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Chronological List Of French Classical Composers
The following is a chronological list of classical music composers who lived in, worked in, or were citizens of France. Medieval * Leonin (c. 1150 – 1201) * Perotin (1160 – 1230) *Adam de la Halle (1240 – 1287) *Philippe de Vitry (1291 – 1361) * Guillaume de Machaut (c. 1300 – 1377) Renaissance *Guillaume Dufay (c. 1397 – 1474) *Gilles Binchois (c. 1400 – 1460) * Loÿset Compère (c. 1445 – 1518) * Josquin des Prez (c. 1450 – 1521), born near Franco-Flemish border *Pierre de La Rue (c. 1452 – 1518) *Jean Mouton (c. 1459 – 1522) *Antoine Brumel (c. 1460 – 1512/1513) *Clément Janequin (c. 1485 – 1558) *Claudin de Sermisy (c. 1490 – 1562) *Nicolas Gombert (c. 1495 – c. 1560) *Ninot le Petit (fl. c. 1500 – 1520) * Pierre de Manchicourt (c. 1510 – 1564) *Claude Gervaise (fl. 1540 – 1560) *Jean Titelouze (c. 1562/63 – 1633) Baroque *Pierre Guédron (c. 1570 – c. 1620) *Antoine Boësset (1586–1643) *Étienne Moulinié (c. 1599 – after 166 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Music
Classical music generally refers to the art music of the Western world, considered to be distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" also applies to non-Western art music. Classical music is often characterized by formality and complexity in its musical form and harmonic organization, particularly with the use of polyphony. Since at least the ninth century it has been primarily a written tradition, spawning a sophisticated notational system, as well as accompanying literature in analytical, critical, historiographical, musicological and philosophical practices. A foundational component of Western Culture, classical music is frequently seen from the perspective of individual or groups of composers, whose compositions, personalities and beliefs have fundamentally shaped its history. Rooted in the patronage of churches and royal courts in Western Europe, surviving earl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Gombert
Nicolas Gombert (c. 1495 – c. 1560)Atlas, p. 396 was a Franco-Flemish composer of the Renaissance. He was one of the most famous and influential composers between Josquin des Prez and Palestrina, and best represents the fully developed, complex polyphonic style of this period in music history. Life Details of his early life are sketchy, but he was probably born around 1495 in southern Flanders, probably between Lille and Saint-Omer, possibly in the town of La Gorgue. German writer and music theorist Hermann Finck wrote that Gombert studied with Josquin; this would have been during the renowned composer's retirement in Condé-sur-l'Escaut, sometime between 1515 and 1521.Nugent/Jas, Grove online Gombert was employed by the emperor Charles V as a singer in his court chapel in 1526 and possibly as a composer as well. Most likely he was taken on while Charles was passing through Flanders, for the emperor traveled often, bringing his retinue with him, and picking up new members as h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Couperin
Louis Couperin (; – 29 August 1661) was a French Baroque composer and performer. He was born in Chaumes-en-Brie and moved to Paris in 1650–1651 with the help of Jacques Champion de Chambonnières. Couperin worked as organist of the Church of St. Gervais in Paris and as musician at the court. He quickly became one of the most prominent Parisian musicians, establishing himself as a harpsichordist, organist, and violist, but his career was cut short by his early death at the age of thirty-five. None of Couperin's music was published during his lifetime, but manuscript copies of some 200 pieces survive, some of them only rediscovered in the mid-20th century. The first historically important member of the Couperin family, Couperin made contributions to the development of both the French organ school and the French harpsichord school. His innovations included composing organ pieces for specific registrations and inventing the genre of the unmeasured prelude for harpsichor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Lambert
