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Church Of Notre-Dame Of Dijon
The Church of Notre-Dame of Dijon is a Roman Catholic church in Dijon. Considered a masterpiece of 13th-century Gothic architecture, it is situated at the heart of the preserved old centre of the city. It is located in Place Notre-Dame, near the Palace of the Dukes of Burgundy and opposite the rue Musette. Work on the church began around 1230.Franz von Reber. ''History of mediaeval art''. 1887. "Notre-Dame of Dijon, begun about 1230, at a time when French-Gothic had already attained its highest eminence .." The church contains the statue of Notre-Dame de Bon-Espoir, formerly called the Black Madonna. The church's decorations also include two symbols of Dijon: the jacquemart (bell-striking automaton) and the owl. The church was classified as a Monument Historique in the List of historic monuments of 1840. The chapel of the Assumption, the sacristy, and the gallery that links them have been listed as Monuments Historiques since 5 July 2002. History Before the second half of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lantern Tower
In architecture, the lantern tower is a tall construction above the junction of the four arms of a cruciform (cross-shaped) church, with openings through which light from outside can shine down to the crossing (so it also called a crossing lantern). Many lantern towers are usually octagonal, and give an extra dimension to the decorated interior of the dome. An affiliated term is the Italian , which is the lantern atop a dome. Like a lantern tower, a is often polygonal and interspersed with windows both to lighten the load and allow for light to shine. The word is from the Medieval Latin (, a variant of ). See also * Roof lantern Gallery File:Peterborough lantern tower.JPG, Interior, Peterborough Cathedral, UK File:Sutton Church - geograph.org.uk - 378802.jpg, St Andrew's Church, Sutton, UK File:StEtienne tour lanterne.jpg, Interior, Saint-Étienne's Church, Caen Caen (, ; nrf, Kaem) is a commune in northwestern France. It is the prefecture of the department of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grotesques
Since at least the 18th century (in French and German as well as English), grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous, ugly, incongruous, unpleasant, or disgusting, and thus is often used to describe weird shapes and distorted forms such as Halloween masks. In art, performance, and literature, however, ''grotesque'' may also refer to something that simultaneously invokes in an audience a feeling of uncomfortable bizarreness as well as sympathetic pity. The English word first appears in the 1560s as a noun borrowed from French, and comes originally from the Italian ''grottesca'' (literally "of a cave" from the Italian ''grotta'', 'cave'; see grotto), an extravagant style of ancient Roman decorative art rediscovered at Rome at the end of the fifteenth century and subsequently imitated. The word was first used of paintings found on the walls of basements of ruins in Rome that were called at that time ''le Grot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metope (architecture)
In classical architecture, a metope (μετόπη) is a rectangular architectural element that fills the space between two triglyphs in a Doric order, Doric frieze, which is a decorative band of alternating triglyphs and metopes above the architrave of a building of the Doric order. Metopes often had painted or sculptural decoration; the most famous example are the 92 metopes of the Parthenon marbles some of which depict the battle between the Centaurs and the Lapiths. The painting on most metopes has been lost, but sufficient traces remain to allow a close idea of their original appearance. In terms of structure, metopes may be carved from a single block with a triglyph (or triglyphs), or they may be cut separately and slide into slots in the triglyph blocks as at the Temple of Aphaea. Sometimes the metopes and friezes were cut from different stone, so as to provide color contrast. Although they tend to be close to square in shape, some metopes are noticeably larger in heigh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Course (architecture)
A course is a layer of the same unit running horizontally in a wall. It can also be defined as a continuous row of any masonry unit such as bricks, concrete masonry units (CMU), stone, shingles, tiles, etc. Coursed masonry construction arranges units in regular courses. Oppositely, coursed rubble masonry construction uses random uncut units, infilled with mortar or smaller stones. If a course is the horizontal arrangement, then a wythe is a continuous vertical section of masonry one unit in thickness. A wythe may be independent of, or interlocked with, the adjoining wythe(s). A single wythe of brick that is not structural in nature is referred to as a masonry veneer. A standard 8-inch CMU block is exactly equal to three courses of brick. A bond (or bonding) pattern) is the arrangement of several courses of brickwork. The corners of a masonry wall are built first, then the spaces between them are filled by the remaining courses. Orientations Masonry coursing can be arrang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tympanum (architecture)
