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Christoffel Van Dijck
Christoffel van Dijck (c. 1600-5, Dexheim – November 1669, Amsterdam) was a German-born Dutch punchcutter and typefounder, who cut punches and operated a foundry for casting metal type. Van Dijck's type was widely used at a time when Amsterdam had become a major centre of world printing. Life Van Dijck was born in Dexheim, now in Germany, to a Dutch Protestant family. His father Gilbert Breberenus van den Dijck and half-brother Johannes were Calvinist ministers. Gilbert had come to Dexheim from Breberen (in the United Duchies of Jülich-Cleves-Berg). Christoffel was trained as a goldsmith. By 1640 he moved to Amsterdam as a journeyman. On 11 October 1642 he applied to marry Swaentje Harmens (c. 1600/1601 – 1668) from Nordhorn, the widow of former minister Jan de Praet. Van Dijck then changed career to become a specialist in cutting steel punches, the masters used to stamp matrices, the moulds used to cast a letterform in metal type. How he began this career change is n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dexheim
Dexheim is an ''Ortsgemeinde'' – a municipality belonging to a ''Verbandsgemeinde'', a kind of collective municipality – in the Mainz-Bingen district in Rhineland-Palatinate, Germany. Geography Location Dexheim lies between Mainz and Worms, in Rhenish Hesse. The winemaking centre belongs to the ''Verbandsgemeinde'' Rhein-Selz, whose seat is in Oppenheim. History Dexheim's history began long before its first documentary mention. Finds within Dexheim's municipal limits have yielded information about the Germani who lived here. These artefacts can be seen at the Roman-Germanic Central Museum (''Römisch-Germanisches Zentralmuseum'') in Mainz. When the Romans needed bricks to build their castra, they took as their raw material the loam from Dexheim to shape and fire into bricks. In 774 Dexheim had its first documentary mention in a donation document in which Charlemagne bequeathed a great estate to the Lorsch Abbey. The second documentary mention is contained in an act ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John A
Sir John Alexander Macdonald (January 10 or 11, 1815 – June 6, 1891) was the first prime minister of Canada, serving from 1867 to 1873 and from 1878 to 1891. The dominant figure of Canadian Confederation, he had a political career that spanned almost half a century. Macdonald was born in Scotland; when he was a boy his family immigrated to Kingston in the Province of Upper Canada (today in eastern Ontario). As a lawyer, he was involved in several high-profile cases and quickly became prominent in Kingston, which elected him in 1844 to the legislature of the Province of Canada. By 1857, he had become premier under the colony's unstable political system. In 1864, when no party proved capable of governing for long, Macdonald agreed to a proposal from his political rival, George Brown, that the parties unite in a Great Coalition to seek federation and political reform. Macdonald was the leading figure in the subsequent discussions and conferences, which resulted in the Brit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Moxon
Joseph Moxon (8 August 1627 – February 1691), hydrographer to Charles II, was an English printer specialising in mathematical books and maps, a maker of globes and mathematical instruments, and mathematical lexicographer. He produced the first English-language dictionary devoted to mathematics, the first detailed instructional manual for printers, and the first English-language how-to books for tradesmen. In November 1678, he became the first tradesman to be elected as a Fellow of the Royal Society. Life Between the ages of around 9 and 11, Moxon accompanied his father, James Moxon, to Delft and Rotterdam where he was printing English Bibles. It was at this time that Moxon learned the basics of printing. Printer After the First English Civil War the family returned to London and Moxon and his older brother, James, started a printing business which specialized in the publication of Puritan texts, with the notable exception of ''A Book of Drawing, Limning, Washing or Colou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
X-height
upright 2.0, alt=A diagram showing the line terms used in typography In typography, the x-height, or corpus size, is the distance between the baseline and the mean line of lowercase letters in a typeface. Typically, this is the height of the letter ''x'' in the font (the source of the term), as well as the letters ''v'', ''w'', and ''z''. (Curved letters such as ''a'', ''c'', ''e'', ''m'', ''n'', ''o'', ''r'', ''s'', and ''u'' tend to exceed the x-height slightly, due to overshoot; ''i'' has a dot that tends to go above x-height.) One of the most important dimensions of a font, x-height defines how high lowercase letters without ascenders are compared to the cap height of uppercase letters. Display typefaces intended to be used at large sizes, such as on signs and posters, vary in x-height. Many have high x-heights to be read clearly from a distance. This, though, is not universal: some display typefaces such as Cochin and Koch-Antiqua intended for publicity uses have low x- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Palace Of Amsterdam
The Royal Palace of Amsterdam in Amsterdam (Dutch: ''Koninklijk Paleis van Amsterdam'' or ) is one of three palaces in the Netherlands which are at the disposal of the monarch by Act of Parliament. It is situated on the west side of Dam Square in the centre of Amsterdam, opposite the War Memorial and next to the Nieuwe Kerk. The palace was built as a city hall during the Dutch Golden Age in the 17th century. The building became the royal palace of King Louis Napoleon and later of the Dutch Royal House. History Town hall The structure was built as the Town Hall of the City of Amsterdam "facing the landing wharfs along Damrak, which at that time would have been busy with ships". The town hall was opened on 29 July 1655 by Cornelis de Graeff, the mayor of Amsterdam. The main architect was Jacob van Campen, who took control of the construction project in 1648. It was built on 13,659 wooden piles. Palace After the patriot revolution which swept the House of Orange from power a de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fleuron (typography)