Michel Lambert (1610 – 29 June 1696) was a French singing master, theorbist and composer. Career Lambert was born at Champigny-sur-Veude, France. He received his musical education as an altar boy at the Chapel of Gaston d'Orléans, a brother of king Louis XIII. He studied also with Pierre de Nyert in Paris. Since 1636, he was known as a singing teacher. In 1641, he married singer Gabrielle Dupuis who died suddenly a year later. Their daughter Madeleine (1643–1720) married Jean-Baptiste Lully in 1662. After his marriage, Lambert's career became closely linked to his sister-in-law and famous singer Hilaire Dupuis (1625–1709). In 1651, he appears as a ballet dancer at the court of Louis XIV. Beginning in 1656, his reputation as a composer was established and his compositions were regularly printed by Ballard. They consist mainly of airs on poems of Benserade and Quinault. He was the most prolific composer of airs in the second half of the 17th century. In 1661, he succeeded Je ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques De Gouy
Jacques de Gouy (c. 1610 – after 1650) was a French Baroque composer of Dutch ancestry. He was acquainted with composers in Parisian music circles of the early 17th century such as Étienne Moulinié and Michel Lambert. Works In his writings, de Gouy mentions having composed motets and '' airs,'' yet all of his published work is lost, save his ''Airs à quatre parties sur la Paraphrase des pseaumes de Godeau'' (1650), a setting of Antoine Godeau's ''Paraphrases'', including a long and informative preface. De Gouy only published the first 50 of the 150 psalms, because the work was received as too academic. De Gouy promoted Jean Le Maire's new system of notation, called "la musique almérique", by handing out engraved music scores to concert guests attending the premiere of ''Estrennes pour Messieurs et Dames du Concert de la Musique Almérique, presentée par M. Goüy premier professeur en icelle: en l'année 1642'', a chanson in four parts specifically written for that occasion. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Dufault
François Dufault (or Dufaut) (before 1604 (?)ca. 1672?) was a French lutenist and composer. Dufault was born in Bourges, France. As a student of Denis Gaultier, he enjoyed an excellent reputation as an instrumentalist, which is demonstrated in many contemporary sources where he was described as one of the greatest lutenists of his time. Almost no information is preserved about his life. He died, probably during the end of the 1660s or early 1670s, in England. From his works has survived a collection of twelve lute compositions in tablature besides a few individual works in manuscript or other compilations. His works are written with a lot of harmonic freedom and nearly in an improvisatory style. Life * François Dufaut composed music for the lute. His rhythmic sensitivity is remarkable. He left: * twelve pieces of tablature in the collection entitled ''Tablature de luth de différents autheurs sur des accords nouveaux'''','' published by P. Ballard in 1631, * a certain number ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denis Gaultier
Denis Gaultier (''Gautier'', ''Gaulthier''; also known as Gaultier le jeune and Gaultier de Paris) (1597 or 1602/3 – 1672) was a French lutenist and composer. He was a cousin of Ennemond Gaultier. Life Gaultier was born in Paris; two conflicting sources point to either 1597 or 1603 as the year of birth. The former can be deduced from an account by Thorian, who claimed that Gaultier died in 1672 at the age of seventy-five. However, an archival document from the Hôtel-Dieu de Paris hospital states that Gaultier was twenty-three at the time of his convalescence in the hospital, which was from 24 October 1626 to 12 December 1626. Very little is known about Gaultier's career. He may have studied under Charles Racquet, since he commemorated the lutenist's death with a tombeau. Until at least 1631 Denis's career was closely linked to that of his older cousin, Ennemond; so much that contemporary writers referred to either composer by surname only, making no attempt to distinguish bet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Champion De Chambonnières
Jacques Champion de Chambonnières (Jacques Champion, commonly referred to as Chambonnières) (c. 1601/2 – 1672) was a French harpsichordist, dancer and composer. Born into a musical family, Chambonnières made an illustrious career as court harpsichordist in Paris and was considered by many of his contemporaries to be one of the greatest musicians in Europe. However, late in life Chambonnières gradually fell out of favor at the court and lost his position. He died in poverty, but at an advanced age, and not before publishing a number of his works. Today Chambonnières is considered one of the greatest representatives of the early French harpsichord school. Life 1601–1631: Early years Chambonnières was born in Paris, most probably in 1601 or 1602. Very little information survives concerning his childhood and early youth. The Champion family included many musicians, most notably Thomas Champion (also known as Mithou; not to be confused with his English namesake), Chambonni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Étienne Moulinié
