the papacy and the authority of the Catholic Church. Towards the end of the Renaissance, the Reformation marked the beginning of Protestantism. It is considered one of the events that signified the end of the Middle Ages and the beginning of the early modern period in Europe. The Reformation is usually dated from Martin Luther's publication of the ''Ninety-five Theses'' in 1517, which gave birth to Lutheranism. Prior to Martin Luther and other Protestant Reformers, there were Proto-Protestantism, earlier reform movements within Western Christianity. The end of the Reformation era is disputed among modern scholars. In general, the Reformers argued that justification (theology), justification was sola fide, based on faith in Jesus alone and n ...
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