A tympanum (plural, tympana; from Greek and Latin words meaning "drum") is the semi-circular or triangular decorative wall surface over an entrance, door or window, which is bounded by a lintel and an arch. It often contains pedimental sculpture or other imagery or ornaments. Many architectural styles include this element. Alternatively, the tympanum may hold an inscription, or in modern times, a clock face. History In ancient Greek, Roman and Christian architecture, tympana of religious buildings often contain pedimental sculpture or mosaics with religious imagery. A tympanum over a doorway is very often the most important, or only, location for monumental sculpture on the outside of a building. In classical architecture, and in classicising styles from the Renaissance onwards, major examples are usually triangular; in Romanesque architecture, tympana more often has a semi-circular shape, or that of a thinner slice from the top of a circle, and in Gothic architecture they ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dijon - Eglise Notre-Dame 1
Dijon (, , ) (dated) * it, Digione * la, Diviō or * lmo, Digion is the prefecture of the Côte-d'Or department and of the Bourgogne-Franche-Comté region in northeastern France. the commune had a population of 156,920. The earliest archaeological finds within the city limits of Dijon date to the Neolithic period. Dijon later became a Roman settlement named ''Divio'', located on the road between Lyon and Paris. The province was home to the Dukes of Burgundy from the early 11th until the late 15th centuries, and Dijon became a place of tremendous wealth and power, one of the great European centres of art, learning, and science. The city has retained varied architectural styles from many of the main periods of the past millennium, including Capetian, Gothic, and Renaissance. Many still-inhabited town-houses in the city's central district date from the 18th century and earlier. Dijon's architecture is distinguished by, among other things, '' toits bourguignons'' (Burgun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oculus (architecture)
An oculus (; ) is a circular opening in the center of a dome or in a wall. Originating in antiquity, it is a feature of Byzantine and Neoclassical architecture. It is also known as an '' œil-de-boeuf'' from the French, or simply a "bull's-eye". History Classical The oculus was used by the Ancient Romans, one of the finest examples being that in the dome of the Pantheon. Open to the weather, it allows rain and air to enter and fall to the floor, where it is carried away through drains. Though the opening looks small, it actually has a diameter of , allowing it to light the building. Byzantine The oculus was widely used in the architecture of the Byzantine Empire. It was applied to buildings in Syria in the 5th and 6th centuries and again in the 10th century. In Constantinople's Myrelaion Church (c. 920), there are two oculi above the stringcourse on both lateral facades. Renaissance Early examples of the oculus in Renaissance architecture can be seen in Florence Cathedral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apsidiole
An apsidole or absidiale is a small or secondary apse, one of the apses on either side of the main apse in a triapsidal church, or one of the apse-chapels when they project on the exterior of the church, particularly if the projection resembles an apse in shape. Francis Bond says that the Norman plan of eastern limb, which the Norman builders brought over to England at the Conquest Conquest is the act of military subjugation of an enemy by force of arms. Military history provides many examples of conquest: the Roman conquest of Britain, the Mauryan conquest of Afghanistan and of vast areas of the Indian subcontinent, t ..., contained a central apse flanked by apsidioles. Notes References Church architecture {{Church-architecture-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lancet Windows
A lancet window is a tall, narrow window with a pointed arch at its top. It acquired the "lancet" name from its resemblance to a lance. Instances of this architectural element are typical of Gothic church edifices of the earliest period. Lancet windows may occur singly, or paired under a single moulding, or grouped in an odd number with the tallest window at the centre. The lancet window first appeared in the early French Gothic period (c. 1140–1200), and later in the English period of Gothic architecture (1200–1275). So common was the lancet window feature that this era is sometimes known as the "Lancet Period". Retrieved 24 October 2006 The term ''lancet window'' is properly applied to windows of austere form, without |