Étienne Moulinié (10 October 1599 – 1676) was a French Baroque composer. He was born in Languedoc, and when he was a child he sang at the Narbonne Cathedral. Through the influence of his brother Antoine (died 1655), Moulinié gained an appointment at court, as the director of music for Gaston d'Orléans, the younger brother of the king. For this post he wrote sacred and secular music, for voice or voices and lute or continuo. He also wrote music to accompany the ''ballet'' or other dances. He taught Gaston's daughter, Mlle de Montpensier. Moulinié worked for Gaston until the latter's death in 1660, at which point he was forced to find new employment. For this he returned to his birthplace of Languedoc.Grove, "Étienne Moulinié" Moulinié wrote in the genres of ''airs de cour'' and '' airs à boire''. His ''airs de cour'' are strophic and syllabic, but generally freer than others in the genre. His works were printed in a number of different forms (for voices alone and v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine Boësset
Antoine Boësset, Antoine Boesset or Anthoine de Boesset (1586 – 8 December 1643), sieur de Villedieu, was the superintendent of music at the Ancien Régime French court and a composer of secular music, particularly airs de cour. He and his father-in-law Pierre Guédron dominated the court's musical life for the first half of the 17th century under Louis XIII. His son Jean-Baptiste eBoesset, sieur de Dehault, composed church music. Life Born at Blois and baptised there on 24 February 1587, he was made master of the children within the musical household of the ''Chambre du roi'' in 1613. He rose to be the queen's music master in 1617 and secretary to the ''Chambre du roi'' in 1620, and finally ''surintendant'' of the musical household of the ''Chambre du roi'' in 1623 – in the last of these roles he succeeded Guédron (''surintendant'' under Henry IV and Louis XIII), whose daughter he married in 1613. In 1632 he was ''conseiller'' and ''maître d'hôtel'' ''ordinaire du roi.'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Guédron
Pierre Guédron (c. 1570 in Châteaudun – c. 1620 in Paris), was a French singer and composer known for writing ''Air de cour, Airs de cour'' (including ''Cessés mortels de soupirer''). Guédron's ''Est-ce Mars'' (1613) was especially popular and is known in versions by Jan Pieterszoon Sweelinck, Sweelinck (keyboard), Samuel Scheidt, Scheidt (5 part strings) and Nicolas Vallet, Vallet (4 lutes of different sizes). Works *6 books of ''Airs de cour à quatre et cinq parties'' *''Airs de différents autheurs mis en tablature de luth'' *1602: ''Ballet sur la Naissance de Monseigneur le duc de Vendosme'' *1610: ''Ballet de Monseigneur le duc de Vendosme oder Ballet d’Alcine'' *1613: ''Ballet de Madame'' *1614: ''Ballet des Argonautes'' *1615: ''Ballet du Triomphe de Minerve'' *1615: ''Ballet de Monsieur le Prince'' *1617: ''Ballet du Roy ou Ballet de la Délivrance de Renaud'' *1618: ''Ballet des Princes'' *1619: ''Ballet du Roy sur L’Adventure de Tancrède en la forest en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Titelouze
Jean (''Jehan'') Titelouze (c. 1562/63 – 24 October 1633) was a French Catholic priest, composer, poet and organist of the early Baroque period. He was a canon and organist at Rouen Cathedral. His style was firmly rooted in the Renaissance vocal tradition, and as such was far removed from the distinctly French style of organ music that developed during the mid-17th century. However, his hymns and Magnificat settings are the earliest known published French organ collections, and he is regarded as the first composer of the French organ school. Life In a 1930 study Amédée Gastoué suggested that the surname Titelouze may be of English or Irish origin (more specifically, derived from "Title-House"), but recently this supposition has been disproven, and "Titelouze" is now linked to "de Toulouse".Howell, Cohen, Grove. Titelouze was born in Saint-Omer in 1562/3 (his exact date of birth is unknown) and educated there; by 1585 he entered the priesthood and served as organist of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