A fleuron (;), also known as printers' flower, is a typographic element, or glyph, used either as a punctuation mark or as an ornament for typographic compositions. Fleurons are stylized forms of flowers or leaves; the term derives from the fro, floron ("flower"). Robert Bringhurst in ''The Elements of Typographic Style'' calls the forms "horticultural dingbats". A commonly-encountered fleuron is the , the floral heart or (ivy leaf). It is also known as an aldus leaf (after Italian Renaissance printer Aldus Manutius). History Flower decorations are among the oldest typographic ornaments. A fleuron can also be used to fill the white space that results from the indentation of the first line of a paragraph, on a line by itself to divide paragraphs in a highly stylized way, to divide lists, or for pure ornamentation. The fleuron (as a formal glyph) is an sixteenth century introduction. Fleurons were crafted the same way as other typographic elements were: as individual metal s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armenian Alphabet
The Armenian alphabet ( hy, Հայոց գրեր, ' or , ') is an alphabetic writing system used to write Armenian language, Armenian. It was developed around 405 AD by Mesrop Mashtots, an Armenian linguist and wikt:ecclesiastical, ecclesiastical leader. The system originally had 36 letters; eventually, three more were adopted. The alphabet was also in wide use in the Ottoman Empire around the 18th and 19th centuries. The Armenian word for "alphabet" is ('), named after the first two letters of the Armenian alphabet: hy, այբ ' and hy, բեն, links=no '. Armenian is written writing system#Directionality, horizontally, left to right. Alphabet *Listen to the pronunciation of the letters in or in . Notes: #Primarily used in classical orthography; after the reform used word-initially and in some compound words. #Except in ով "who" and ովքեր "those (people)" in Eastern Armenian. #Iranian Armenians (who speak a subbranch of Eastern Armenian) pronounce the soun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blackletter
Blackletter (sometimes black letter), also known as Gothic script, Gothic minuscule, or Textura, was a script used throughout Western Europe from approximately 1150 until the 17th century. It continued to be commonly used for the Danish, Norwegian, and Swedish languages until the 1870s, and for the German language until the 1940s, when Hitler's distaste for the supposedly "Jewish-influenced" script saw it officially discontinued in 1941. Fraktur is a notable script of this type, and sometimes the entire group of blackletter faces is incorrectly referred to as Fraktur. Blackletter is sometimes referred to as Old English, but it is not to be confused with the Old English language, which predates blackletter by many centuries and was written in the insular script or in Futhorc. Along with Italic type and Roman type, blackletter served as one of the major typefaces in the history of Western typography. Origins Carolingian minuscule was the direct ancestor of blackletter. Blacklett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italic Type
In typography, italic type is a cursive font based on a stylised form of calligraphic handwriting. Owing to the influence from calligraphy, italics normally slant slightly to the right. Italics are a way to emphasise key points in a printed text, to identify many types of creative works, to cite foreign words or phrases, or, when quoting a speaker, a way to show which words they stressed. One manual of English usage described italics as "the print equivalent of Underline, underlining"; in other words, underscore in a manuscript directs a typesetter to use italic. The name comes from the fact that calligraphy-inspired typefaces were first designed in Italy, to replace documents traditionally written in a handwriting style called chancery hand. Aldus Manutius and Ludovico Arrighi (both between the 15th and 16th centuries) were the main type designers involved in this process at the time. Along with blackletter and Roman type, it served as one of the major typefaces in the history ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Type
In Latin script typography, roman is one of the three main kinds of historical type, alongside blackletter and italic. Roman type was modelled from a European scribal manuscript style of the 15th century, based on the pairing of inscriptional capitals used in ancient Rome with Carolingian minuscules developed in the Holy Roman Empire.Bringhurst, p 124. During the early Renaissance, roman (in the form of Antiqua) and italic type were used separately. Today, roman and italic type are mixed, and most typefaces are composed of an upright roman style with an associated italic or oblique style. Early roman typefaces show a variety of designs, for instance resembling what would now be considered blackletter. Printers and typefounders such as Nicolas Jenson and Aldus Manutius in Venice and later Robert Estienne in France codified the modern characteristics of Roman type, for instance an 'h' with a nearly straight right leg, serifs on the outside of the capital 'M' and 'N', and 'e' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rembrandt
Rembrandt Harmenszoon van Rijn (, ; 15 July 1606 – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history.Gombrich, p. 420. Unlike most Dutch masters of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological themes and animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting), whilst antithetical to the Baroque style that dominated Europe, was prolific and innovative. This era gave rise to important new genres. Like many artists of the Dutch Golden Age, such a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
